Showbiz Sandbox 282: Broadway’s Not So Big Night at the Tony Awards

June 8, 2015

A musical about family, sexuality and suicide along with a play about an adolescent with Aspberger’s syndrome won the top prizes at this year’s Tony Awards over the weekend. Based on Alison Bechdel’s graphic memoir, “Fun Home” was awarded Best Musical and “The Curious Incident of the Dog in the Night-Time” earned Best New Play. On paper, both could have been marginal longshots to win Tonys, which can at times go to more commercial productions.

We go over the list of this year’s Tony Award winners and choose a few highlights from a ceremony in which they were quite sparse. It was great to see Kelli O’Hara win a Tony for Best Actress In A Musical after she had been overlooked the last five times she was nominated. Yet, in a year which saw Broadway break box office records, the telecast flirted with all-time low ratings.

Meanwhile, as we record this episode Apple appears set to announce their streaming music service which some big record label executives see as a tipping point that could save the industry. That seems like a tall order given how late the company is getting to market, but it’s never a good idea to underestimate Apple.

Of course, we also cover the week’s top entertainment news stories including how Netflix is heading to Spain, Senator Chris Dodd is staying on as head of the MPAA and Showtime is going over the top with its new streaming service.

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Showbiz Sandbox 278: Grooveshark Goes Down As Periscope Comes Up

May 4, 2015

Content owners seem to be locked in a never-ending game of legal Whac-A-Mole in an attempt to thwart technologies that enable copyright infringement. Last week record labels managed to shutter the music streaming service Grooveshark and movie studios were granted a court ordered injunction against Popcorn Time, which has been dubbed the Netflix of Piracy. Yet now entertainment companies are concerned about audiences live streaming television shows and movies from their mobile phones using social media apps such as Periscope.

That’s exactly what happened on Saturday during the welterweight title fight between Floyd Mayweather Jr. and Manny Pacquiao. Some viewers took it upon themselves to beam video of the boxing match by transmitting the pay-per-view broadcast through their phones.

Meanwhile on Broadway, this year’s Tony Award nominations were announced, recognizing the best and brightest new live theatre productions. We’ll give you a rundown of who was nominated and why walking off with one of the prestigious prizes can mean big profits at the box office.

Of course, we also cover the week’s top entertainment news stories including the gigantic opening of “Avengers: Age of Ultron”, a remake of “Roots” and how “Seinfeld” is earning big bucks on subscription video-on-demand.

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Showbiz Sandbox 60: Reality TV Doesn’t Kid Around

June 28, 2010

If you are a minor working on a reality television series it turns out there are no child labor laws that protect you. A month long investigation by the Los Angeles Times found  dozens of kids appearing on reality programs without legal safeguards due to widespread uncertainty about how to classify the shows. Times staff writers Matea Gold and Richard Verrier reveal that most of the popular shows had not obtained work permits to employ minors. Gold joins us this week to provide all the details.

It was good news and bad news at the box office. Good news for “Toy Story 3”, which finished in first place for the second week and bad news for Tom Cruise, whose latest movie, “Knight and Day” didn’t open to boffo numbers. If you’d like to place a bet on how much Cruise’s next movie might make, you might never get the chance. The U.S. Congress is set to pass a financial reform bill that would prevent two box office futures exchanges from operating.

The government is also getting involved in the annual Lollapalooza festival in Chicago, and not in a good way. The events promoters was subpoenaed last week for an anti-trust investigation. Turns out the “radius clause” in Lollapalooza’s contract is preventing Chicago night clubs from booking musical acts. Maybe Coachella’s booking rules aren’t so bad after all.

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