December 5, 2016
With 2016 coming to an end movie critics have begun announcing their picks for the year’s noteworthy releases. As in recent years, critics groups from New York to Los Angeles differ slightly on what the top movie should be. The New York critics group went with the musical “La La Land”, while The L.A. group chose the drama “Moonlight”. To really confuse things the National Board of Review selected “Manchester by the Sea”. What this breadth of selections means is there were plenty of great films to see this year.
Where you see these movies, on the other hand, continues to be a debate, at least for the heads of movie studios. Kevin Tsujihara, the head of Warner Bros., made it known his company would like to release films into the home market soon after their release in movie theaters. He says the studio is having “constructive conversations” with a few cinema operators to make this a reality, but what that really means is anybody’s guess.
There seems to be no confusion however over whether TV networks want to attend the winter press gathering of the Television Critics Association; they don’t. These annual events allow networks to promote new shows while giving journalists a chance to grill the creatives and executive behind them. It looks as if many networks are skipping out on this January’s press tour as the top executives from ABC, CBS, Fox and NBC declining their invites.
Of course we also cover the week’s top entertainment news including DirecTV’s plans to go over the top, Netflix allows users to download movies for offline viewing and the Bee Gees get a new record deal.
June 6, 2016
After the Academy of Motion Pictures Arts & Sciences failed to recognize the work of minority actors and filmmakers for the second year in a row, the organization promised to double the number of minorities within the next four years. The Los Angeles Times has taken matters into their own hands by suggesting 100 industry professionals that could make the Academy more diverse. Tre’vell Anderson, the staff writer who oversaw the project, joins us to explain how the list was compiled and what the response has been.
Meanwhile, rumors are circulating that Disney has scheduled four weeks of reshoots for the Star Wars spin-off “Rogue One”. There is some speculation that Disney felt the film was too dark, however it could just be the standard reshoots multi-million dollar blockbusters often go through.
Sony made some revisions of their own last week to their senior executive ranks. Specifically the heads of both the motion picture and television groups both announced their departure from the studios. What’s noteworthy about the news is that both had worked at the studio for 25 years.
Of course we also cover the week’s top entertainment news including when the Broadway hit “Hamilton” might lose its leading man, Nintendo revamps Pokemon in China and Amazon expands its content offerings in Japan.
February 8, 2016
The movie awards season remains as confusing as ever, with the Directors Guild handing out its top honor to “The Revenant”. Will this have any impact on an Oscar race in which “The Big Short” and “Spotlight” also look like major contenders? No one knows but we’ll try and sort it out.
Meanwhile, it appears Time Warner wants to join Disney, Fox and NBCUniversal as an owner of the streaming service Hulu. There’s only one catch; they’d like Hulu to stop showing all episodes from the current season of a TV series. Maybe they want to buy it so they can shut it down.
Over at Viacom, Sumner Redstone stepped down last week after a court mandated the 92-year-old would submit to a medical exam to determine his competency. Bowing to reality, Redstone resigned from his position as chairman of CBS and Viacom. Leslie Moonves is officially taking over CBS, but after daughter Shari Redstone publicly announced it wasn’t a good idea for Viacom CEO Philippe Dauman to take over, he did just that.
Of course we also cover the week’s top entertainment news including how Amazon plans to enter the retail space, ESPN plans to enter China and Matt LeBlanc is named as the new host of the popular automotive TV program, “Top Gear”.
January 18, 2016
With Netflix now available in 190 countries, the upstart video-on-demand service has grown so big Hollywood studios and television networks are getting seriously worried. Sure, they’ve earned millions by licensing their content to Netflix, but they now find themselves competing with the company for new projects, not to mention the industry’s most sought after talent.
TV networks are especially upset Netflix can claim to be a success without ever revealing their ratings. Some have even gone so far as to commission studies to determine the true viewership of Netflix programming. Meanwhile, Netflix has become concerned about viewers bypassing geographic restrictions by subscribing to their U.S. service from international territories.
When it came to this year’s Academy Awards nominations however, Netflix was overlooked in all of the major categories. So were minorities. For the second year in a row all of the acting nominations and those for best director went to caucasians, giving rise to a repeat of the #OscarsSoWhite social media campaign.
Of course we also cover the week’s top entertainment news including NBC’s plans to produce a live version of the musical “Hairspray”, Al Jazeera America is being shut down and the death of actor Alan Rickman.
January 4, 2016
Few, if any, can rival Paul Dergarabedian when it comes to analyzing the film industry’s global box office. Rentrak’s senior media analyst has been running movie numbers for upwards of 20 years now and is a regularly quoted box office pundit. Dergarabedian joins us to discuss how 2015 turned into a record breaking year at the box office all over the world.
We cover everything from how the winners at last year’s box office left little for the losers to the increasing role social media plays in the fortunes of any given movie, from the importance of international grosses to the record shattering “Star Wars” sequel. One big question is how 2016 could ever top last year’s figures or if that even matters.
We wind up in the music business where lawsuits are always a good indication on the issues affecting the industry. Two big new lawsuits target Spotify and Ticketmaster. We’ll explain what they are all about… and predict if they will actually make it to trial.
Of course we also cover the week’s top entertainment news including why The Beatles agreed to put their music on streaming services, how Taylor Swift’s concert tour topped the charts last year and the sexual assault charge against Bill Cosby.
