Showbiz Sandbox 308: Hollywood Thinks It Has Netflix’s Numbers

January 18, 2016

With Netflix now available in 190 countries, the upstart video-on-demand service has grown so big Hollywood studios and television networks are getting seriously worried. Sure, they’ve earned millions by licensing their content to Netflix, but they now find themselves competing with the company for new projects, not to mention the industry’s most sought after talent.

TV networks are especially upset Netflix can claim to be a success without ever revealing their ratings. Some have even gone so far as to commission studies to determine the true viewership of Netflix programming. Meanwhile, Netflix has become concerned about viewers bypassing geographic restrictions by subscribing to their U.S. service from international territories.

When it came to this year’s Academy Awards nominations however, Netflix was overlooked in all of the major categories. So were minorities. For the second year in a row all of the acting nominations and those for best director went to caucasians, giving rise to a repeat of the #OscarsSoWhite social media campaign.

Of course we also cover the week’s top entertainment news including NBC’s plans to produce a live version of the musical “Hairspray”, Al Jazeera America is being shut down and the death of actor Alan Rickman.

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Showbiz Sandbox 295: Thompson Keeps Tabs On Telluride and Toronto

September 21, 2015

Two of the world’s most prominent film festivals are held each September in Telluride and Toronto and, without fail, you’ll find Anne Thompson, Indiewire’s editor-at-large, dashing off to both of them. Thompson gives us a feel for what both festivals were like this year, which films created the most awards buzz and which she thinks audiences should be looking forward to.

Thompson also joins us to discuss this year’s Emmy winners. The premium cable network HBO proved it is still at the top of its game, fending off the stiff competition of hot new shows being produced by upstart streaming services such as Netflix and Amazon. The network wept away the Outstanding Drama Series, Outstanding Comedy Series and Outstanding Limited Series categories, winning 14 awards in all.

Meanwhile, in case that seems destined to reach the U.S. Supreme Court, a federal judge ruled that copyright owners must take into account the possibility of fair use before sending a takedown notice. Rather than force possible infringers to mount what is known as an affirmative defense, the court is placing the burden on copyright holders to consider whether a work should be considered fair use.

Of course we also cover the week’s top entertainment news including the new over-the-top and mobile streaming services being offered by the BBC and Epix, one of the creators of Batman will finally get the credit he has long deserved (though maybe not the money) and Denzel Washington will produce ten August Wilson plays for HBO.

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Showbiz Sandbox 257: Debating President Obama’s Position On Net Neutrality

November 10, 2014

President Obama finally weighed in on the battle over net neutrality calling for the FCC to reclassify broadband providers as utilities under Title II of Telecommunications Act. This inflamed the war between those who believe such a move is mandatory and others who fear bureaucratic regulation will have the unintended consequence of throttling future development and investment in technology. We do our best to debate both sides of a very contentious issue.

Leaking copyrighted content online however, is an issue everyone can agrees is bad. Marvel Entertainment showed how to handle just such a scenario with aplomb when a leaked copy of the trailer for their highly anticipated sequel to “Avengers” hit the Internet before its official release. We’ll fill you in on Marvel’s immediate and exemplary response.

While we’re on the subject of responses, there’s no question how Taylor Swift’s new album was received by her fans. They gobbled up more than 1.2 million copies during its first week on sale. That’s more than the next 106 albums on the weekly sales chart combined.

Of course, we also cover the week’s top entertainment news stories including Lemony Snicket on Netflix, Matt Damon returns to Jason Bourne and Pixar gears up for another “Toy Story”.

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Showbiz Sandbox 250: TV Ratings Have Become Messy, Misleading and Downright Maddening

September 22, 2014

Picking the winners and losers out of this year’s new television shows has never been more difficult. Just ask Marc Berman, editor-in-chief of TV Media Insights, joins us to explain how DVR’s and on-demand viewing have made overnight TV ratings very problematic. Berman says that these days the number of viewers watching a show when it airs is less important than its total audience during the week that follows.

