Showbiz Sandbox 171: Cost Of Sports Could Be Cable’s Unbundling
November 26, 2012
The rights to broadcast Major League Baseball games through 2021 were recently scooped up by ESPN for a cool $5.6 billion. That’s nothing compared to the $15.2 billion the network will be paying the NFL for “Monday Night Football” over the next eight years. Now News Corp. has coughed up billions for a stake in the New York Yankees network and are on the verge of paying a rumored $6 billion for the rights to air Los Angeles Dodger baseball games for 25-years. Some cable operators are now saying the skyrocketing costs of sports programming is out of control and unrealistic.
Since we’re talking about billions of dollars, we may as well mention Sony Pictures. Thanks to films such as “The Amazing Spider-Man” and “Skyfall” the studio has taken in more than $4 billion worldwide this year at the box office. Lionsgate isn’t doing too bad either, earning $1 billion with releases such as “Hunger Games” and “Twilight Saga: Breaking Dawn”.
In fact, the North American box office is on pace to set a new record this year, much like the grosses recorded over the Thanksgiving holiday weekend. The $290 million was a new high for the four day period.
Of course, we also cover all the big entertainment headlines from the past two weeks including the ongoing sexual abuse scandal rocking Sesame Street, the death of actor Larry Hagman and NBC’s big win during the November sweeps.
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Showbiz Sandbox 162: Did The Justice Department Destroy The Literary Ecosystem With E-Book Settlement?
September 10, 2012
Despite strong opposition from authors, publishers, retailers and the public, the U.S. Department of Justice settled their anti-trust case with three major publishers over e-book price fixing. Even an explanatory comic strip from a well regarded copyright attorney couldn’t prevent a ruling that some industry analysts say will enable Amazon to dominate the market. However, not all involved parties have settled, with Apple, Macmillan and Penguin awaiting trial on the charges.
The headlines weren’t any better for the movie business, where theatrical attendance over the past weekend was the worst on record in more than 10 years. It probably doesn’t help that Fox announced they would make movies available for digital download shortly after they hit theaters.
On the other hand, magazine publishers have a lot to cheer about for a change, especially when it comes to the skyrocketing sales of overseas titles.
Of course we cover all the week’s top entertainment news including the return of ratings powerhouse “Sunday Night Football”, Daniel Craig’s future as James Bond and why the Oscars telecast will be singing a new tune next year.
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Showbiz Sandbox 160: Shedding Some Light On High Frame Rate Cinema
August 27, 2012
In case you haven’t heard, Peter Jackson is shooting his upcoming adaptation of “The Hobbit” at 48 frames per second (fps). That’s twice the standard 24 fps most films are filmed and shown in. Digital cinema expert C.J. Flynn explains why filmmakers such as James Cameron are urging the industry to adopt high frame rates (HFR). While HFR has its benefits, Flynn highlights the many technology hurdles that need to be overcome before it becomes the norm.
DreamWorks Animation is undergoing changes of its own. The studio signed a new deal with Twentieth Century Fox to release their films after the expiration of their current agreement with Paramount Pictures.
Late-night TV also had some big news last week with ABC announcing it will move Jimmy Kimmel’s show to 11:35 pm, competing directly with Jay Leno and David Letterman. What does this mean for the late shift and more specifically, for the long running news program Nightline, which will be pushed back an hour.
Of course, we cover all the week’s top entertainment news including Amazon launching the Kindle in India, Taylor Swift proves she has staying power with her latest single, and NBC’s “The Office” comes to an end after nine seasons.
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Showbiz Sandbox 158: A Rundown of The Year’s Top-Earning Authors
August 13, 2012
James Patterson tops the list of this year’s highest-paid authors according to Forbes. Working with a team of writers Patterson published an astounding 14 best-selling novels in 2011 to earn an estimated $94 million. Joining Patterson were regulars such as Stephen King and John Grisham among others, as well as newcomer George R.R. Martin whose “Game Of Thrones” series has become a best seller.
The Summer Olympics came to a close over the weekend. This must be disappointing to NBC which was just getting used to actually having an audience for a change. In fact, ratings for coverage of this year’s games set viewership records in both North America and Europe.
On previous episodes we’ve mentioned Hollywood’s new-found appreciation of China and it seems to only be growing. Last week filmmaker James Cameron announced the expansion of his 3D production company through a joint venture in China and DreamWorks Animation said they had agreed to work with a group of Chinese investors to develop a $3.1 billion culture and entertainment district in Shanghai.
