Showbiz Sandbox 477: The Recording Academy Upstages Itself During Grammy Week
January 21, 2020
Even before this year’s Grammys are handed out next Sunday the Recording Academy is making headlines, not necessarily in a good way. In a controversial move, the organization put its CEO Deborah Dugan on administrative leave after less than six months on the job, citing reports of alleged misconduct. However, this came after Dugan sent a memo to the academy’s board highlighting voting irregularities, financial mismanagement, exorbitant legal bills as well as conflicts of interest with the organization’s board members, executive committee and outside lawyers.
It will take some time to sort out what is actually going on within the Recording Academy’s executive ranks, though we should know who takes home the Album of the Year Grammy by next week. If the academy plays it safe, it just might be Vampire Weekend, but we think Lizzo should be a frontrunner.
Meanwhile, Chinese New Year is upon us, the biggest movie-going week in the Middle Kingdom. As usual the country has blacked out Hollywood film releases to help bolster attendance of homegrown movies. Yet this may not even be necessary since lately domestic titles are doing better than imported content.
Of course we also cover the week’s top entertainment headlines including this year’s Rock and Roll Hall of Fame inductees, Netflix plans to spend billions on content and why we might be headed for another writers strike.
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Showbiz Sandbox 475: Broadway Attendance Was Up and Box Office Was (Slightly) Down in 2019
January 6, 2020
Broadway produced its second highest grossing year in history during 2019, earning $1.7 billion, just 3% down from the year before. The season still managed to set a record for attendance, selling more tickets than any other season in modern history. Indeed, during the last decade attendance at Broadway shows was up 20% as ticket prices rose a whopping 70%.
Speaking of financial figures, the worldwide movie box office numbers are still being finalized for last year but it looks as if France and China may have set new records. So did Disney, whose movies grossed $11.1 billion globally, accounting for 33% of North America’s ticket sales.
Meanwhile, the Hollywood Foreign Press Association lent their voices to this year’s awards season by handing out their Golden Globes for achievement in film and television. Despite a few unexpected winners there was no indication there choices will hold sway of the Oscars in February.
Of course we also cover the week’s top entertainment headlines including why the Kingdom of Jordan is banning a movie it helped fund, the Coachella Music Festival announces this year’s lineup and some popular works enter the public domain.
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Showbiz Sandbox 473: There Is A Disturbance In The Chinese Force
December 23, 2019
The “Star Wars” franchise was never a huge phenomenon in China the way it was elsewhere in the world, so it wasn’t much of a shock when the latest installment, “Star Wars: The Rise of Skywalker” flopped in its opening weekend in the country. It even came in second behind a local martial arts epic from Donnie Yen. In fact, eight out of the top ten earning movies in China during 2019 were homegrown hits as the country’s annual box office reached new heights.
The box office won’t break any records in North America this year, despite the strong opening of “Star Wars: The Rise of Skywalker.” A film version of the Andrew Lloyd Webber musical “Cats” sure isn’t helping either. It opened to scathing reviews and grosses to match. Good news though, a new version of the film should be in theaters for its second week.
Meanwhile, Netflix released subscriber info region by region and investors liked what they heard. Obviously, Netflix has hit peak subscribership in the United States, but when you look at how the company is doing in the rest of the world, you can see its customer base is growing substantially.
Of course we also cover the week’s top entertainment headlines including a new owner for Miramax, NBC/Universal reveals the pricing for the upcoming streaming service and “South Park” rules cable television for the seventh year in a row.
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Showbiz Sandbox 472: The Growing Dominance of Netflix Movies During Awards Season
December 16, 2019
As Hollywood’s major guilds begin announcing their nominations for best films of the year a trend seems to be emerging; Netflix is becoming a player in prestige cinema. Similar to how cable networks disrupted the domination of broadcast companies at the Emmys, the streaming giant has a growing number of entries vying for top awards.
In China the government has had to pivot from censoring basketball to worrying about how to deal with soccer now that one of the sports star players has spoken out over the protests taking place in Hong Kong. Can the government continue to pull sports off the airwaves without creating a huge programming problem?
Meanwhile, there has been some industry murmurings about the lack of big titles from Marvel or Lucasfilm on next year’s release schedule, leading some to believe box office will be down significantly. We take a quick look at some of the upcoming 2020 releases and explain why there is no need to panic.
Of course we also cover the week’s top entertainment headlines including the controversy that might break the reality show “Survivor,” why Billboard is adding video streaming to its album charts and the National Film Registry announces its latest selections.
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Showbiz Sandbox 471: A Harsh Verdict from Former “America’s Got Talent” Judges
December 9, 2019
After just one season on “America’s Got Talent” celebrity judges Gabrielle Union and Julianne Hough had done what they were hired to do; increase the show’s social media footprint. Yet their contracts were not renewed for a second season and Union gained a huge amount of attention for her claims the show has a toxic culture. The show’s producers and network NBC are being very careful in how they handle the situation.
In Hong Kong, mass protests continue to disrupt the city and its significant entertainment industry. The ongoing demonstrations have affected Asian year-end awards, Hong Kong’s box office and generally made it harder to do business for entertainment companies who are both trying to please China yet show they have a moral compass.
Meanwhile, it looks as if this year won’t set any North American box office records, though it might be the second highest on record. Disney, however, has nothing to worry about as they set theatrical earnings records thanks to a string of billion dollar releases.
Of course we also cover the week’s top entertainment headlines including Golden Globe nominations, the bidding war ver Ali Wong’s next comedy special and Comcast looks to expand in the United Kingdom.
