Showbiz Sandbox 452: The Tony Awards Go To Hell

The 2018-19 Broadway season was a banner year as the Great White Way broke box office and attendance records, earning $1.89 billion from an attendance of 14.8 million patrons. The Tony Awards were handed out to the season’s best productions and performances as “Hadestown,” a musical about Hell, took home eight prizes including Best Musical and “The Ferryman” won four trophies including Best Play.

During this episode we take a different approach to reporting box office; rather than report which movie topped the worldwide charts, we look which title earned the most money over the past week. Why only count Friday through Sunday, when there are four may days to every week in which people are seeing movies.

We are also joined by Patrick von Sychowski, the editor of Celluloid Junkie, who tells us how he put together an exclusive story of how Chinese authorities spent three years tracking and shutting down one of the largest movie piracy rings of all time. After uncovering piracy being done on an industrial scale, the question remains, could it happen again.

Of course we also cover the week’s top entertainment headlines including why Netflix was told to stop poaching employees from its competitors, YouTube starts pulling hateful content off its platform and Entertainment Weekly magazine goes monthly.

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Showbiz Sandbox 383: The Fall of Harvey Weinstein

When The New York Times reported that movie mogul Harvey Weinstein has been paying off women accusing him of sexual harassment for decades, it didn’t come as much of a surprise to many in Hollywood. Many of those that worked in and around the legendary indie movie producer, including a number of movie stars, were victims of Weinstein’s behavior, had direct knowledge of it, or had been warned about his reputation.

Reporters spent years trying to uncover the story, but only recently was enough evidenced gathered to conclusively document the repeated harassment. Within days of the story being published, and with more actresses leveling accusations, Weinstein was fired from his position as head of The Weinstein Company. Whether Weinstein could ever work in Hollywood again is difficult to fathom and the future of his former company is tenuous at best.

Meanwhile, the much anticipated sequel to the classic sci-fi movie “Blade Runner” was finally released to disappointing box office returns. Was it the 35-year wait between movies, the nearly three hour running time or simply a confusing marketing campaign that kept audiences away?

Of course we also cover the week’s top entertainment news including who won the Nobel Prize for literature, Netflix raises its prices and the this year’s nominees for the Rock and Roll Hall of Fame.

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Showbiz Sandbox 231: Could Vince Vaughn Be The Next David Letterman?

Late night talk show personality David Letterman surprised everyone last week by announcing that he would be retiring as host of the “Late Show” in 2015. News that Letterman would be exiting on his own terms after 30 years as a late night headliner broke in a thoroughly modern way; first via Twitter, then through the media’s career retrospectives and ultimately with stories about who would make a good replacement. We nominate Vince Vaughn.

In other television news, Time Warner Cable is in a bitter dispute with satellite provider DirecTV. The two companies are butting heads over the broadcast rights for the Los Angeles Dodgers baseball games TWC paid more than $8 billion for last year. With negotiations seemingly stalled, more than 30% of the market’s paid television subscribers have been blacked out of each game’s telecast.

Meanwhile, this year’s Broadway season is about to kick off in earnest on the run up to the Tony Awards. Our own Michael Giltz gives us a complete rundown on which productions he’s putting his own figurative money on.

Of course, we also cover the week’s top entertainment news stories including a trademark dispute over Mickey Mouse, a new contract for the Writers Guild of America and the continuing struggles of Entertainment Weekly.

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Showbiz Sandbox 199: Comic-Con and Hollywood Is A Match Made In Nerdvana

Hollywood movie studios are no stranger to Comic-Con, the world largest pop-culture convention attracting 140,000 fans to San Diego each summer. For years they have showed up with new titles hoping to drum up pre-release buzz, though at times such calculated marketing moves have backfired in spectacular fashion. Even so, Entertainment Weekly’s Geoff Boucher says audiences always welcome Hollywood back to the Con with open arms.

Boucher gives us an inside look at this year’s event, filling us in on which movies, television shows and events were huge hits (or misses) with fans. Did the announcement of a film pairing of Superman and Batman go over well with the crowd? Was everyone surprised to see a trailer for the “Veronica Mars” movie.

Last week also saw the Television Academy announce their nominations for this year’s Emmy Awards. The big news was the Netflix series “House of Cards” which earned 14 nominations and marked the first time a show will vie for an Emmy without having aired on broadcast or cable networks.

Of course we also cover the week’s top entertainment news including a public spat over Spotify streaming royalty rates, Keith Olbermann’s return to ESPN and a summer of big box office flops.

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Showbiz Sandbox 164: Geoff Boucher Knows More About Nothing Than Anyone

Geoff Boucher shocked the entertainment and media industries when he announced his resignation from the Los Angeles Times in mid-September. After all, Boucher has been credited with pioneering a new model for entertainment writers by melding print publications with both an online brand and live events; a format he’s dubbed “tradigital”. Why wouldn’t the Times want to keep him around. (They actually did).

Boucher spent 21 years at the paper, earning a stellar reputation as an entertainment feature writer and ultimately the editor of the Hero Complex, a blog covering all aspects of pop culture. In a wide ranging interview Boucher, who says he knows more about nothing than anyone, discusses his departure from the Times, how he landed at Entertainment Weekly less than a week later, and what his future plans are.

Meanwhile, the best and brightest talent on North American television was honored this past weekend at the 64th Annual Prime Time Emmy Awards. We’ve got a rundown of all the winners and a recap of the awards ceremony.

Of course, we also cover the week’s top entertainment headlines including an update on Universal Music’s purchase of EMI, electronic voting at the Oscars and how Major League Baseball is selling off its television rights for billions of dollars.

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