Showbiz Sandbox 403: Justice Department Makes Its Case Against AT&T-Time Warner Merger

March 12, 2018

As the Department of Justice prepares for its antitrust trial to prevent the merger of AT&T and Time Warner, they are submitted a brief to the court claiming the outcome of the case shape how video-content is delivered in the United States for years to come. They believe the merger will stifle competition, prevent competitors from entering the market and ultimately disadvantage consumers. If the government succeeds in court, could they go after Comcast NBCUniversal next?

Meanwhile, even though the Academy Awards were last week, Academy Award preferential balloting, there is still some debate over the preferential balloting system used to select Best Picture. Does the method lead to a consensus choice rather than the film most people voted for in the first place? Certainly, complaints about Best Picture winners are not new, nor is preferential balloting, which was first used at the Oscars n 1934.

The Fox television network plans on cutting advertising on its primetime lineup down to two minutes per hour by 2020. This comes as NBC and CBS recently announced similar ad-limiting initiatives. Why are TV networks suddenly so keen to dump their lucrative advertising and how will they make up that lost revenue?

Of course we also cover the week’s top entertainment news including how “Hamilton” has conquered the West End in London, e-sports turns into a billion dollar business and Facebook will broadcast Major League Baseball games this season.

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Showbiz Sandbox 397: Thompson On The 2018 Oscar Nominations and Sundance Film Festival

January 29, 2018

Some of the biggest annual headline generators in the entertainment industry all happened to occur during the same week this year; the Grammy Awards were handed out, the Oscar Nominations were announced and the Sundance Film Festival came to a close. Anne Thompson, Indiewire’s editor at large, helps us break down the Oscar nominations while also telling us about the titles from Sundance that we can look forward to seeing in the year ahead.

As for the Grammy Awards, though hip-hop albums by Kendrick Lamar and Jay-Z were heavily favored to win top prizes, it was Bruno Mars who took home the nights biggest honors, including Album of the Year. And though the telecast of the ceremony was filled with performances by the biggest names in music, viewership plummeted to an all-time low.

Meanwhile, the movie ticket subscription service MoviePass caused a stir in Hollywood last week, though not necessarily in a good way. The company removed ten high-profile AMC theaters from its service claiming they were tired of being ignored by the cinema chain. But could the real reason be that MoviePass was simply losing too much money at those locations?

Of course we also cover the week’s top entertainment news including why Neil Diamond and Elton John will stop touring, celebrities get caught out paying for social media followers and the story behind an open source, anonymous list of salaries for television writers and producers.

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Showbiz Sandbox 396: Has the #MeToo Movement Pushed Actress Salaries Higher?

January 22, 2018

As Hollywood continues to grapple with how to handle decades of sexual misconduct one immediate benefit for women throughout the industry may come in the form of higher paychecks. Take actress Ellen Pompeo, for instance. The star of “Grey’s Anatomy” for the past 13 years dished the dirt on her contract with ABC and after years of trying to be paid as much as the male leads of the show, she now makes $20 million per season.

Naturally not everyone working in television who is looking to be paid what they are worth, or even what they are owed contractually, is a woman. Frank Darabont, who created the hit series “The Walking Dead” has been suing AMC for years over profit participation in the show he was fired from. Now Darabont is returning to court armed with even more evidence the network tried to hoodwink him.

Meanwhile the awards season plows on with some claiming there are no front runners in the Oscars race. That seems strange when “The Shape of Water” (The Producers Guild) and “Three Billboards Outside Ebbing, Missouri” (SAG Awards) keep winding up at the top of most lists.

Of course we also cover the week’s top entertainment news including why the Huffington Post is saying goodbye to its bloggers, YouTube sets new guidelines for its partner program and MoviePass gets into the film distribution game.

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Showbiz Sandbox 387: Has Star Wars Turned Disney Into The Evil Empire?

