Showbiz Sandbox 547: Is Netflix The New Kleenex?
June 29, 2021
With exclusive theatrical release windows having disintegrated during the COVID pandemic, new movies are being released through so many methods and on so many platforms that it has inevitably confused audiences how and where they can watch a film. Initially, most movie watchers turn to Netflix, assuming most or all titles will be available on the service. That a title might only be offered by another provider at a premium only makes it more puzzling where new releases can be found.
There is no question however about where you can find musician Bruce Springsteen these days. He just returned to Broadway for a limited run of his biographical concert where he opened to absolutely no grosses. None! We’ll explain the reason why.
Of course we also cover some of the week’s top entertainment headlines including how the Emmys will allow winners to drop the gender label, why the United Kingdom is putting Channel 4 up for sale and Quentin Tarantino confirms he’ll quit directing after his tenth film.
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Showbiz Sandbox 545: Writer Paul Rudnick On The Royals, Romance And Rudin
June 15, 2021
When multi-hyphenate Paul Rudnick isn’t writing hit movies or award winning plays he is working on Broadway musicals with the likes of Elton John or busy writing novels. Rudnick joins us for a detailed and humorous conversation about his work and his latest novel, “Playing the Palace.”
We’ll also take a look at the final ratings figures for the primetime television season. Only four network shows increased in total viewers out of over 120 programs that aired during primetime. The numbers for key demographics don’t look much better.
Of course we also cover some of the week’s top entertainment headlines including how Sony Music is changing up how they pay royalties to artists, country singer Morgan Wallen returns to radio and North Korea bans all things K-Pop.
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Showbiz Sandbox 480: “Parasite” Infects the Oscars With Historic Win
February 10, 2020
Though many Academy Awards pundits believed that “1917” would win the Oscar for Best Picture, the prize went to filmmaker Bong Joon-ho’s “Parasite.” Anne Thompson of Indiewire joins us to explain how the industry united behind the South Korean film, giving it four top Oscars, in a historic win; the first foreign language film to ever win the Best Picture Oscar.
Surely none of the Oscar winners will be getting a bump at the box office in China, even if they managed to get a release date. Movie theaters have been closed for the past three weeks due to a coronavirus which has completely upended which films will get into cinemas and when in a tight calendar they’ll reach audiences.
Meanwhile, the WGA overwhelmingly approved their demands for the upcoming contract talks with producers and studios. The existing contract is set to expire in the middle of this year and just about everyone in Hollywood is expecting and gearing up for another writers’ strike.
Of course we also cover the week’s top entertainment headlines including why manufacturing vinyl records might get a lot harder, how YouTube is raking in revenue and Disney plans on bringing the Broadway musical “Hamilton” to movie theaters.
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Showbiz Sandbox 410: In a Global Landscape the Cannes Film Festival Remains as Relevant as Ever
May 21, 2018
Despite all the griping over the lack of glitz and glamour, or at the very least big movie stars, at this year’s Cannes Film Festival, the event lived up to its reputation for programming some of the most artistic movies currently being made around the world. When the Palm d’Or was handed out over the weekend it went to Japanese director Hirokazu Kore-eda for his touching family drama “Shoplifters.” Spike Lee’s “BlacKkKlansman” won the Grand Jury Prize and the Lebanese filmmaker Nadine Labaki was awarded the Jury Prize for her movie “Capernaum,” about a scrappy young boy dealing with the hardships of life ont he street in Beirut.
China too is becoming more diverse when it comes to the movies it is allowing in multiplexes. While Hollywood was quick to dominate the market with big blockbusters, Chinese distributors showed up in Cannes to acquire mid-budget titles from around the world.
Meanwhile, the mounting number of mergers and acquisitions of global media companies have begun to cause a chain reaction where each deal may affect the next. The latest merger has caused CBS to sue its parent company to prevent a merger with Viacom.
Of course we also cover the week’s top entertainment news including a movie deal for a Lin Manuel Miranda musical, YouTube tweaks its music subscription service and Congress looks to extend copyright protections.
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Showbiz Sandbox 383: The Fall of Harvey Weinstein
October 9, 2017
When The New York Times reported that movie mogul Harvey Weinstein has been paying off women accusing him of sexual harassment for decades, it didn’t come as much of a surprise to many in Hollywood. Many of those that worked in and around the legendary indie movie producer, including a number of movie stars, were victims of Weinstein’s behavior, had direct knowledge of it, or had been warned about his reputation.
Reporters spent years trying to uncover the story, but only recently was enough evidenced gathered to conclusively document the repeated harassment. Within days of the story being published, and with more actresses leveling accusations, Weinstein was fired from his position as head of The Weinstein Company. Whether Weinstein could ever work in Hollywood again is difficult to fathom and the future of his former company is tenuous at best.
Meanwhile, the much anticipated sequel to the classic sci-fi movie “Blade Runner” was finally released to disappointing box office returns. Was it the 35-year wait between movies, the nearly three hour running time or simply a confusing marketing campaign that kept audiences away?
Of course we also cover the week’s top entertainment news including who won the Nobel Prize for literature, Netflix raises its prices and the this year’s nominees for the Rock and Roll Hall of Fame.
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Showbiz Sandbox 290: Disney Plans A Trip To Star Wars Land
August 17, 2015
Last week the Walt Disney Company held its annual fan club convention, the D23 Expo, which gave the company a chance not only to promote some of its highly anticipated movie releases, such as a live-action “Jungle Book”, but also announce some new additions to their popular theme parks.
Disney plans to leverage its acquisition of Lucasfilm by creating an immersive Star Wars Land at both of its theme parks in North America. The company is also working on a “Toy Story” themed land for both parks as well. This is all on top of the “Avatar” attraction Disney is building in its Animal Kingdom park in Florida.
Meanwhile, the dog days of summer are usually a slow time for live theater productions, especially on Broadway. However this year multiple shows are bringing in million dollar grosses each week, including “Hamilton” a new musical that had the courage to premiere during August.
Of course we also cover the week’s top entertainment news including Sesame Street’s move to HBO, the end of Columbia House and how the late talk show legend Johnny Carson is returning to late night.
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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood
April 4, 2011
Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.
One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.
The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.
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