Showbiz Sandbox 505: The Marvel and Mao Effect: A Hollywood Exec Heads to China, Hijinks Ensue
August 11, 2020
In his 17 years as the President of DMG Entertainment Motion Picture Group, Chris Fenton helped bring 20 Hollywood movies to China, facilitating co-productions, financing and distribution on blockbusters such as “Iron Man 3” and “Looper.” In his new book, “Feeding the Dragon,” the former William Morris agent details his time working in the entertainment industry and China. Fenton helps us read the tea leaves about the future for the relationship between the major studios and China.
Meanwhile, the entertainment industry is undergoing some seismic shifts. In a single week the Paramount Consent Decree was killed for good, television packaging is heading into the sunset and theatrical release windows for studio films just collapsed.
Of course we also cover some of the week’s top entertainment headlines including an executive shakeup at NBC, Taylor Swift sets a new chart topping record with her new album and the Eurovision song contest is coming to the United States.
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Showbiz Sandbox 469: Hollywood Unions Set For Fight Over Streaming Residual Payments
November 17, 2019
As television networks turn from linear broadcast methods to consumer streaming platforms a brewing battle over residual payments has the potential to spark a dual union strike in the middle of next year. Jonathan Handel, an entertainment attorney and a contributing editor at The Hollywood Reporter, joins us to discuss how the lack of data coming from streaming giants could lead to a standoff between major guilds and producers.
Indeed, in mid-2020 the master contacts between the Alliance of Motion Picture and Television Producers and the Directors Guild of America, The Writers Guild of America and SAG-AFTRA are set to expire. By now negotiations on new contracts would be well underway. Instead talks have stalled as unions try to revise the formulas used by streamers to make residual payments to their members. Given the timing, it’s a perfect storm for a potential massive industry work-stoppage.
Meanwhile, the Broadway musical “Tootsie” is closing long before it recoups its production costs. Michael Riedel of the New York Post has a host of reasons for why this critic’s darling didn’t click, however only one of them makes sense; the show’s music wasn’t all that great.
Of course we also cover the week’s top entertainment headlines including how Amazon has followed Netflix in deciding not to publish box office figures for its films, George Lucas revises the original “Star Wars” once again and Taylor Swift gets into a public spat with her former record label.
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Showbiz Sandbox 351: What We Know and Don’t Know About Book Publishing in 2016
January 16, 2017
Looking at how the publishing industry fared over the past year it quickly becomes apparent that there aren’t a lot of hard sales figures thanks to online retailers which don’t publish such data. With e-books accounting for 70% of all adult fiction purchases in 2016 the industry has become impossible to track. One measurable trend however is the record number of e-books being borrowed from traditional libraries.
Meanwhile, the box office has already claimed its first victims of the new year, with three high profile films tanking in their debut weekend. Does this mean Hollywood movie stars can no longer ensure a decent opening weekend?
Maybe moviegoers were simply catching up on all the year end movies that are being hailed during awards season. Nominations were announced last week by the guilds representing directors, producers, cinematographers and costume designers.
Of course we also cover the week’s top entertainment news including layoffs at Pandora, a Jimmy Buffett musical has plans for Broadway and George Lucas brings his long planned museum to Los Angeles.
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Showbiz Sandbox 305: Should “Star Wars: The Force Awakens” Box Office Records Require An Asterisk?
December 21, 2015
The release of “Star Wars: The Force Awakens” shattered box office records the world over and became the biggest movie opening of all time by earning $529 million. We explain why in countries such as Japan and South Korea, the latest “Star Wars” not only didn’t win the weekend, but in some cases earned less than earlier installments of the franchise. We also look at the breakdown of which formats audiences favored when buying tickets.
George Lucas’ original “Star Wars” movie was released in 1977 and was added to the National Film Registry in 1989. We weigh in on the annual list of films added to the registry by the Library of Congress, charged with selecting new entrants. It always makes for a fascinating mix; we’ll discuss what made this year’s cut there and why. Hint: It’s not always artistry that counts… and no we’re not looking at you “Top Gun.”
In music news, it turns out online radio services such as Pandora will soon be paying more to license songs. Meanwhile, Adele is trying to prevent her fans from having to pay more to purchase tickets to see her in concert. We’ll tell you about the growing backlash against the secondary market for concert tickets and what some artists are doing about it.
Of course we also cover the week’s top entertainment news including how “Star Wars” bumped Quentin Tarantino’s latest movie out of a historic movie theater, Howard Stern signs a new deal with SiriusXM and the list of this year’s inductees to the Rock and Roll Hall of Fame.
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Showbiz Sandbox 266: Sundance Becomes A Little More International
January 28, 2015
Though the Sundance Film Festival has long been one of the more important festivals held each year, it was primarily known as a launching pad for American independent films and as such international attendance was minimal. That seems to have changed over the past few years as Sundance selections started receiving Oscar nominations. Now industry professionals from all over the world show up at the festival to find the next “Whiplash”, “Precious” or “Beasts of the Southern Wild”.
We didn’t have to travel from halfway around the world to attend this year’s Sundance, but we are in Park City and will fill you in on all the buzzworthy films, major acquisitions and festival news.
Meanwhile, the Producer’s Guild Awards muddied the waters in the current race for the Best Picture Academy Award. While everyone assumed “Boyhood” would walk off with the prize on its way to Oscar victory, “Birdman” swept in and unexpectedly stole it. Whether this is any indication as to how Oscar voters will cast their ballots is questionable.
