Showbiz Sandbox 211: Why Movie Studios Are Playing Musical Chairs With Release Dates

October 28, 2013

There was a time if a Hollywood studio pushed back the release date for one of its eagerly anticipated titles it signaled the movie might be in trouble. If there was ever a sign that such stigmas no longer apply when delaying a release date, one need look no further than this year. An overly crowded and competitive awards season has meant the release dates for a number of high-end hopefuls have been wisely pushed into 2014, including “Monuments Men”, “Foxcatcher” and “Jack Ryan: Shadow Recruit”.

Distributors in China, Japan and South Korea may soon have to start worrying about release dates too. Box office is surging to record levels in Asia, thanks not to Hollywood blockbusters, but rather homegrown productions.

If it were up to consumer electronics manufacturers, we’d all be watching movies at home on our new 4K Ultra HD televisions. Broadcasters, burned by the original conversion to HD and a string of 3D experiments, want to know who is going to foot the bill this time around.

Of course, we also cover the week’s top entertainment news stories including the new, yet familiar, writers taking on the “Star Wars” sequels, YouTube gets into the music streaming business and Netflix wants to make original movies.

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Showbiz Sandbox 180: Binge-Viewing Is Transforming The Way We Watch Television

February 4, 2013

With new streaming media services such as Netflix, Hulu and Amazon Prime popping up all the time, we now have the ability to watch entire seasons of episodic television series all at once.  Now Netflix is taking binge-viewing one step further by releasing all 13-episodes of their original drama series “House of Cards” at once.  Dawn Chmielewski of the Los Angeles Times explains how the trend is altering narrative structures, existing revenue models and the entire television landscape.

Speaking of television, the Super Bowl proved once again to be a huge ratings bonanza with more than 108 million viewers tuning in to the football championship game.  Unfortunately a power outage delayed the airing of a post-game television show which had hoped to get a boost from carryover viewers.

Meanwhile, Quentin Tarantino’s “Django Unchained” continues to top the worldwide box office, leading a pack of Oscar contenders that continues to attract big audiences well into the new year.

Of course we also cover the top entertainment headlines from the past week including news about a film version of the hit series “Entourage”, plans for subscription channels on YouTube and Ticketmaster (sort of) ditches its horrible security system.

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Showbiz Sandbox 66: Why Audiences Are Avoiding 3D Movies

August 9, 2010

Though 3D movies seem to be all the rage in Hollywood these days, it turns out fewer people are actually seeing them. Ever since the release of “Avatar” 3D’s box office earnings have been trending downward. Reporter Ben Fritz and columnist Patrick Goldstein, both from the Los Angeles Times, help us understand why 3D movies aren’t grossing as much as they did just six months ago.

Meanwhile over on “American Idol” they still haven’t worked out who will be judging next season’s competition, however Aerosmith lead singer Steven Tyler said publicly he was asked to join the show.

Arcade Fire released their third album “The Suburbs” to critical acclaim and they celebrated by webcasting their Madison Square Garden concert on YouTube. Making the event even more special, Terry Gilliam directed the webcast. Unfortunately for the concert industry, not every band is as successful as Arcade Fire at selling out their performances. Profits are down at concert giant Live Nation and it’s chairman has jumped on Twitter to explain why.

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