December 21, 2015
The release of “Star Wars: The Force Awakens” shattered box office records the world over and became the biggest movie opening of all time by earning $529 million. We explain why in countries such as Japan and South Korea, the latest “Star Wars” not only didn’t win the weekend, but in some cases earned less than earlier installments of the franchise. We also look at the breakdown of which formats audiences favored when buying tickets.
George Lucas’ original “Star Wars” movie was released in 1977 and was added to the National Film Registry in 1989. We weigh in on the annual list of films added to the registry by the Library of Congress, charged with selecting new entrants. It always makes for a fascinating mix; we’ll discuss what made this year’s cut there and why. Hint: It’s not always artistry that counts… and no we’re not looking at you “Top Gun.”
In music news, it turns out online radio services such as Pandora will soon be paying more to license songs. Meanwhile, Adele is trying to prevent her fans from having to pay more to purchase tickets to see her in concert. We’ll tell you about the growing backlash against the secondary market for concert tickets and what some artists are doing about it.
Of course we also cover the week’s top entertainment news including how “Star Wars” bumped Quentin Tarantino’s latest movie out of a historic movie theater, Howard Stern signs a new deal with SiriusXM and the list of this year’s inductees to the Rock and Roll Hall of Fame.
August 31, 2015
Television network executives have begun publicly acknowledging a predicament their audiences recognized some time ago; there is simply too much television. In the midst of what has been dubbed a “golden age” of television, viewers are becoming reluctant to sign up for yet another new or existing series.
In fact, John Landgraf, the head of FX Networks, recently told the Television Critics Association that the glut of TV content means it has become more difficult to “cut through the clutter and create real buzz” when producing a show. With so much programming available, great shows can often go unnoticed or take longer to find an audience.
Then there are countries in which content is being suppressed. In Russia a politically active Ukrainian filmmaker was recently handed a 20 year prison sentence drawing international criticism that the charges were fabricated. Bangladesh meanwhile has banned a banned a new movie because it shed light on the country’s billion dollar garment industry, which is well known for exploiting its workers.
Of course we also cover the week’s top entertainment news including why Warner Bros. is headed to China, Spongebob Squarepants is headed to Broadway and how Netflix is about to lose more than 1000 movie titles.
June 22, 2015
When Apple announced its new streaming music service earlier this month certain members of the music industry were quick to voice their dismay over the terms the tech giant was offering. Specifically, indie record labels weren’t happy to see that Apple wouldn’t be paying licensing fees during the three month trial period the company was offering new subscribers. As the chorus of opposition grew louder it was none other than Taylor Swift who pushed Apple to reverse its payment policy.
In an open letter published to her website, the country musician turned pop star criticised the world’s largest music retailer for not compensating writers, producers, or artists during a new subscriber’s three month trial period. She says new artists, young songwriters and independent producers depend on such royalties to survive. In a move that some will argue demonstrates Swift’s influence within the industry, Apple actually relented.
Another entertainment business model currently being disrupted is that of television. With more consumers opting to cut their cable cord for over the top solutions, the NBA announced they would let basketball fans purchase out-of-market games on a per-game and per-team basis. This has huge implications for the broadcast industry as programming continues to slowly become unbundled.
Of course, we also cover the week’s top entertainment news stories including the box office success of “Jurassic World” and “Inside Out”, a big payday for Jennifer Lawrence on her next film and gambling on who will be the next actor to play James Bond.
July 29, 2014
Whether it’s movies streaming online before they premiere in theaters, the never-ending retransmission dispute between television networks and cable companies or the dwindling number of book retailers, how media companies are distributing their content has never been more in flux.
The Weinstein Company released their critically acclaimed release “Snowpiercer” on VOD just two weeks after the film opened in cinemas. Then they agreed to let “One Chance”, a biopic of talent show winner Paul Potts, stream free on Yahoo! ten days before the movie opens in the United States.
Meanwhile, rather than sell you books, Amazon is hoping you’ll be willing to pay a monthly fee for their new e-book subscription service. The only problem is the service’s limited selection (not to mention the company’s inability to make a profit), making us wonder whether such a business model is viable.
Of course, we also cover the week’s top entertainment news stories including how Weird Al Yankovic’s album wound up at the top of the sales charts, the Emmy’s snub broadcast networks and Garth Brooks comes out of retirement.
March 31, 2014
Every spring movie theater operators from around the world converge on Las Vegas to attend CinemaCon. During the week-long convention cinema owners are bombarded with industry facts, attendance figures, educational seminars and endless footage from upcoming releases. Over the years advances in digital projection have become an increasingly important topic at the show.
It’s no secret that cinemas have been slowly converting their facilities from traditional 35mm projection to digital. There was no better indication that the days of celluloid film prints are definitely over than the number of vendors at CinemaCon demonstrating the next generation of digital technology, including immersive sound and laser projectors.
When it comes to live theater, there is no doubt that New York’s Broadway and London’s West End are the leaders of the pack. Our own Michael Giltz reviews his previous predictions and investment advice by recapping the past year’s biggest money making productions, as well as a few financial losers.
Of course, we also cover the week’s top entertainment news stories including the fall of “Duck Dynasty”, a decline in paid cable subscribers and Oprah Winfrey’s plans for a national tour.