Showbiz Sandbox 606: Beyoncé Makes Grammy History As Harry Styles Wins Album of the Year

Though Beyoncé led the 2023 Grammy Award nominations with nine nods, in the end she did not win the top prize for Album of the Year for “Renaissance.” Much to the dismay of some, that honor went to Harry Styles for “Harry’s House,” though Beyoncé did break the record for the most Grammy wins ever. We have a run down of all the winners and big surprises at this year’s Grammys.

We’re also joined by Sal Nunziato, whose blog Burning Wood has become a must-read for music aficionados. He and Michael Giltz discuss their favorite albums from the past year, and for once they are in agreement on most of them.

Of course we also cover the week’s top entertainment headlines including why a Bruce Springsteen fanzine ins calling it quotes after 43 years, Spotify continues to struggle with profitability and how “80 For Brady” tries to woo older moviegoers back to theaters.

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Showbiz Sandbox 589: Should Music Be Produced and Sold Like Fine Art?

In an effort to make music valuable again, producer T Bone Burnett is getting behind a technology that allowed him and Bob Dylan to create a one-off re-recording of “Blowin’ In The Wind” and then auction it off for $1.8 million. But can recordings be treated the same way as paintings are in the art world? If musicians limit the reproduction of their work will it really become more valuable?

Meanwhile the Emmy Award nominations were announced last week with hit series from HBO and HBO Max helping the network garner 140 nods. Netflix made history with “Squid Game” becoming the first non-English language show to be nominated for Best Drama Series.

Of course we also cover the week’s top entertainment headlines including why comedian Lewis Black is suing Pandora, the reason Shawn Mendes is pausing his world tour and how Iran is jailing its leading film directors.

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Showbiz Sandbox 85: How To Save The Movie Business

In an age of video on demand and mobile computing, the traditional method for releasing films doesn’t seem to be working. As ticket prices rise, moviegoing and ticket sales are declining. Even worse, the fastest declining segment of moviegoers is young adults who can’t find movies that speak to their generation. Independent producer Cotty Chubb has proposed a potential solution to the problem, but it requires the participation of reluctant theater operators.

In a open letter to Relativity Media topper Ryan Kavanaugh published on IndieWire, Chubb suggests that riskier movies be released “day-and-date” at lower prices not only in theaters but on multiple platforms such as DVD and iTunes. He joins us for an in-depth discussion about his plan and how to bring audiences back to the movies.

As 2010 comes to a close we take a look at some of the year’s highest grossing and most pirated films. We also say goodbye to our co-host Karen Woodward whose career as a social media consultant has truly taken off.

Of course, we cover the week’s top entertainment headlines during Big Deal or Big Whoop, including the latest news from the Broadway version of “Spider-Man”, a delay in the next “DaVinci Code” movie and Steven Soderbergh’s rumored retirement. Our Inside Baseball topic focuses on SoundExchange and the music industry’s rising digital fortunes.

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Showbiz Sandbox 55: I Want My Google TV

It’s official. Google is getting into the television business with help from Sony and Logitech. Will making television searchable cause viewership to rise? On the other hand, movies have apparently found a way to shrink their audience – raise movie ticket prices. While “Shrek Forever After” may have topped the North American box office, it’s $71 million debut was seen as a bit of a disappointment. Industry pundits are pointing to the rising cost of 3D movie tickets as part of the cause.

And if you think movie tickets are getting too expensive just wait until cable companies start offering “home theater on demand”. Movie studios are being pitched by cable operators on distributing their movies via video-on-demand just 30 days after they are released in theaters. However, the $20 to $30 price tag may turn potential customers away.

We wrap up our coverage of the Cannes Film Festival, where an obscure “auteur” film from Thailand took the top prize. Michael Giltz and J. Sperling Reich tell us about all the films they liked (and hated) at this year’s festival.

The series finale of “Lost” aired over the weekend, though it received mixed reviews and mediocre ratings. Read more

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