Showbiz Sandbox 64: Buzzing About Comic-Con, Digital Comics and E-Books

Geoff Boucher of the Los Angeles Times, Alex Billington of First Showing and Anne Thompson of indieWIRE all attended the 41st annual Comic-Con. They stop by to fill us in on all the the movies and television shows that managed to generate a lot of buzz (as well as a few that fizzled). We recap the pop-culture convention’s highlights and breaking news items.

Of course, before Comic-Con invited movies and television shows to the party, it used to be about buying and selling comic books. However, as Alex Pham of the Los Angeles Times informs us, physical comic books may be an endangered item thanks to the growing popularity of digital comics. These newfangled comics have animation, sound effects and narration. Pham also explains how e-books are changing the future of how and what we read.

E-books were the source of major controversy in the publishing world this past week. Literary agent Andrew Wylie announced he would bypass traditional publishing firms and form his own digital publishing company to release e-book versions of his client’s work, including out of print work from the likes of John Updike and and Philip Roth. Rachel Deahl, senior news editor at Publishers Weekly, tells us why this move was so controversial within the publishing industry.

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Showbiz Sandbox 60: Reality TV Doesn’t Kid Around

If you are a minor working on a reality television series it turns out there are no child labor laws that protect you. A month long investigation by the Los Angeles Times found  dozens of kids appearing on reality programs without legal safeguards due to widespread uncertainty about how to classify the shows. Times staff writers Matea Gold and Richard Verrier reveal that most of the popular shows had not obtained work permits to employ minors. Gold joins us this week to provide all the details.

It was good news and bad news at the box office. Good news for “Toy Story 3″, which finished in first place for the second week and bad news for Tom Cruise, whose latest movie, “Knight and Day” didn’t open to boffo numbers. If you’d like to place a bet on how much Cruise’s next movie might make, you might never get the chance. The U.S. Congress is set to pass a financial reform bill that would prevent two box office futures exchanges from operating.

The government is also getting involved in the annual Lollapalooza festival in Chicago, and not in a good way. The events promoters was subpoenaed last week for an anti-trust investigation. Turns out the “radius clause” in Lollapalooza’s contract is preventing Chicago night clubs from booking musical acts. Maybe Coachella’s booking rules aren’t so bad after all.

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Showbiz Sandbox 49: Hollywood Experiences Premature Sequalization

Have you ever wondered why movie studios love to make sequels of hit films? Well, these studios don’t even wait for a film to be released before announcing its sequel. Steve Zeitchik of the Los Angeles Times fills us in on the sequel culture that has taken over Hollywood.

Meanwhile, the king and queen of television, Steve Carell and Tina Fey, nudged “Clash of the Titans” out of first place at the box office with their new release “Date Night”.

While Fey may be making a move to the silver screen, the big news of the week was happening in television – cable television no less. Oprah Winfrey announced five new shows that will air on her cable network starting next January, a lineup that left some industry-watchers befuddled. Another TV personality following Oprah onto a cable network is Conan O’Brien. He surprised just about everyone by announcing he would be starting his own late night talk show this fall on TBS.

While analyzing the week’s top entertainment news stories including how celebrities are using Twitter these days. We finish off with a little Inside Baseball in which we try and understand why anyone would want to buy Miramax or MGM.  Read more

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Showbiz Sandbox 37: Conan and Leno’s Late Shift Shrift

It’s official: Simon Cowell will be leaving “American Idol” this season and NBC (finally!) admits that airing “The Jay Leno Show” in primetime five nights a week was a mistake. Cowell is headed off to start a new reality talent show, “X Factor”, while Jay Leno is headed back to his old late night time slot, at least for a half-hour. But where will Conan O’Brien’s tonight show end up? Right now NBC wants to push him back a half hour.

In theaters, “Avatar” just will not go away. It stays firm at the top of the box office again this week. “Daybreakers” staring Ethan Hawke, also did well in its debut, but the Amy Adams vehicle “Leap Year” didn’t leap anywhere.

Meanwhile, the Consumer Electronics Show (CES) tries to sell us on 3D television and video rental service Netflix reaches an important agreement with Warner Bros.

David Colker, a business reporter covering technology for the Los Angeles Times gives us the low down on CES, espcially all the 3D televisions announced at the show (which aren’t even available for sale yet). Do consumers even want 3D television? More importantly, how are we prepared to wear those funny 3D glasses at home? Read more

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Showbiz Sandbox 31: Blind Sided By Adam Lambert’s Double Standard

While we all still may be sluggish from all the turkey and stuffing on Thanksgiving, the North American box office sure wasn’t. It set a record for the Thanksgiving holiday weekend as once again “The Blind Side” surprises everyone. The Sandra Bullock movie defied expectations to earn another $40 million over the five-day period, almost topping “The Twilight Saga: New Moon” as the winner this weekend. Proof positive that Sandra Bullock is a movie star.