Of course, we also cover the week’s top entertainment news stories including why American Idol winner Phillip Phillips is headed to court over his record contract, how James Patterson is promoting his new book and Mrs. Doubtfire is headed to Broadway.
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Showbiz Sandbox 195: Hollywood Exploits 9/11 Imagery For Its Implosive Blockbusters
June 19, 2013
As “Man of Steel” sets the worldwide box office aflame, the latest Superman reboot also serves as yet another example of a Hollywood blockbuster exploiting the imagery of 9/11 for apocalyptic purposes. Kyle Buchanan, the Movies Editor at New York Magazine, would like to see filmmakers stop relying on meaningless urban destruction. He joins us to discuss his recent article calling for an end to the “orgy of gratuitous building-battering” in big budget movies.
Steven Spielberg and George Lucas are two filmmakers quite familiar with blockbuster movies. Now, the directors who helped launch the modern day tentpole release are predicting an “implosion” for Hollywood, along with a handful of other pessimistic prognostications. We’ll tell you what they had to say in a recent panel discussion.
Last week also saw Apple finally get into the music streaming business with the announcement of iTunes Radio. Only time will tell whether Apple will be able to compete with Pandora, Spotify and all of the other existing players in the space, though we’re not overly impressed.
Of course we also cover the week’s top entertainment news including a legal victory for Hollywood interns, Arnold Schwarzenegger returns to “The Terminator” and The Muppets head to Broadway.
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Showbiz Sandbox 170: Why Star Wars Is Better Off Without George Lucas
November 12, 2012
Two weeks ago Disney surprised everyone by purchasing Lucasfilm for a pricetag of $4 billion. Like the studio’s acquisition of Marvel in 2009, the move makes perfect sense since Disney can exploit the Star Wars franchise in films, television and theme parks. Given the quality of the prequels, it’s not hard to see why fans were relieved to hear George Lucas, the creator of the Star Wars universe, will have a limited role in the sequels Disney plans on releasing.
Speaking of lucrative franchises, the latest James Bond film, “Skyfall” was released to both favorable reviews and huge grosses. The twenty-third installment of the Bond series may earn over $1 billion at the international box office. And all without 3-D ticket surcharges.
Though audiences continue to reject paying a premium for 3-D movies in theaters, consumer electronic manufacturers report that the sales of 3-D capable televisions and Blu-Ray players is on the rise. However just because a TV can play 3-D content doesn’t mean people will take advantage of the technology.
Our former host Karen Woodward joins us for a rundown of all the top entertainment news stories from the past two weeks, including the huge sales figures from Taylor Swift’s new album, Mark Wahlberg signs on for the next “Transformers” film and CBS finally signs up for Hulu.
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Showbiz Sandbox 150: Is George Lucas A Schmuck?
June 4, 2012
Last week legendary filmmaker George Lucas announced he would be stepping down as the head of Lucasfilm and hired veteran producer Kathleen Kennedy to head up the company that bears his name. With Lucas retiring what will happen to his blockbuster franchises such as “Indian Jones”? Will we finally get a restored version of the original “Star Wars” trilogy on Blu-Ray?
Rather than retire after his long, successful run heading up Warner Bros., Alan Horn will step in as chairman of Walt Disney Studios. Many industry insiders wonder if the executive who oversaw the “Harry Potter” series will have a creative role in what is perceived to largely be a babysitting position.
The Tony Awards will be held this weekend and we give you the lowdown on who has the best shot at taking home Broadway’s top honor.
We also cover the week’s top entertainment headlines, including a new king of late night television, Oprah’s new book club and why Hollywood and Silicon Valley should work together to stop piracy.
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Showbiz Sandbox 114: Hollywood Overflows With Streaming Content Deals
August 1, 2011
Digital distribution of television shows, movies and music has become quite trendy in Hollywood. Not a week goes by that companies such as Netflix, Spotify, Hulu and others aren’t in the news cutting some sort of deal with a big studio, television network or record label. This past week retail giant Amazon and online video portal YouTube made big additions to their streaming content libraries while Fox decided to limit those who could view their shows online. We provide a rundown of all the recent announcements and what they might mean for you, the consumer.
We are also joined by Roger Goff, an entertainment attorney with Wolf, Rifkin, Shapiro, Schulman & Rabkin. He helps us understand a few recent lawsuits filed by television producers, especially one in which the producer of “American Idol” is suing Fox over not being made an executive producer on the upcoming reality series “X-Factor”.
Speaking of legal issues, it turns out the NBCUniversal Comcast merger wasn’t as much of a done deal as everyone thought. A federal judge is threatening to hold up approving the union claiming it may not be in the “public interest”.
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Showbiz Sandbox 54: Le Petit Cannes – Downsizing The Festival
May 17, 2010
Two of our co-hosts, Michael Giltz and J. Sperling Reich, are still at the Cannes Film Festival. Along with David Bourgeois, who is covering Cannes for Movieline, they discuss all the films they’ve seen, which ones they’ve liked, which ones are duds and the trends emerging at this year’s festival. So far it seems Mike Leigh’s film “Another Year” is the movie everyone has liked, while Woody Allen’s latest proved disappointing.
Ridley Scott’s “Robin Hood” opened the festival, though it didn’t open theatrically as well as everyone had expected. In it’s debut week it couldn’t top “Iron Man 2” at the box office.
The past week also saw some big television news. Networks have begun holding their “upfronts” to announce fall schedules. As usual a number of new shows will be hitting the airwaves and few didn’t make the cut, including “Law & Order” which NBC canceled after 20 years. Read more
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