June 2, 2014
Even though subtitles appear more often in mainstream movies like “Avatar”, “Inglorious Basterds” and “Slumdog Millionaire”, North American audiences aren’t any more comfortable with them than they had been historically. In a detailed piece for Indiewire, Anthony Kaufman reports that foreign language films are struggling at both the U.S. box office and in ancillary distribution channels. Kaufman joins us for an in-depth discussion about the endangered state of world cinema.
We’ve just returned from this year’s Book Expo America, the largest annual book trade show in the U.S. The good news is that the publishing industry is actively engaging in digital instead of being frightened by out. Unfortunately, everyone was concerned that an ongoing contract dispute between publishing giant Hachette and online book retailer Amazon is a sign of a contentious future.
Meanwhile the Tony Awards will be held next weekend honoring the best productions and brightest talent to emerge from Broadway over the past year. Hugh Jackman is hosting the ceremony which will feature performances from Neil Patrick Harris, Idina Menzel and even Sting. The real money however, will be earned by whoever takes home the trophies for Best Musical and Best Musical Revival.
Of course, we also cover the week’s top entertainment news stories including a movie poster that’s a little too risqué for the MPAA, director James Cameron teams up with Cirque du Soleil and the record price NBC is charging for a 30-second ad during next year’s Super Bowl.
April 5, 2010
Yet another 3D film release topped the box office this weekend, sort of. “Clash of the Titans” was actually shot traditionally and had 3D added to it during post-production. Many film critics and industry insiders are faulting the film’s 3D work, which was performed in only eight weeks. Neil Feldman, the president and CEO of In-Three, a company that specializes in dimensionalizing 2D films, joins us during our Inside Baseball segment to discuss the difference between good 3D conversions and bad 3D conversions. For Feldman, it’s all about quality, which he believes Warner Bros. was not concerned with on “Clash”.
Apparently, Warner Bros. also wasn’t concerned with producing a sequel of “The Hangover” when they set out to make the surprise comedy hit. The studio neglected to put option clauses in the lead actor’s contracts so they are having to pay each of them $5 million to appear in the sequel. The same may have been true for Twentieth Century Fox and “Independence Day”. There are now rumors however that the studio has locked Will Smith in for two sequels to the blockbuster 1996 action film. Unfortunately they are just that… rumors.
Justin Bieber continues to tear up the music charts. His new album “My World 2.0” debuted in the number one spot and his first album is still at number five. Read more