Showbiz Sandbox 646: A Slimmed Down Sundance Still Shines
January 30, 2024
This year’s Sundance Film Festival reflected the current state of the contracting industry itself, offering fewer films at fewer venues for fewer in-person attendees. Yet, as festivals like Sundance work toward rekindling post-pandemic financial support, this year’s official selections were just as noteworthy as those that have appeared throughout its 40 year history. We’ll give you a rundown of the titles too look out for over the next year and fill you in on all the Sundance winners.
Speaking of winners, this year’s Oscar nominations were announced and they included a few titles from last year’s Sundance and Cannes film festivals. The only thing missing for most were nominations for “Barbie” director Greta Gerwig and its star Margot Robbie.
Of course we also cover the week’s top entertainment headlines including Jon Stewart’s return to “The Daily Show,” the influential music website Pitchfork suffers layoffs and Netflix continues dominate the streaming landscape with a stellar quarterly earnings report.
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Showbiz Sandbox 633: Dissecting the New Writers Guild Contract
October 3, 2023
The Writers Guild of America released details of the new contract they negotiated with the Alliance of Motion Picture & Television Producers ending their historic 148 day strike. The 94-page document is filled with big gains for writers in pay and protection from artificial intelligence. It’s also a compromise to the deal the WGA initially sought from the AMPTP, as is to be expected.
Meanwhile the Golden Globe Awards has christened two new categories; one for cinematic and box office achievement (which makes no sense) and another for best performance ni stand up comedy on television (which seems like a good idea).
Of course we also cover the week’s top entertainment headlines including why Juilliard’s acting program is about to get a lot cheaper to attend, how artificial intelligence is augmenting a classic Ingmar Bergman film and Beyoncé is bringing a movie of her Renaissance tour to cinemas.
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Showbiz Sandbox 628: An Inside Look at Streaming’s Microscopic Residual Payments
August 30, 2023
The recent success of the television series “Suits” on Netflix has shined a spotlight on how much money writers make on a cable or broadcast hit versus one on a streaming service. Last week one of the show’s writers revealed the vast difference in residual payments he received between linear and streaming underscoring why the WGA is currently on strike.
Meanwhile, with the WGA and SAG-AFTRA striking in strong solidarity, the AMPTP has hired a public relations crisis management firm. Studios, realizing the strike shows no sign of ending, have begun postpone tentpole releases such as “Dune 2” into 2024.
Of course we also cover the week’s top entertainment headlines including how Amazon has shown interest in partnering with Disney on ESPN, how preview screenings are messing up box office calculations and why musicians seem to be dumping manager Scooter Braun.
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Showbiz Sandbox 623: Actors Join Writers In Historic Dual-Strike
July 18, 2023
Film and television production ground to a halt last week in Hollywood (and elsewhere) when actors joined the already striking writers on the picket line. This marks the first time in 63 years that the Writers Guild of America and the Screen Actors Guild has been on strike at the same time and it is an existential moment for the entertainment business which could set the tone for labor relations for decades to come. Entertainment attorney and journalist Jonathan Handel drops by to give us all the details.
Meanwhile, the Emmy Award nominations were announced last week, though thanks to the ongoing strike(s) who knows when the ceremony will be held. What we do know based on the nominations is that in a world of peak TV, Emmy voters watched about…four shows last year!
Of course we also cover the week’s top entertainment headlines including why Disney is looking to sell off certain television assets, the BBC finds itself embroiled in another scandal and Taylor Swift becomes only the third artist to ever have four albums in Billboard’s top ten in a single week.
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Showbiz Sandbox 608: The Television Landscape Is Changing FAST
February 22, 2023
Major television networks, cable channels and even streamers are all reeling from all of the changes the industry has been undergoing recently. New shows are being canceled before they air. Others disappear after only a single season with all their episodes yanked from streaming libraries. Ratings for linear and cable are way down causing every stakeholder to earn less money from advertising and carriage fees.
All of this has caused the industry to get super excited by FAST – Free Ad Supported TV. These are streaming platforms built around existing properties like “Westworld” or original series like “Die Hart” which can be watched on-demand, only with ads peppered in. Annoying perhaps if you subscribe to HBO Max and expected to be able to binge shows that are no longer available on the platform.
Of course we also cover the week’s top entertainment headlines including why Roald Dahl’s books are being updated, box office in India rebounds nicely in 2022 and the big winners at this year’s BAFTAs.
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Showbiz Sandbox 578: The Oscars Get Slappy With It
March 29, 2022
If there was ever a year to speak with Indiewire Editor-at-Large Anne Thompson the day after the Oscars it would be this one. In what should have been a celebration of first’s; from the first deaf actor to win an Oscar (Troy Kotsur), to the first openly gay actress to win a prize (Ariana DeBose) to the first streaming film to win Best Picture (CODA). Instead, all of this was overshadowed by Will Smith taking the stage to assault comedian Chris Rock over a joke about his wife.
