Showbiz Sandbox 457: The Biggest Touring Musical Acts Are Older Than Ever Before

July 29, 2019

Take a quick look at the top earning worldwide concert tours and you might be surprised to discover that half of the top ten acts are over 50-years-old. Heck, the number one tour of the year thus far is Elton John and he’s over 70. In fact, thanks to acts like Fleetwood Mac and Bob Seger, the average age of the top ten global touring acts has surpassed 50 for the first time anyone can remember.

Inversely, the age of the top ten recording artists of the year is getting younger, dropping below 30-years-old. This is due in large part to artists such as Ariana Grande, Post Malone, Travis Scott and Khalid who are all under 30 and in the case of Billie Eilish, under 20. We try to understand the age disparity between today’s biggest recording artists and those making their money on the road.

Meanwhile, in China, the burgeoning movie business has fallen on hard times. This is especially true in the cinema industry, where theater owners are contending with a drop in audiences flocking to the glut of new multiplexes that have opened in recent years. At the same time rents for theater locations have skyrocketed and the government imposed quota of foreign releases means many exhibitors are running out of content to show.

Of course we also cover the week’s top entertainment headlines including the latest on the dispute between the Writers Guild and talent agencies, the Toronto and Venice Film Festivals announce their lineups and how Metallica got caught scalping their own concert tickets.

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Showbiz Sandbox 308: Hollywood Thinks It Has Netflix’s Numbers

January 18, 2016

With Netflix now available in 190 countries, the upstart video-on-demand service has grown so big Hollywood studios and television networks are getting seriously worried. Sure, they’ve earned millions by licensing their content to Netflix, but they now find themselves competing with the company for new projects, not to mention the industry’s most sought after talent.

TV networks are especially upset Netflix can claim to be a success without ever revealing their ratings. Some have even gone so far as to commission studies to determine the true viewership of Netflix programming. Meanwhile, Netflix has become concerned about viewers bypassing geographic restrictions by subscribing to their U.S. service from international territories.

When it came to this year’s Academy Awards nominations however, Netflix was overlooked in all of the major categories. So were minorities. For the second year in a row all of the acting nominations and those for best director went to caucasians, giving rise to a repeat of the #OscarsSoWhite social media campaign.

Of course we also cover the week’s top entertainment news including NBC’s plans to produce a live version of the musical “Hairspray”, Al Jazeera America is being shut down and the death of actor Alan Rickman.

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Showbiz Sandbox 131: Broadway Flops Find New Life On The Road

January 9, 2012

Even the worst Broadway flops can wind up turning a profit once they begin touring in cities throughout the world. Patrick Healy, the theater news and features reporter for the New York Times, explains how sometimes it doesn’t matter if you make it big on the Great White Way, provided you’re a hit in Buffalo. He also provides a glimpse at what we might see at this year’s Tony awards.

Speaking of awards, the Director’s Guild, Writer’s Guild and Producer’s Guild announced their nominations for end-of-year accolades, helping to further define which films might be in the running for this year’s Oscars. Still, there doesn’t seem to be a front runner for Best Picture.

Music sales were up in 2011 for the first time since 2004. As expected, the sale of digital albums rose significantly as CD’s and other physical copies continued to decline.

Of course, we cover all the week’s top entertainment news including Van Halen’s reunion tour, new trouble for Netflix and the resignation of Disney’s marketing head.

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Showbiz Sandbox 127: Has NBC Lost Touch With Its Community?

November 28, 2011

When NBC removed the quirky sitcom “Community” from their mid-season schedule the show’s cult following went berserk. Fans launched petitions via Twitter and Facebook and in an ironic twist, got the show selected as TV Guide Magazine’s second annual Fan Favorites winner. In a desperate effort to find success with their primetime programming, NBC has given the “Community” time slot to another acclaimed comedy with mediocre ratings, “Up All Night”. Is anyone minding the store at the struggling network, or are all these calculated strategic moves?

Maybe “Community” can be saved by Netflix. That’s not such a far fetched idea now that the video rental cum streaming service is resuscitating the long-canceled “Arrested Development” by producing another 10 episodes. Yet, as Netflix moves into original content, it stock price continues to decline as some of the companies cash flow problems are made public.

Meanwhile, 30 years after it occurred, the Los Angeles Sheriff’s department has decided to reopen the case of Natalie Wood’s death. The legendary actress drowned under mysterious circumstances in 1981 while boating with her husband Robert Wagner. Could investigators actually find new evidence so long after the fact, or are they following tips from sources who might have ulterior motives.

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Showbiz Sandbox 109: Making Grammar Fun (And F*cking Funny)

June 27, 2011

When Chris Baker isn’t working on Madison Avenue for a big advertising firm, he is creating some of the world’s most exclusive websites… literarily.  TheWorldsMostExclusiveWebsite.com only lets verified celebrities and big wigs past the home page. His website M. Night School is crowd-sourcing enough funds to send director M. Night Shyamalan back to film school. Baker joins us to discuss his latest effort, “The Elements of F*cking Style“, a book that, unlike the one it parodies, employs sex, drugs and swearing to help teach readers proper English grammar.

After this past weekend, Baker may want to send Pixar back to film school. “Cars 2”, the company’s highly anticipated sequel to their blockbuster “Cars”, was given a drubbing by critics. However, critical acclaim may not matter for a film that earns $2 billion a year in merchandising.

At least nobody’s forcing you to see “Cars 2”. That might not be an option in China where the government is “suggesting” that everyone see “Beginning of the Great Revival,” a propaganda film disguised as a historical epic detailing the founding of China’s Communist Party.

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Showbiz Sandbox 108: China Becomes Hollywood’s New Best Frenemy

June 20, 2011

Hollywood movie studios have been raking in the yuan at the Chinese box office over the past year. This despite China missing the most recent World Trade Organization deadline to open its market to more foreign films. Forced to work through government sanctioned monopolies, studios have been aggressive about getting their movies in front of China’s billion plus citizens. Meanwhile, actors such as Christian Bale have headed east to star in China’s big blockbusters, such as Zhang Yimou’s Heroes of Nanking.

Maybe a film from China will be nominated for a Best Picture Oscar in the near future. Of course, contenders will have to figure out the new Best Picture nomination process put forth by the Academy last week. In an effort to create an air of suspense, the number of nominees for the year’s big film prize will fluctuate between 5 and 10 entries, depending on how balloting shakes out. We’ll explain all the new rules.

It looks as if Spotify, the popular European music streaming service, may be launching in the United States as early as July. They’ll go up against well established offerings like Pandora, which went public last week.

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