Showbiz Sandbox 376: Cord Cutters Are Using An Old Hack To Watch Television – It’s Called An Antenna

August 7, 2017

As the Federal Communications Commission seeks to further deregulate cable television companies and do away with net neutrality, consolidation within the industry has caused rates to increase dramatically. We’ll explain how more and more people are growing fed up with high cable bills and what they’re doing about it. Some millennials have even discovered an amazing hack to get the broadcast networks for free! And it’s totally legal!

We’ll also tell you about how some big name players are getting fed up with Hollywood’s opaque accounting system. Sylvester Stallone is suing Warner Bros. over profit participation for his 1990s hit movie Demolition Man while filmmaker Steven Soderbergh is taking the distribution of his latest movie into his own hands.

In China, “Wolf Warrior 2” has earned nearly half a billion dollars at the global box office and looks set to become the country’s highest grossing movie ever. Meanwhile, Wonder Woman is still playing strong in theatres around the world and may surpass “Spider-Man” to claim the crown as the biggest comic book movie debut in history.

Of course, we also cover the week’s top entertainment news including why legendary TV producer Norman Lear is boycotting the Kennedy Center Honors reception, when Bette Midler is leaving “Hello Dolly” and why Netflix acquired a comic book company.

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Showbiz Sandbox 140: Nollywood Love – Inside The Booming Nigerian Film Industry

March 13, 2012

Oil rich Nigeria may be best known for political upheavals and brutal civil wars, though over the past twenty years the country has given birth to a thriving film industry. New York Times Magazine contributing writer Andrew Rice explains that what started out as a surplus of blank VHS tapes has grown into what is now called Nollywood; the world’s third largest movie business.  Nollywood films now suffer from the same issues faced by Hollywood and Bollywood; piracy and escalating production costs.

The budget for Disney’s “John Carter” was about five thousand times that of the average Nollywood film, which is probably why a $100 million worldwide opening is seen as a bit of a disappointment. Directing his first live-action film, Pixar veteran Andrew Stanton seems to be getting most of the blame for the movie’s lack of success, though it just as easily could be pinned on a studio full of senior executives that lacked experience producing big blockbusters.

Speaking of pricey failures, Fox canceled its sci-fi series “Terra Nova”. Producers hope the show will be picked up by another network, though at $4 million per episode few can afford it.

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Showbiz Sandbox 102: Why Music Videos Matter (Again)

May 9, 2011

Music videos rose to prominence in the 1980s to become on of the most important promotional vehicles for new music. As fans grew tired of watching their favorite musicians lip sync their way through elaborate videos MTV and the like stopped showing them. However, with the advent of inexpensive production equipment and the ability to reach a massive global audience via the Internet, musicians have begun churning out a new crop of innovative, and at times interactive, music videos, revitalizing an art form once written off as extinct.

In other music news, Warner Music Group was finally auctioned off for $3.3 billion. Now there is talk that the record labels new owner might scoop up EMI making Warner Music Group even larger than it is already. Meanwhile, in an attempt to reverse declining box office, concert promoters are trying to win audiences back with cheaper ticket prices and high-end acts.

Flixster and Rotten Tomatoes, two of the Internet’s most popular movie sites, were sold to Warner Bros. We debate whether the move will influence some of the reviews and recommendations the websites have become known for.

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Showbiz Sandbox 84: A Black List Every Screenwriter Wants To Be On

December 20, 2010

Since 2005 Hollywood studio executive Franklin Leonard has compiled an annual list of the industry’s “most liked” unproduced screenplays. Dubbed The Black List, past selections have gone on to win Academy Awards (“Juno”) or be turned into critically acclaimed films (“The Social Network”). Leonard talks about the project he began on a whim and how it has grown to a point where it can help launch a screenwriter’s career.

Also joining us on this week’s show is Geoff Boucher of the Los Angeles Times. Boucher explains how he recently broke two big stories in the film world. His first scoop was about filmmaker Jon Favreau who, after helming the first two installments of the Iron Man franchise, has opted not to direct “Iron Man 3”. Instead he’ll make a big budget film about Disneyland. That’s right… Disneyland. Meanwhile, Boucher also spoke at length with director Ron Howard who is working closely with author Stephen King to adapt the writer’s “Dark Tower” series for the big screen.

The Hollywood Foreign Press Association had many in Hollywood scratching their heads this week after they announced their Golden Globe nominations. Exactly how (or why) they nominated an action film such as “The Tourist” in the Best Musical or Comedy category is anybody’s guess.

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