Thompson tells us what it was like to be in the room where it happened (she was), the industry’s response to Smith’s actions and what the incident means for the future of the Academy Awards.
Of course we also cover the week’s top entertainment headlines including audiences (and profits) returning to Broadway, the music industry pulls in $26 billion in 2021 and an Indian Telugu language action film nearly tops the worldwide box office.
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Showbiz Sandbox 554: China’s Love Affair With Hollywood May Be Over
September 7, 2021
For years analysts have breathlessly insisted China would become the largest movie market in the very near future. Well, last year after North American movie theatres spent most of 2020 shuttered, China did manage to become the top earner and did so primarily with local content. However, after COVID gave it a win with an asterisk, Patrick von Sychowski, the editor of Celluloid Junkie, discusses why the Chinese box office may stumble as the industry recovers from the pandemic whereas the Indian market is primed to take off.
Despite all the hurdles of getting their movies released in China, Hollywood’s affinity for the Middle Kingdom has hardly waned. The recent record breaking opening of Marvel’s “Shang-Chi and the Legend of the Ten Rings” will surely provoke even more interest in chasing the Chinese market.
Of course we also cover the week’s top entertainment headlines including another delay for “Top Gun: Maverick,” Kanye West enjoys his tenth number one album and the pop group ABBA reunites after 40 years.
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Showbiz Sandbox 537: The Positive Wave of Asian Media Comes To Comic Books
April 21, 2021
With a string of hit, award winning movies like “Parasite” and global pop-phenoms like BTS, Asian culture is having a moment in the spotlight. Thus it may be an opportune time for the publication of “The Good Asian,” a new comic book series about a detective in San Francisco’s Chinatown in 1936. We talk to Pornsak Pichetshote, its creator, who is a big player in comics, having edited top titles for DC’s Vertigo and helping launch its new TV division.
Meanwhile, as Broadway tries to reopen after the pandemic, powerhouse producer Scott Rudin is facing some fallout after a media profile about his past abusive, bullying behavior. Rudin says he will now step away from day-to-day oversight of his ongoing and future productions to prevent talent from backing out.
Of course we also cover some of the week’s top entertainment headlines including London’s West End prepares to reopen, Univision and Televisa announce a merger and the 46th annual IRA Awards.
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Showbiz Sandbox 460: Spider-Man Exits The Marvel Cinematic Universe
September 2, 2019
The big-time Hollywood divorce that has the entertainment industry buzzing this summer is the acrimonious split between Sony Pictures and Walt Disney Studios over custody of the most popular character in the Marvel Cinematic Universe; Spider-Man. The agreement that allowed Sony to loan out the character for Disney’s Avenger films was unprecedented. But after Disney asked to share in the financing and profit of future Spidey films, Sony opted out of the relationship.
The latest Spider-Man movie was one of the biggest hits of the summer, though box office for the season was actually down. One might think that’s why AMC Cinemas is planning to experiment with dynamically pricing movie tickets, but actually it’s really because they just want to charge more for popular films.
Meanwhile, streaming giants like Netflix are premiering some of their high profile movies at the biggest fall film festivals just in time to kick off awards season. They even plan to show them in cinemas before allowing them to be streamed on their platform. Now all Netflix has to do is convince cinema chains to book them.
Of course we also cover the week’s top entertainment headlines including why Eminem is suing Spotify, the Writers Guild takes its case against talent agents to federal court and why Taylor Swift wants to record all her old albums over again.
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Showbiz Sandbox 446: How the B-Team Grew Into the Marvel Cinematic Universe
April 29, 2019
When Kevin Feige, the President of Marvel Studios, set out to launch a movie franchise based on the company’s comic books he hired an erratic actor with a history of drug addiction to play a superhero hardly anybody knew and a director whose last film bombed. At the time, Geoff Boucher, now the genre editor of Deadline, wrote an article headlined “Here Comes The B-Team”.
Well, 12 years and over 22 films later the Marvel Cinematic Universe has become a $20 billion franchise whose latest entrant, “Avengers: Endgame,” made $1.2 billion in its open week. Boucher joins us to discuss how Feige managed to oversee one of the most profitable movie properties of all time.
Meanwhile, the Writers Guild is nowhere near reaching an accord with the Association of Talent Agents over packaging fees. Even some of the smaller agencies, who don’t package television series and don’t have affiliated production companies, are unwilling to sign the proposed code of conduct.
Of course we also cover the week’s top entertainment headlines including the moviegoing subscription service Sinemia shuts down, the Chinese government grows a little wary of the TV smash hit “The Story Of Yanxi Palace” and Steven Spielberg doesn’t actually hate Netflix.
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