November 6, 2017

Last week it was released that Disney would be charging movie theaters a record high percentage of box office and a minimum guaranteed run in order to book “Star Wars: The Last Jedi.” At the same time, the studio has blacklisted the Los Angeles Times from reviewing and covering its films. We’ll explain why.

In television news, the Nielsen ratings company is giving us a peek into viewership for the Netflix series “Stranger Things.” And the BBC is opening up its digital platform to different sports leagues so more games can be seen for free by more people.

We also continue to provide updates on the sexual harassment allegations that have plagued the entertainment and media industries over the past month. The rap sheet of people fired or quitting over revelations they’ve been sexually harassing and assaulting people for years grows longer and longer…starting with Kevin Spacey, who has seen his life collapse in just one week.

Of course we also cover the week’s top entertainment news including discussion of a “Lord of the Rings” television series, how YouTube has become a leading music curation platform and the Country Music Awards try and squelch the debate over gun control.

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Showbiz Sandbox 380: Hollywood Gets Pummeled by Rotten Tomatoes

September 12, 2017

With North American box office declining 15 percent over last year, Hollywood suffered its worst summer box office in 20 years. One main reason, studios believe, is the popularity of the movie review aggregation website Rotten Tomatoes, which brands titles as either “fresh” or “rotten”. The site has become so influential studios now try and game the system by handpicking critics for certain releases.

Disney, on the other hand, isn’t waiting for reviews to be in on its latest Star Wars movies before tweaking them. “Episode IX” is just the latest to lose its director over creative differences with Lucasfilm, which is quickly gaining the reputation as a tough place to be a filmmaker.

Meanwhile, one of North America’s largest brick-and-mortar book retailers reports that sales are off 6% in the latest quarter as consumers shift to buying online. Don’t worry however, the company has a great plan for fixing their sales problem; open more stores.

Of course, we also cover the week’s top entertainment news including how Amazon wants to produce a hit television show, the end of an era at Vanity Fair magazine and the mystery behind who will distribute the next James Bond movie.

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Showbiz Sandbox 379: Springsteen and Swift Beat Scalpers and Fans Pay The Price

September 4, 2017

New technology from Ticketmaster is allowing the likes of Taylor Swift and Bruce Springsteen to combat scalpers and sell tickets to legitimate fans. But at what cost? Swift is asking concert-goers to pay $63 for a physical copy of her latest album to get better seats and the ticket prices for Springsteen’s Broadway residency top out at $850.

Maybe these prices are simply musicians trying to make up for the earnings they’ve lost in record sales over the past 15 years. According to a new report from Goldmany Sachs though, the music industry is poised for explosive, make that historic; no, make that unbelievable growth. And we don’t believe it.

Meanwhile, as the summer moviegoing season in North America end in a thud with box office plummeting to record lows, bring the shares of major movie theater chains down with them. But are ticket sales the real reason behind the stock sell off.

Of course, we also cover the week’s top entertainment news including how Facebook is taking on YouTube with video content, “The Simpsons” lay off their beloved composer after nearly 30 years and a study says millennials are fleeing terrestrial radio.

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Showbiz Sandbox 377: Disney Breaks Up With Netflix To Launch Solo Streaming Service

August 14, 2017

After years of licensing their movies to Netflix, Disney announced last week that it will be launching their own streaming service when their current deal expires. Then in a true reordering of the media landscape, Disney also revealed it will be creating a standalone subscription streaming service for ESPN. Realistically though Disney might be one of the few entertainment companies that could successfully pull off direct-to-consumer strategy on such a grand scale.

Perhaps Disney felt threatened by content distributors like Netflix and felt compelled to make a move. After all, just days after making their announcement Netflix said it had lured producer Shonda Rhimes away from Disney’s ABC Studios to make original programming for its own service. Netflix also stole hitmaker Chuck Lorre away from CBS and cut a deal with the Coen Brothers to make one of their next projects.

