February 25, 2013
As one of the hosts of the Oscar Talk podcast and the editor of Indiewire’s Thompson on Hollywood blog, it’s no wonder Anne Thompson beat out most other award season experts by correctly predicting 19 out of 24 winners at this year’s Academy Awards. Thompson attended the Oscar ceremony in-person and confirms that Seth MacFarlane was no better live than on television.
Less than 24-hours after “Argo” won Best Picture and shortly after returning from the Governor’s Ball, Thompson recaps a whirlwind weekend that had her hobnobbing at the Spirit Awards awards on Saturday then walking the red carpet at Sunday’s Oscars. Rough life, to be sure.
In television news, it turns out most the of the hour-long network dramas premiering at mid-season have failed to find an audience. Maybe now that Nielsen is including online streaming in their ratings viewership will rise for some of these shows, but we wouldn’t count on it.
Of course we also cover the week’s top entertainment headlines including Billboard revamping music charts to include YouTube views, Shia LaBeouf drops out of his Broadway debut and Google’s plans for music streaming.
December 31, 2012
When the Academy of Motion Picture Arts and Sciences announced it would allow electronic voting for this year’s Oscar nominations many industry insiders felt it was long overdue. However with a median age of 62, the Academy’s membership may not be ready to cast ballots online. Heck, some members don’t even have computers.
Now reports have emerged that the Academy’s electronic voting procedure has hit a few speed bumps. Members have had password problems and those that were able to log into the voting system found it difficult and complicated. Some fear that voting for the Oscars will reach an all-time low. Yet there may be a very simple way to overcome some of the security concerns the Academy and its members have in casting online ballots.
The National Film Registry cast a vote of their own last week, adding 25 films to its archives in the Library of Congress, declaring them culturally, historically or aesthetically significant. Unfortunately this doesn’t necessarily mean these films will actually be preserved.
Of course, we cover the week’s top entertainment headlines, including a lucrative holiday box office, big changes for “The Walking Dead” and a historical court ruling for screenwriters.
March 8, 2010
The ballots have been counted, the envelopes have been opened and the nominees have undoubtedly returned their ball gowns and tuxes. Finally, after all the news coverage and public speculation about who would this year’s Oscars, the Academy of Motion Picture Arts and Sciences put us out of our misery on Sunday during their annual awards ceremony. The proceedings lasted more than three hours as usual and provided very few surprises.
Katheryn Bigelow made history by being the first woman to win the Best Director Oscar for “The Hurt Locker”, which won six awards in total including Best Screenplay and Best Picture. Jim Cameron’s “Avatar” won three technical awards for art direction, cinematography and visual effects. One of the night’s biggest surprises was when Geoffrey Fletcher walked off with the Best Adapted Screenplay Oscar for “Precious”, upsetting Jason Reitman’s “Up In The Air”.
As we predicted on last week’s episode, Jeff Bridges won Best Actor for “Crazy Heart”, Sandra Bullock won Best Actress for “The Blind Side”, Mo’Nique won Best Supporting Actress for “Precious” and Christolph Waltz won Best Supporting Actor for “Inglorious Basterds”. Damien Bona, co-author of the book Inside Oscar, stops by to help us analyze this year’s Oscar results. Read more