Showbiz Sandbox 653: Godzilla and Kong, Once Again, Prove Movie Theaters Aren’t Dead
April 2, 2024
The monstrous global box office opening of “Godzilla x Kong: The New Empire” may have been a surprise to film critics or anyone paying attention to industry tracking in advance of its release, but it surely proves that if you put movies in movie theaters, audiences will show up. Especially if those theaters offer premium auditoriums like IMAX. Even “Oppenheimer” opened well in Japan over this past weekend, becoming filmmaker Christopher Nolan’s biggest debut.
Meanwhile, the Walt Disney Company and the State of Florida have made overtures toward settling their recent legal disputes. As we predicted, despite the battle in the court of public opinion, it will all come to nothing.
Of course we also cover the week’s top entertainment headlines including Paramount Global’s ongoing financial woes, the discovery of some new Marvin Gaye music and how vinyl records are outselling compact discs.
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Showbiz Sandbox 596: The Compact Disc Turns 40 Years Old
October 4, 2022
It’s hard to believe that the compact disc format was first launched forty years ago this week. Billboard has a great oral history about the launch of the CD format and how it initially faced stiff resistance from record labels before kicking off a boom in music sales that lasted until digital MP3s took over 20 years later. We discuss our own
Meanwhile, the Washington Post has a very lengthy, multi-media feature about the search for the best sound in music, and whether that means lossless audio digital files, a newly remastered album on 180-gram vinyl or maybe, or just maybe, an old LP you find for $10 in a record store.
Of course we also cover the week’s top entertainment headlines including how Netflix plans to license comedy specials rather than own them outright, Trevor Noah steps down as host of “The Daily Show” and why September was the worst month at the domestic box office in 26 years.
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Showbiz Sandbox 576: Director Frank Marshall Strikes A New Note With Jazz Fest
March 15, 2022
Frank Marshall is probably best known as a producer of some of Hollywood’s biggest films, but he has also directed four successful narrative features throughout his career. More recently he has turned to directing documentaries, including “Jazz Fest: A New Orleans Story,” which he co-directs with Ryan Suffern. Marshall joins us to discuss the film, which premiered at this year’s SXSW Film Festival ahead of its theatrical release.
Meanwhile, as we inch our way closer to this year’s Academy Awards ceremony, the Directors Guild, BAFTA and the Critics Choice Awards were all announced over the weekend, helping to better define who may take home an Oscar.
Of course we also cover the week’s top entertainment headlines including how compact disc sales are on the rise (sort of), Amazon launches a live DJ streaming service and this year’s Olivier Award nominations.
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Showbiz Sandbox 510: Studios Play Hide and Seek With Box Office Data
September 15, 2020
Now that new movies are once again playing in reopened cinemas, studios are reluctant to report their pandemic crippled grosses lest their films be deemed publicly as financial flops. At least two studios are delaying box office reports of their latest releases in what many industry insiders fear is a new trend. Is it appropriate for distributors to break with a decades old tradition of reporting weekend grosses in the midst of COVID-19 or do they have the right to keep box office on their titles confidential?
Meanwhile, the Academy of Motion Picture Arts and Sciences announced a new diversity initiative for the Oscars. Now for a film to be eligible for the Best Picture category it has to meet at least two of four diversity requirements. It’s a thoughtful move, even if almost every film made in the last ten years can easily meet the new requirements
Of course we also cover some of the week’s top entertainment headlines including why Disney’s “Mulan” is stirring up unwanted controversy, a major talent agency finally agrees to the Writers Guild code of conduct and sales of vinyl records surpass compact discs for the first time in over 30 years.
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Showbiz Sandbox 461: A Crazy Example of Hollywood’s Gender Pay Gap
September 9, 2019
Pay disparity based on gender is not a new thing in the entertainment industry, especially in the movie business. History is rife with examples where leading men got paid multiples more than their leading ladies. However, gender pay gaps behind the camera aren’t often publicized. That wasn’t the case when Adele Lim, the co-writer of “Crazy Rich Asians” found out how much more her male co-writer was being paid for the sequels, she went public.
The good news according to a new study is that in front of the camera Hollywood is becoming more diverse. Women and people of color are being cast more than ever with 39 out of the top 100 films in 2018 featuring a female lead. Last year also marked a 12-year high for minorities being given speaking roles.
Meanwhile, advertisers and television networks are concerning themselves with a different set of numbers; viewership ratings. For the first time ever, Nielsen is counting all the people who watch TV in bars, airports and hotel lounges. Ratings will surely go up for some big categories such as sports. But will ad rates go up too?
Of course we also cover the week’s top entertainment headlines including why author Walter Mosley quit his “Star Trek: Discovery” writers gig, music sales are up for the year and, despite lots of new competition, Netflix looks poised to maintain its dominance of the streaming market.
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Showbiz Sandbox 415: Along With Box Office, Movie Star Salaries Are On The Rise In China
July 9, 2018
We’ve been told for years now that the theatrical box office in China will ultimately surpass that of North America, probably by 2017… or 2018, or definitely by 2020. But higher grosses have pushed the salaries for the country’s most sought after movie stars to astronomical proportions, something frowned upon in China. In fact, the Chinese government has now stepped in with a new set of regulations capping the salaries paid to talent on movies and television shows and have begun to scrutinize contracts more closely.