Meanwhile, there’s lots of drama on Broadway, literally and figuratively. Everyone is talking about the collapse of the musical “Natasha, Pierre and the Great Comet of 1812,” which has charges of racism, unprofessionalism and bad management swirling around it. Now the show is closing long before its $12 million budget was recouped.

Of course, we also cover the week’s top entertainment news including how Warner Music Group posted big revenue gains thanks to streaming, Bruce Springsteen heads to Broadway and the emergence of a new Chinese media magnate.

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Showbiz Sandbox 371: Apple and Facebook Get Serious About Original Content

June 19, 2017

Both Apple and Facebook made headlines this week as details of their plans to produce original television content began to emerge. Apple announced the hire of two well-respected development executives to head up their efforts to participate in the golden age of TV, while Facebook closed deals on their first two shows.

It’s a good thing that both Facebook and Apple have deep pockets. If either hopes to upend the television industry the way Netflix and Amazon have, they’ll need to spend billions of dollars on original content, just like these other disruptors.

Spotify is also spending a small fortune to license music as its active worldwide user base suprasses 140 million. They plan on shelling out $2 billion over the next few years, a figure that is sure to rise as the streamer reaches agreements with more record companies.

Of course, we also cover the week’s top entertainment news including Yoko Ono finally getting songwriting credit on John Lennon’s biggest solo hit, “Imagine”, why IMAX is downsizing its workforce, and industry response to Sony’s decision to offer “clean versions” for 24 film titles in their back catalogue.
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Showbiz Sandbox 357: Oscars Can’t Win For Losing This Year

February 27, 2017

In a moment that will be discussed for years to come, this year’s Academy Awards ended with the wrong film being announced as the Best Picture winner. Ultimately it wasn’t “La La Land” that took home the prize as many predicted, but rather the socially conscious, racially diverse indie film “Moonlight” that won the award. Anne Thompson, Indiewire’s editor at large, tells us that by choosing “Moonlight” for its top award the Academy was making a statement about who they want to be as an industry.

Thompson also brings us backstage at this year’s Oscars, walking us through how such a huge mistake could actually happen, and what it was like in the press room when the error became apparent. Naturally, we touch on the some of this year’s Oscar winners as well.

Meanwhile, the way movies get distributed continues to be a contentious topic in Hollywood, with studios and cinema owners reportedly in negotiations on an agreement that might see new releases available for home viewing in as little as two weeks.

Of course, we also cover the week’s top entertainment news stories including how Netflix continues to book comedians, CBS cancels a brand new series and Beyoncé cancels her Coachella gig.

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Showbiz Sandbox 355: Adele’s Big Grammy Victory Is All In the Numbers

February 13, 2017

Though Beyoncé had been predicted to walk off with this years top Grammy Awards for her critically acclaimed album “Lemonade”, she was beat out by Adele who won five top awards for “25”. Rather than being racially motivated, as some would suggest, Adele’s Grammy success was buttressed by an album that sold 20 million copies making it by far one of the biggest albums of the last decade, topped only by sales of her previous release “21”.

Then there was the artist who has never sold a single record yet managed to win three Grammys this year. Chance the Rapper made history when he became the first artist to win a Grammy for a streaming-only album. “Coloring Book” won the Grammys for Best Mixtape and Best Rap Performance, while Chance the Rapper took home the prize for Best New Artist.

Meanwhile, the struggling entertainment conglomerate Viacom announced how it hopes to turn the company around. The company plans to focus on “silos” of branded properties which can be exploited across multiple platforms. This is the same strategy the Walt Disney Co. has used with great success; however Viacom’s existing properties are hardly as popular as Marvel or Pixar.

Of course, we also cover the week’s top entertainment news stories including plans to revive “American Idol” on television, Stephen Colbert’s “Late Show” tops Jimmy Fallon’s “The Tonight Show” for the first time and Aretha Franklin, the queen of soul music, announces her retirement.

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