Showbiz Sandbox 601: Middle East Film Industry On Display at Red Sea Film Festival
December 14, 2022
The second Red Sea International Film Festival just came to a close in Jeddah, Saudi Arabia, a country which didn’t even have movie theaters until four years ago. In fact, several Saudi films premiered at the event which put an emerging Middle East film industry on full display.
Meanwhile there is no debating that we are in the throes of the awards season. The National Board of Review, the Los Angeles Film Critics and the Golden Globes are handing out kudos even though none of them really matter when it comes to the Oscars.
Of course we also cover the week’s top entertainment headlines including why highbrow films are losing audiences, the Sight & Sound poll of best movies of all time is published and Ticketmaster messes up in Mexico.
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Showbiz Sandbox 586: Tony Awards Help Broadway Get Its Groove Back
June 14, 2022
After all of the obstacles the pandemic forced plays and musicals to deal with, this year’s Tony Awards looked to raise the curtain on a revived Broadway. The ceremony managed to honor some of the best productions and performances from last season while celebrating the efforts the Broadway community made just to stay in business. We’ll look at how they might help and hurt this year’s batch winners and mention a few of our favorite performances.
Meanwhile, just as movie theaters are looking to rebound from the pandemic, exhibitors in the United Kindom found themselves in a difficult position over a film depicting the early days of Islam. And Disney is saying au revoir to theatrical in France unless that country changes its rules on theatrical release windows.
Of course we also cover the week’s top entertainment headlines including some new categories for the Grammy Awards, the rare disorder forcing Justin Bieber to cancel tour dates and why a top executive at Disney is being forced out of the company.
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Showbiz Sandbox 490: The Future of Journalism After the Coronavirus
April 21, 2020
Long before the coronavirus pandemic, independent journalism was on life support, especially at the local level. After businesses around the world shut down advertising revenue at media outlets completely disappeared and may never fully return. This is especially true at newspapers and industry trade publications, which have begun cutting staff.
In a wide-ranging interview, Kelly McBride, a senior vice president at the Poynter Institute gives us her take on what journalism will look like after the pandemic. She also discusses her new role as the public editor of National Public Radio, as well as her work advising the Hollywood Reporter.
Of course we also cover some of the week’s top entertainment headlines including when we all might be able to attend a live event again, the latest on the Writers Guild contract negotiations and Netflix hits a new high.
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Showbiz Sandbox 454: Summer Box Office Is Heating Up
July 8, 2019
It was the Fourth of July in the United States which is often a slow news time for the entertainment industry. Except for when it comes to the box office which looks to finally be picking up slightly thanks to sequels such as “Toy Story 4” and “Spider-Man: Far from Home.” Though the box office continues to trail behind last year’s record-breaking tally there are still plenty of big releases to come.
That includes at least one more live-action remake of a classic Disney film; “The Lion King.” That will be the third such Disney release this year. Is the company saturating the market with live-action remakes of its own classic films?
Of course we also cover the week’s top entertainment headlines including why Lionsgate is slowing down its theme park plans, Mad Magazine will stop being published and Rolling Stone launches its own music charts.
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Showbiz Sandbox 451: With Streaming On the Rise, Apple Kills iTunes
June 3, 2019
Before the iPod, when Napster was turning casual music fans into criminals, Apple saved the music industry by launching iTunes. What the music industry feared would enable people to organize the music they’d already stolen, actually allowed people to start buying digital music legally. Within a few years Apple became one of the largest music retailers in the world.
Now that the software seems to have outlived its purpose Apple will launch new apps to handle music, video, books and podcasts and the once iconic all-purpose library known as iTunes will disappear. It turns out this may also be a way to force consumers into signing up for Apple Music, the company’s music streaming service.
Meanwhile, the state of film and television production has been turned upside down in Georgia thanks to the passage of a new law restricting abortion. Studios, networks, producers, directors and actors must decide whether to continue shooting in Georgia and accept its tax subsidies, or boycott the state entirely.
Of course we also cover the week’s top entertainment headlines including a record setting season on Broadway, the “Game of Thrones” creators dump their manager and the Oscars announced this year’s Governors Awards.
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Showbiz Sandbox 279: “Carol”, “Amy” and “Saul” Stand Tall At Cannes
May 18, 2015
It is impossible to see all the films at this year’s Cannes Film Festival, but halfway through the 68th edition at least three films have scored some positive buzz, all of them about tortured souls. Director Todd Haynes is leading the pack with “Carol” a film about repressed sexuality set in the 1950s, the Hungarian entry “Son of Saul” set in a Nazi concentration camp and “Amy” a powerful and moving documentary about the life of singer “Amy Winehouse”.
From the official screenings to the behind-the-scenes press conferences, we give you all the ins and outs of this year’s Cannes, including the world premiere of Pixar’s “Inside Out” which wowed attendees. Join us for our annual trip to the south of France.
Meanwhile, back in the United States, television networks have been busy selling advertising for next season’s lineup at the upfronts. We’ll tell you which shows got canceled, which new series got picked up and whether the television season has become year round.