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Showbiz Sandbox 470: The End of the Paramount Consent Decree
December 1, 2019
The Department of Justice has announced their intention to jettison the Paramount Consent Decree, the agreement that ended the studio system and under which the film industry has operated for the past 70 years. What will this mean for movie theater operators moving forward? Now that studios have become big media conglomerates will they behave anti-competitively?
Speaking of agreements, more mid-level talent agencies have signed the Writers Guild of America’s code of conduct. In the process, these agencies have gotten the WGA to agree not to enforce the ban on television packaging until one of four major firms signs on.
Meanwhile, the Thanksgiving holiday weekend was once again a time for audiences to return to cinemas en masse. However this year instead of going to see the latest blockbuster sequel, moviegoers actually sought out original films.
Of course we also cover the week’s top entertainment headlines including the Grammy nominations, why Netflix bought a movie theater in New York City and the controversy over the firing of Gabrielle Union from “America’s Got Talent.”
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Showbiz Sandbox 469: Hollywood Unions Set For Fight Over Streaming Residual Payments
November 17, 2019
As television networks turn from linear broadcast methods to consumer streaming platforms a brewing battle over residual payments has the potential to spark a dual union strike in the middle of next year. Jonathan Handel, an entertainment attorney and a contributing editor at The Hollywood Reporter, joins us to discuss how the lack of data coming from streaming giants could lead to a standoff between major guilds and producers.
Indeed, in mid-2020 the master contacts between the Alliance of Motion Picture and Television Producers and the Directors Guild of America, The Writers Guild of America and SAG-AFTRA are set to expire. By now negotiations on new contracts would be well underway. Instead talks have stalled as unions try to revise the formulas used by streamers to make residual payments to their members. Given the timing, it’s a perfect storm for a potential massive industry work-stoppage.
Meanwhile, the Broadway musical “Tootsie” is closing long before it recoups its production costs. Michael Riedel of the New York Post has a host of reasons for why this critic’s darling didn’t click, however only one of them makes sense; the show’s music wasn’t all that great.
Of course we also cover the week’s top entertainment headlines including how Amazon has followed Netflix in deciding not to publish box office figures for its films, George Lucas revises the original “Star Wars” once again and Taylor Swift gets into a public spat with her former record label.
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Showbiz Sandbox 466: How Hollywood Kowtows to China
October 28, 2019
Entertainment companies are finding themselves in compromising positions when it comes to avoiding political pitfalls in China. Movie studios and media conglomerates don’t want to disrupt their bottom line by appeasing Chinese authorities while surrendering their creative freedom. The result is that companies distributing content in China find themselves censoring themselves.
“South Park,” on the other hand, chose an alternative path; directly offending the Chinese government and immediately being banned throughout the country. Even when companies do kowtow to the Chinese government, they find themselves getting into trouble at home and abroad. Just ask the producers of the animated film “Abominable,” an animated film which was banned in the country for showing a map that favored China’s disputed territorial claims.
Meanwhile, the new television season started. Not that you’d know it based on the ratings, which are down almost any way you slice them. And the clear message is this: people’s viewing habits have changed, probably forever, and it’s not going to help TV channels trying to sell eyeballs to advertisers.
Of course we also cover the week’s top entertainment headlines including a tie for this year’s Booker Prize, Netflix somehow adds even more subscribers and a big Hollywood talent agency scraps its long awaited IPO.
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Showbiz Sandbox 465: Ang Lee’s Latest Science Project
October 14, 2019
Filmmaker Ang Lee is arguably one of the best directors to ever step behind a camera. He’s made acclaimed films such as “Crouching Tiger, Hidden Dragon,” “Brokeback Mountain” and “Life of Pi,” winning three Oscars along the way. However Lee’s latest efforts have been more concerned with filmmaking technology than their script.
That was certainly the case with “Gemini Man,” an action film that stars Will Smith playing an assassin opposite a digitally de-aged version of himself. Geoff Boucher of Deadline spoke with Lee about the challenges of making the film, which was shot in high frame rate at 120 frames per second.
Meanwhile, China deleted “South Park” from the airwaves (and the internet) after a new episode mocked the country’s human rights record. Then China canceled the broadcast of an NBA basketball game being played in Shanghai after a league executive showed support for anti-government protestors in Hong Kong. We discuss what this means for all the businesses that want a piece of the Chinese market but don’t want to damage their brand worldwide.
Of course we also cover the week’s top entertainment headlines including the Nobel Prize for Literature is awarded to a controversial writer, a new K-Pop supergroup storms the music charts and Apple launches an in-house production studio with some big name talent.
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Showbiz Sandbox 464: Warner Bros. Gets the Last Laugh With “Joker”
October 7, 2019
After winning the top prize at the Venice Film Festival last month, “Joker” shattered October box office records around the world. This was despite mixed critical reviews and concerns about violence that led to heightened security at movie theaters. The question remains whether the movie will be too dark for Oscar voters come awards season.
The box office in China also made headlines over the past week as the country celebrated National Day by heading to the movies. China’s biggest release for the holiday week even made it onto the North American box office charts.
Meanwhile, one of Hollywood’s biggest talent agencies was hoping to raise a lot of money by going public and ultimately change how agents do business. However, Endeavor wound up pulling its initial public offering at the last minute as market makers began raising doubts.
Of course we also cover the week’s top entertainment headlines including how who will be performing at next year’s Super Bowl Halftime Show, Spider-Man rejoins Marvel’s Cinematic Universe and Apple will release (some of) its movies in theatres with a 90-day theatrical window.
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