So is George Clooney, whose “Up In The Air” opens on Friday. According to Claudia Eller of the Los Angeles Times the film is proving to be a marketing challenge for its distributor, Paramount. Apparently the studio is afraid Jason Reitman’s humorous drama about corporate downsizing may touch a raw nerve. But how could this critically acclaimed movie be a marketing challenge? We’ve got two words that might help Paramount’s advertising campaign: George. Clooney. Sheesh, maybe we should be marketers.

Actually, maybe we should become linguistics experts instead. USC linguistics professor Paul R. Frommer was brought in by James Cameron – writer and director of a little upcoming release called “Avatar” – to develop the language of the 10-foot tall blue Smurfs – um. . . aliens – who inhabit Pandora, the setting for the film’s conflict.  Read more

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Showbiz Sandbox 30: “Modern Warfare” Stuns Hollywood

As predicted, the teen vampire romance “The Twilight Saga: New Moon” opened this week and earned record breaking box office. The second installment of the “Twilight” franchise made $140 million in North America, making it one of the largest openings in history. The film did manage to break the record for highest grossing midnight screening when it opened Friday morning. What might be more amazing is that the Sandra Bullock vehicle “The Blind Side” came in second with an impressive $34 million. Opening so strongly against a powerhouse tent pole like “Twilight” makes Bullock one of the more bankable stars in Hollywood these days.

Of course, even “Twilight’s” $258 million worldwide opening pales in comparison to what the new video game “Call of Duty: Modern Warfare 2″ raked in during its first five days in stores. Ben Fritz an entertainment business reporter for the Los Angeles Times joins us to talk about the wild success of the video game. Actually, calling it a video game is almost an insult – it’s more like an interactive action movie, and one that made $550 million within five days of its November 19th launch.

Fritz is a prolific journalist who this past week wrote tons of stories for the L.A. Times Company Town column and blog. One such story was on the controversy over the Academy Awards’ Documentary short list. Read more

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Showbiz Sandbox 28: Why Spider-Man Is Hard Up For $52 Million

We don’t always talk about theater on the podcast, but Los Angeles Times staff writer John Horn wrote a story too good to resist. The Broadway debut of “Spider-Man: Turn off the Dark” has found its greatest enemy is the budget. Horn joins us to talk about the story behind one of the most troubled productions in Broadway history and how he got the scoop (not to mention the musical’s script, soundtrack and a video promo reel).

But first, Michael Giltz eats another serving of crow this week, as the Michael Jackson rehearsal documentary “This Is It” held up respectably and indie-darling “Precious” grossed a stunning $1,800,000 on just 18 theaters over the weekend. “Precious” will no doubt be nominated for a few Oscars come awards season. Speaking of the Academy Awards, Steve Martin and Alec Baldwin are teaming up to host next year’s Oscar telecast. Karen Woodward though the decision to go with Martin and Baldwin was dated and hopes they don’t hijack the show. On the other hand, Michael and J. Sperling Reich thought it was a good choice.

In more frivolous news, Nicolas Cage is suing his former money manager, Samuel J. Levin, for $20 million in Los Angeles Superior Court, claiming he enriched himself while “sending Cage down a path toward financial ruin.” Read more

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Showbiz Sandbox 24: How To Get A Hero Complex

Our special guest this week is Geoff Boucher, full time entertainment writer for the Los Angeles Times and part time Wookiee. Geoff began the popular L.A. Times blog, Hero Complex, devoted to caped crusaders, zombies, wizards and all things superhero. With a tag line that reads “for your inner fanboy”, Hero Complex has quietly become a huge hit and recently won the award for best online commentary among large websites from the Online News Association.

Over the last week, Geoff wrote a series of posts on the blog that look at film franchises entering their fourth turn on the silver screen, including “Lord Of The Rings”, “Pirates of the Caribbean”, “Spider-Man”, and “X-Men”. (Check out the reader poll: ‘The Hobbit’ Will Triumph But ‘X-Men’ and ‘Pirates’ Franchises Should Quit Now)

Meanwhile, at this weekend’s North American box office, moviegoers made “Couples Retreat” the number one film, followed by “Zombieland” and “Cloudy with a Chance of Meatballs”. The big surprise of the weekend was the little indie film “Paranormal Activity”. Made for peanuts, the film is now raking in millions based solely off a social networking marketing campaign. That might be why Michael Giltz and Karen Woodward are dying to see the movie. . . no pun intended. (See the movie, you’ll get the joke).  Read more

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