Showbiz Sandbox 189: Contentious CinemaCon; Corporate Coachella

April 29, 2013

At this year’s CinemaCon movie studios showed up in full force to pitch the world’s largest gathering of cinema operators on a bounty of upcoming blockbusters. Behind the scenes however, some of the larger theater chains were haggling with studios over how to divide ticket sales for tentpole releases such as “Iron Man 3”.

Meanwhile, for the second year in a row, the promoters of the Coachella Music Festival tried to replicate the event over two weekends. They held the same festival, with the same musical acts, on back-to-back weekends. While at times it couldn’t help but seem like a greedy attempt to extract more money from attendees, there were moments of sheer magic that only happen at Coachella.

Then there is Netflix, which after being ridiculed publicly for a series of ill-advised strategic moves in 2011, has managed to turn its ship around. After successfully producing its own hit-content with “House of Cards”, subscribers have returned, profits are increasing and the stock price is on the rise. Netflix CEO is feeling so good he wrote a manifesto on the future of televsion.

Of course we also cover the week’s top entertainment news including Zach Braff’s successful Kickstarter campaign, how Bittorent is helping market a movie and whether “Django Unchained” will ever be released in China.

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Showbiz Sandbox 186: Bill Carter of the NY Times on Cable Ratings, Jay Leno and the Shifting Television Landscape

March 18, 2013

Bill Carter of the New York Times has been reporting on the television industry for over 30 years. Who better to ask about why nothing seems to make any sense about this year’s television season? For example, cable shows have been pulling in more viewers than any of the networks. Broadcast networks that were topping the ratings just months ago, are now struggling at the back of the pack. As if that wasn’t enough, it looks as if the battle over late night programming is heating up again.

In a wide-ranging conversation, Carter touches on everything from the reason networks have been cutting back their original programming to why ratings have become so complicated to tabulate (hint: it has to do with DVRs). He explains all the troubles NBC is having not only in primetime, but also with their morning news programming. Carter literally wrote the book on late night television (actually two of them), so his thoughts about which of the ever growing list of hosts is most dominant, and why, is rather insightful.

Meanwhile, the Cannes Film Festival announced the selection of Baz Luhrmann’s adaptation of “The Great Gatsby” as their opening night film. What stunned many Cannes veterans is that the festival would choose a film which will open theatrically in North America just five days before it premieres on the Croisette this May.

Of course, we also cover the week’s top entertainment headlines, including “Django” in China, “Veronica Mars” on Kickstarter and David Bowie’s return to the music sales charts.

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Showbiz Sandbox 154: Understanding Comic-Con’s Tribe Mentality

July 17, 2012

Last weekend self-professed geeks made their annual pilgrimage to San Diego for Comic-Con. There’s no better person to speak with about the world’s largest pop-culture convention than Los Angeles Times writer Geoff Boucher. His Hero Complex blog has become a must-read for those attending “the Con” and he fills us in on all the big news coming out of this year’s show.

Boucher also had a professional and somewhat personal relationship with producer Richard Zanuck who unexpectedly passed away last week at the age of 77. The executive behind such films as “The Sound of Music” and the producer of movies like “Driving Miss Daisy”, Boucher provides a unique perspective on what Zanuck was really like.

Meanwhile in the world of television, the war over carriage fees has heated up once again. This time Viacom has pulled its 26 networks from DirecTV and AMC has yanked its programming from Dish.

We also cover the week’s top entertainment headlines including Bruce Springsteen’s curfew, the exodus of judges from “American Idol” and why you should see the “The Dark Knight Rises” in Imax.

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Showbiz Sandbox 153: Hollywood Loses Another Battle In The Copyright War

July 10, 2012

Fearing that it would restrict freedom of speech, basic civil rights and an open Internet, the European Parliament voted down the Anti-Counterfeiting Trade Agreement (ACTA) last week. The move effectively kills the international anti-piracy legislation that the Motion Picture Association of America (MPAA) and the Recording Industry Association of America (RIAA) have lobbied so hard for. We explain what ACTA’s defeat means for Hollywood and what anti-piracy measures you may be hearing about next.

It’s hard to believe piracy is affecting the entertainment industry. Music sales, which have been in a slow decline over the past decade, are actually up this year thanks to digital sales. Movie box office is also up with studios such as Disney having already earned $1 billion in North America alone.

Billion was also a number subscription movie service Netflix has been using a lot lately. Their customers watched more than a billion hours of content in June. That’s not only a new record for the company, but it would make them more popular than any U.S. cable network.

We also cover the week’s top entertainment headlines including Hollywood’s highest-paid actor, Charlie Sheen’s slipping ratings and why we won’t be seeing “Raging Bull 2” anytime soon.

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Showbiz Sandbox 139: Why The Music Industry Is More Brutal Than Ever

March 5, 2012

With nine different streaming services there are more ways than ever to listen to music these days. With the likes of Spotify, Rhapsody, Rdio, Mog and Pandora all competing for our attention and media dollars, some have argued that there is too much competition in the market and is primed for a major consolidation. Which services will survive and why? Will Amazon, Apple or Google launch there own services? We try to answer all these questions and more.

Meanwhile Harvey Weinstein is once again fighting the MPAA over the ratings for one of his films. Public figures such as Rev. Jesse Jackson joined the chorus of those opposing the R-rating which the Weinstein Company’s school bullying documentary received. Unfortunately, if “Bully” is released without a rating, movie theaters may be forced to treat it as an NC-17 film.

Former co-host Karen Woodward, joins us to run down some of the top entertainment news stories of the week including, James Spader’s departure from “The Office”, Mike Tyson’s Las Vegas show, and Random House trippling the price of e-books for libraries.

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Showbiz Sandbox 107: The Pros And Cons Of Cloud Music Services

June 13, 2011

After months of rumors and speculation Apple finally announced their cloud music service last week. Aptly named iCloud, the new service joins similar offerings from both Amazon and Google. Though each of the services has their benefits, no two are exactly alike. Amazon and Google stream music over the Internet and require you to upload your entire music library. Apple doesn’t do any of those things. We dissect the pros and cons of all three services and wonder why anyone really needs them in the first place.

Something else that’s probably not needed is a sequel to “Tron: Legacy” but thanks to a television series spinoff of last year’s sci-fi blockbuster, we’ll probably get one. And it will probably be in 3D like its predecessor even though Dreamworks Animation head Jeffrey Katzenberg is heartbroken over the decline of the format.

The Tony Awards were handed out on Sunday and as we predicted, “The Book Of Mormon” walked off with the most trophies, including Best Musical. But what is a Tony really worth to a Broadway show’s bottom line? We’ll try and find out.

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