Showbiz Sandbox 401: Redbox Beats Disney At Their Own Copyright Game
February 26, 2018
In the first round of a copyright infringement lawsuit, Disney failed to win an injunction preventing the DVD rental company Redbox from selling digital copies of its films. Instead, a judge ruled that since Redbox is forced to buy retail copies of Disney films, they have the right to sell the digital copy that accompanies each disc. To make matters worse, the federal court faulted Disney for copyright misuse, making the studio vulnerable to an existing countersuit filed by Redbox.
While Disney and Redbox duke it out in court over copyright issues, the cinema-going subscription company MoviePass is suing an upstart competitor named Sinemia over patent infringement while at the same time trying to straighten out its customer service.
In China the Lunar New Year closed out by bringing in $500 million at the box office, the highest weekend tally ever recorded in a single market. In total, the country took in whopping $901 million during the Spring Festival.
Of course we also cover the week’s top entertainment news including why actor Brendan Fraser disappeared from Hollywood, The Weinstein Company is forced into bankruptcy and Netflix debuts its first Arabic content.
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Showbiz Sandbox 189: Contentious CinemaCon; Corporate Coachella
April 29, 2013
At this year’s CinemaCon movie studios showed up in full force to pitch the world’s largest gathering of cinema operators on a bounty of upcoming blockbusters. Behind the scenes however, some of the larger theater chains were haggling with studios over how to divide ticket sales for tentpole releases such as “Iron Man 3”.
Meanwhile, for the second year in a row, the promoters of the Coachella Music Festival tried to replicate the event over two weekends. They held the same festival, with the same musical acts, on back-to-back weekends. While at times it couldn’t help but seem like a greedy attempt to extract more money from attendees, there were moments of sheer magic that only happen at Coachella.
Then there is Netflix, which after being ridiculed publicly for a series of ill-advised strategic moves in 2011, has managed to turn its ship around. After successfully producing its own hit-content with “House of Cards”, subscribers have returned, profits are increasing and the stock price is on the rise. Netflix CEO is feeling so good he wrote a manifesto on the future of televsion.
Of course we also cover the week’s top entertainment news including Zach Braff’s successful Kickstarter campaign, how Bittorent is helping market a movie and whether “Django Unchained” will ever be released in China.
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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood
April 4, 2011
Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.
One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.
The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.
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