On the other hand, The Grammys have decided bigger is better. The Grammys are following the lead of most major awards and expanding its top categories. Instead of announcing the Best Five Album Of The Year nominees, they’ll be announcing eight. The same goes for Best Record and Best Song and Best New Artist. All other categories remain the same.
Meanwhile the group that votes on each year’s most coveted movie awards just got a little bigger. The Academy of Motion Pictures Arts & Sciences invited a record 928 people to their club with half the invites going to women and 38% to people of color.
Of course we also cover the week’s top entertainment news including how Spotify hopes to earn revenue by selling movie tickets, credible rumors about new “Star Trek” series and MoviePass officially adopts surge pricing.
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Showbiz Sandbox 398: Streaming Services Crowd The Field During Super Bowl
February 5, 2018
The ratings for this year’s Super Bowl may have declined 7% and we might know why. After all, there were ads for Hulu, Netflix movies like “The Cloverfield Paradox,” Amazon Prime’s Jack Ryan series and even a few movies that might appear in theatres later this year. Oh, there was also a pretty good football game that came down to the last play.
The big game usually puts a damper on the box office in North America, but it certainly doesn’t help when new releases can’t hold their own against titles that opened in December. Even so, international grosses are where all the action is these days and over the past week a Bollywood title managed to beat out the latest “Maze Runner” installment in China. We’ll explain why.
Meanwhile, the Oscar race is coming into sharper focus now that the Director’s Guild has handed out their top awards to “The Shape of Water” and “Get Out”. It’s important to remember however, that the preferential ballot has managed to upend the Best Picture category recently.
Of course we also cover the week’s top entertainment news including why there is a petition for RIAA president Neil Portnow to resign, compact discs are slowly disappearing from retail outlets and Netflix may team up with Luc Besson.
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Showbiz Sandbox 274: Cord-Cutting Has Never Been Easier, or More Expensive
March 23, 2015
Cord-cutting has been a growing fear of the television industry for many years. The terrifying possibility that consumers will give up their expensive cable bundles in lieu of online streaming is quickly becoming a reality as numerous services have sprung up to provide over-the-top options. Unfortunately none of these services offers access to all the major networks forcing viewers to spend just as much, or even more, to see all their favorite programs.
When you start adding up the cost of subscriptions to Netflix, Amazon Prime, Hulu along with newcomers such as Dish Networks Sling TV and HBO Now, cutting the cord may not be the cost savings everyone has been hoping for.
Meanwhile, the music industry has been undergoing its own struggles as existing revenue models have been upended by digital distribution. Last year marked the first time that streaming music earned more than the sale of music on compact discs. This has led to a rallying cry from industry trade groups for artists to be fairly compensated regardless of the platform on which their music is accessed.
Of course, we also cover the week’s top entertainment news stories including how female moviegoers are driving this year’s box office, why John Williams won’t be scoring Steven Spielberg’s next movie and the new math formula determining whether Madonna’s recent release is the top selling album of the week.
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Showbiz Sandbox 270: The Oscars Need A Reboot
February 23, 2015
What was billed as the closest Oscar race in recent memory turned out to be predictably dull as “Birdman” flew away with four awards including Best Picture. Not even host Neil Patrick Harris could make them more entertaining. Indiewire’s Anne Thompson attended the ceremony and stops by to give us her thoughts on this year’s Oscar winners and the ceremony itself.
We also take a look at the movies that could potentially be competing for Oscar trophies next year. Filmmakers such as Ron Howard, David O. Russell, Steven Spielberg and even this year’s Best Director winner Alejandro González Iñárritu all have movies set for release.
In other awards prognostication news, now that the Academy Awards are over, we have the Tony Awards for live theater to look forward to. Though once it looked as if there wouldn’t be any musicals to honor, Broadway will be awash in them come springtime. Even better, there are more new musicals than revivals scheduled for this season.
Of course, we also cover the week’s top entertainment news stories including Starbucks plan to stop selling CDs, the Emmys update their rules and finding an ending to “Mission: Impossible 5” has been… well, impossible.
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Showbiz Sandbox 126: Foot In Mouth Disease Sweeps Through Hollywood
November 14, 2011
Getting publicity in Hollywood can be a very difficult task. If you are an A-list director like Brett Ratner or a hot actor like Ashton Kutcher however, all you need to do is make a bigoted statement or fire off an ignorant Twitter post and you’ll get more ink than you ever wanted. Ratner’s homophobic slur forced him to resign as producer of next year’s Oscars, while Kutcher’s uninformed opinion on current events caused him to rethink his social media participation. Has the entertainment industry become overly sensitive or do its inhabitants just have no class? We try to figure out what all the fuss is about.
The other big news of the week was the sale of record label EMI to Universal Music Group and Sony. EMI’s owner, Citibank, decided to split the record label from its publishing arm in an effort to get the deal passed antitrust regulators. As the music industry contracts from four major record companies to three, what will it mean for indie artists and their fans?
Broadway may also be undergoing some changes soon. Long running musicals such as “Mamma Mia!”, “Chicago” and “Mary Poppins” seem to be fading fast and may need to make way for new productions such as a revival of “Porgy & Bess”, “Evita” featuring Ricky Martin and a stage version of “Bonnie & Clyde”.
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