We also cover the week’s top entertainment headlines including how Google plans to punish copyright thieves, a rumor that dead pop stars will perform on this season’s “X-Factor” and plans to adapt a cult 80’s television show featuring an alien puppet into a hit movie.
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Showbiz Sandbox 155: How Hollywood Handles A Real-Life Tragedy
July 24, 2012
The ripple effect caused by a deranged gunman last week at a midnight showing of “The Dark Knight Rises” spread far beyond the scene of the crime in Aurora, Colorado. Warner Bros. had to instantly pivot from celebrating the studios biggest opening of the year to managing a horrific nightmare which left 12 people dead and dozens injured. We examine how the studio and the entertainment industry have dealt with being part of such a tragic event.
On a happier note, at least for cable networks, the Emmy nominations were announced last week for the year’s best achievements in television. The major broadcast networks, which used to dominate the awards, were entirely shut-out in certain categories. Is this merely a fluke, or has the tide truly shifted to cable programming?
Meanwhile, author Brett Easton Ellis has been in a public feud with Deadline Hollywood editor Nikki Finke, all thanks to a simple posting on Twitter. We’ll fill you in.
We also cover all the week’s top entertainment headlines including some sequels to popular Pixar films, an executive shake-up at News Corp. and the newest judge on “American Idol”.
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Showbiz Sandbox 125: Are Radio D.J.’s A Thing Of The Past?
November 7, 2011
Radio listenership has eroded over the past several years as consumers have adopted streaming music services such as Spotify and Pandora. To stay competitive and survive, Clear Channel, the nation’s largest radio station operator, shocked the industry this past week by firing dozens of local D.J.’s and replacing them with a national programming team. Indie-label artists and music fans are sure to suffer as radio playlists become more homogenized and less relevant.
Google has no plans to get into radio, however rumors have surfaced that they might be trying to add a cable television operation to their broadband project in Kansas. Launching and maintaining a cable television service is not exactly like running a search engine; it can be expensive, take years and ultimately lead to a lot of red ink.
Comedian Louis C.K. has shunned traditional cable altogether. He’s decided to broadcast his upcoming comedy concert directly to fans via the Internet, bypassing traditional television distribution.
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Showbiz Sandbox 120: Netflix Must Adapt To A Hollywood It Helped Create
September 26, 2011
Ryan Lawler has spent the last two years writing about online video and digital media trends for GigaOm, a beat he’s covered for a number of publications. Who better to help us sort out what’s been going on with Netflix over the past two weeks? Despite a plunging stock price, slower subscriber growth and increased competition from the likes of Dish Network, Lawler says we shouldn’t be too worried about Netflix. He discusses what the future holds for the company during an in-depth interview.
Meanwhile, the fall television season was jumpstarted by “Two and a Half Men” as more than 28 million viewers tuned in to see Ashton Kutcher replace Charlie Sheen. Don’t feel too bad for Sheen though; he had 6.4 million people watching him get roasted over on Comedy Central and it appears he’s settling his lawsuit with Warner Bros. for a cool $25 million.
“The Lion King 3D” continues to dominate the worldwide box office, despite the fact that it’s a 17 year old movie that most have already seen. “Titanic” and “Top Gun” are already getting 3D makeovers, and it’s likely we’ll see studios reaching back into their archives to find even more titles.
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Showbiz Sandbox 111: Can Paste Magazine Ignite A Digital Publishing Revolution?
July 11, 2011
Less than a year after ceasing publication of their print edition Paste Magazine has revived itself in a new digital format. The popular music and culture magazine shunned the traditional print medium and relaunched as a weekly web periodical chock full of long-form features, downloadable music and multimedia content. Editor Josh Jackson reveals how the new Paste mPlayer was designed from the ground up as a next-generation publication. Is Paste giving us a glimpse into the future of magazines?
Soap operas are in the midst of their own transformation. Rather than canceling “All My Children” and “One Life To Live” as planned, ABC has struck a deal to keep the shows alive on the Internet. Will loyal viewers migrate online to keep up with their favorite soaps?
The music industry has also received some good news lately. Not only will the hotly anticipated arrival of Spotify in the United States soon be a reality, but Nielsen Soundscan is reporting that music sales are up slightly this year. Does all of this mean the music business is poised to make a comeback?
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