Of course, we also cover the week’s top entertainment news stories including the BAFTA TV Awards, David Lynch heads back to “Twin Peaks” again and “American Idol” sings its final note.
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Showbiz Sandbox 276: Agency Wars Have A Long History in Hollywood
April 13, 2015
Even in the best of times being a Hollywood talent agent has never been an easy job. The dog eat dog nature of the agency business has never been more apparent than during the last few weeks when 11 agents suddenly defected from Creative Artists Agency, one of the industry’s leading agencies, to become partners at a rival firm, United Talent Agency. Following in the footsteps of their agents were A-list clients such as Will Ferrell, Zach Galifianiakis, Ed Helms, Melissa McCarthy and Chris Pratt.
This isn’t the first time big shot agents have deserted their agencies for greener pastures and taken their clients with them, nor will it be the last. In fact, CAA was founded in 1975 when Michael Ovitz along with Ron Meyer and several other agents, abruptly departed the William Morris Agency to form their own firm. The now legendary Ari Emanuel did the same thing 20 years later to start Endeavor.
Meanwhile, changes are also afoot in how television networks want advertisers to pay for commercial time. Two major conglomerates, Time Warner and Viacom, are moving away from Nielsen ratings and offering to let advertisers pay for the “impact” their ads have through metrics such as increased brand recognition, increased loyalty program registrations and consumer engagement on social media.
Of course, we also cover the week’s top entertainment news stories including Jay-Z makes a streaming media play with Tidal, filmmaker David Lynch backs out of “Twin Peaks” reboot, and NBC selects “The Wiz” as its next live televised musical.
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Showbiz Sandbox 252: Crouching Netflix, Hidden IMAX and the Myth of Broken Release Windows
October 6, 2014
The Weinstein Co. stunned the entertainment industry last week by announcing they would distribute the sequel to “Crouching Tiger, Hidden Dragon” simultaneously on Netflix and IMAX. As Brooks Barnes of the New York Times explains, the plan only has one problem; movie theaters refuse to show any film that opens day-and-date on home video or video-on-demand. This begs the question, if a movie never opens theatrically, was it’s release window really broken?
Netflix continued to make additional headlines later in the week by signing a deal with actor Adam Sandler to make four original movies for the streaming service. We discuss whether Netflix is changing the Hollywood paradigm or simply becoming one more buyer of premium content.
While Netflix is leaning into the future, director Christopher Nolan is taking a more old fashioned approach by releasing his upcoming movie on actual film. Select theaters showing “Interstellar” on analogue celluloid will get the film two days early. But will theater owners, who recently converted to digital cinema, still know how to thread a 35mm projector?
Of course, we also cover the week’s top entertainment news stories including the death of Saturday morning cartoons, why U2 released their latest album on vinyl and how Facebook is helping “Twilight” live on through a series of short films.
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Showbiz Sandbox 97: What The Failure Of “Mars Needs Moms” Means For Hollywood
March 22, 2011
When Disney’s animated film “Mars Needs Moms” flopped at the box office, film industry insiders struggled to pinpoint a possible cause. Was it the motion-capture animation style? The lackluster storyline? Are multiplexes saturated with too animated family films? Have higher 3D ticket prices caused moviegoers to become more picky? We are joined by New York Times media reporter Brooks Barnes who faults a long list of culprits for the movies failure.
Meanwhile, music industry big shots trekked to Austin, Texas last week hoping to find undiscovered artists at the South by Southwest music conference. However, 13-year-old Rebbecca Black didn’t have to attend SxSW to attract attention. She became the world’s latest pop-star in under a week when her much maligned song and music video turned into a viral Internet sensation.
Streaming video continues to change the television landscape. Video streaming service Netflix made the jump into original programming by picking up a television series. Such a move was aimed at keeping Netflix ahead of an endless assortment of competitors entering the market.
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Showbiz Sandbox 82: Training For The Awards Season Marathon
December 6, 2010
The end of the year always has more “best of” lists and awards show news than any media outlet knows what to do with. Over the past week nominees were announced for the Independent Spirit Awards, the Grammys and the Annies (for animated films). In Europe, they’ve already started holding awards ceremonies, with “The King’s Speech” cleaning up at the British Independent Film Awards and “Ghost Writer” topping the European Film Awards.
Competing at next year’s awards shows will likely be a few films selected for the upcoming Sundance Film Festival which will take place in January. Some outlets noted that the festival’s competition selection didn’t have enough star driven films, but artistic director John Cooper points to the premieres section which has been programmed with films sure to keep the Park City paparazzi quite busy.
In television news, it appears the degree to which networks and advertisers trust Nielsen’s rating system is decreasing by the day. They claim Nielsen’s method of acquiring its numbers is antiquated. Meanwhile, on Broadway, all anyone wants to talk about is “Spider-Man: Turn Off The Dark”. While most avid theater-goers believe the super hero musical is going to be awful, they all still can’t wait to see it.
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