Those looking for entertainment on a screen larger than the average television can head to movie theaters where they can watch the recently released “Maze Runner” in the new Barco Escape format. The experimental offering wraps three screens around the audience to provide a 270 degree viewing experience.

At the other end of the spectrum there are screens of a less significant size, like those found on the ever increasing number of e-readers. Amazon continues to improve its Kindle line and new the latest gadgets from Apple have excited publishing industry observers. We’ll explain why.

Of course, we also cover the week’s top entertainment news stories including Sony’s $2 billion loss, Stevie Wonder heads out on tour and the twentieth anniversary of the sitcom “Friends”.

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Showbiz Sandbox 242: Supreme Court Fumbles Aereo Ruling

July 1, 2014

Last week the United States Supreme Court ruled that the television streaming service Aereo violated copyright laws by using mini-antennas to deliver broadcast signals to paying subscribers. Denise Howell, an intellectual property lawyer and host of “This Week in Law”, outlines a decision that will have long term and wide-ranging effects for the entertainment and technology industries.

The Academy of Motion Picture Arts and Sciences are attempting to alter their demographics by inviting younger, more ethnically diverse artists to join the ranks of those who nominate and vote for the Oscars each year. What’s truly remarkable is some of the legendary veterans who are just now receiving invites.

Meanwhile, as the publishing industry watches Hachette Book Group go to war with Amazon over the price of their books, the country of France is trying to protect its bookstores by passing a law meant to combat the online retailers influence.

Of course, we also cover the week’s top entertainment news stories including the gigantic opening of “Transformers: Age of Extinction”, why this summer’s domestic box office is considered anemic and “Community” heads to Yahoo for its sixth season.

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Showbiz Sandbox Special Episode: To Each Their Own Cannes Experience

May 22, 2013

With selections from world renown filmmakers like the Coen Brothers, Asghar Farhadi, Jim Jarmusch, Baz Luhrmann, Alexander Payne, Roman Polanski, Steven Soderbergh and Jia Zhangke, this year’s Cannes Film Festival is one of the most anticipated in recent memory.

Stephen Garrett is in Cannes this year as both a journalist covering for media outlets such as the New York Observer, and also as the head of Jump Cut, an advertising firm that specializes in producing trailers for foreign, independent and documentary films. Even at the halfway point in the festival he’s seen upwards of two dozen films and joins us to discuss some of the highlights and news items coming out of this year’s Cannes.

On the other hand, filmmaker Andrew Einspruch of Wild Pure Heart Productions is in Cannes to participate in the annual market. As he meets with sales agents, buyers and distributors in an attempt to sell his next movie, Einspruch hasn’t been able to see a single film.

It just goes to show how every attendee at the Cannes Film Festival has a different and unique experience.

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Showbiz Sandbox 130: It’s The Data, Stupid (or Why Live Nation Bought BigChampagne)

December 19, 2011

As 2011 comes to an end mainstream media companies continue to struggle with how to distribute their content through the Internet. That was never more apparent than this week as concert promoter Live Nation acquired BigChampagne, a media tracking and technology company. Joe Fleischer, Big Champgne’s chief marketing officer, explains why a live-event company is interested in staying on top of the latest music industry data and how the acquisition will help Live Nation better understand their customers.

Meanwhile, as SOPA and PIPA make their way through Congress, Universal Music Group caused a stir when they tried to squash news reports of their copyright infringement lawsuit against MegaUpload. Then there was comedian Louis C.K. who used digital convergence to his benefit by selling a video of his most recent stand-up show directly to fans, making a huge profit in the process.

Matt Damon was also muddying the waters last week by revealing the in-fighting going on behind the scenes of the”Bourne” franchise. Of course, we also cover the top entertainment news stories of the week including the Golden Globe and SAG award nominations, Howard Stern’s new television gig on “America’s Got Talent” and Madonna’s new record contract.

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