Showbiz Sandbox 492: Hollywood Players Battling Pandemic… And Each Other

Even when times are good and profits are up, some of Hollywood’s biggest stakeholders don’t always get along. For over a year now the Writers Guild of America has been duking it out over television packaging fees with the Association of Talent Agencies, suing three of its largest members; United Talent Agency, William Morris Endeavor and Creative Artists Agency. Entertainment attorney and Hollywood Reporter contributing editor Jonathan Handel fills us in on the latest court rulings in the dispute and why things aren’t looking good for the WGA.

Meanwhile, cinema operators were already upset with Universal Pictures for releasing “Trolls World Tour” via premium video on demand, skipping a theatrical release due to the coronavirus pandemic. Now the studio announced plans to release its future movies on PVOD at the same time as they hit theaters, causing a few chains to boycott Universal’s titles. Film distribution veteran Jim Amos of Scout 53 breaks down the argument for us and tells us how he thinks it will be resolved.

Of course we also cover some of the week’s top entertainment headlines including new rules for the Oscars, global music industry revenue continues to grow (for now) and without sports to broadcast should ESPN still be charging cable subscribers?

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Showbiz Sandbox 425: Ticketmaster Gets Caught Abusing Its Market Domination

When Live Nation and Ticketmaster merged eight years ago it was openly feared that the combined companies would run roughshod over the industry and consumers alike. While there has been speculation about some of the shenanigans Ticketmaster has been up to since then, we now have conclusive proof that the ticketing juggernaut is manipulating the market and working with resellers in the secondary market in order to collect additional fees. They’ve even developed a software tool for just such a purpose.

The United States Senate, meanwhile, passed the Music Modernization Act. It creates a blanket mechanical license which allows for songwriters and artists receive royalties for streaming. It also fixes the problem of receiving royalties for works created before 1972 and includes producers in the new scheme. We’ll take a look a the new bill and explain what it all means.

Speaking of music, a new report indicates that industry revenue in North America is up slightly during the first half of 2018, just as Spotify makes it even easier for independent artists to post their music directly to the streaming service. Does that make Spotify a record label?

Of course we also cover the week’s top entertainment headlines including Kelly Clarkson gets a new daytime talk show, Comcast beats Disney in an auction for Sky in the United Kingdom and singer Sam Smith loses his voice just before going on stage.

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Showbiz Sandbox 340: Bob Dylan Is A Poet and We Didn’t Know It

When Bob Dylan was awarded the Nobel Prize for Literature last week there were cries of joy and jeers of contempt over the decision. Music Journalist Sal Nunziato joins us to ponder whether Dylan’s work is in fact literature. He explains why, out of all the musicians that could have received such an award, it had to be Dylan.

Nunziato explains who out of this year’s 19 nominees to the Rock and Roll Hall of Fame should actually get in. Will Kraftwerk finally make the cut? Joan Baez seems like a no-brainer and nobody would be shocked if Pearl Jam makes it through on their first attempt, but what about bands like Depeche Mode and hip-hop stars such as Tupac Shakur?

Meanwhile, there’s never been more ways to listen to music thanks to streaming services like Spotify and Apple Music. Now Amazon has entered the world of music streaming and hopes that soon every song request begins with the word “Alexa.”

Of course we also cover the week’s top entertainment news including an expansion of the latest Harry Potter franchise, Billy Bush reaches a settlement to depart “Today” and Netflix gives comedian Chris Rock a huge payday.

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Showbiz Sandbox 312: Scripting Those Perfect Grammy Moments

With nominees representing a wide range of genres including pop, country, hip-hop, R&B and rock, this year’s Grammy Awards had a little something for everyone. David Wild, one of the writers responsible for this year’s Grammy telecast and a contributing editor at Rolling Stone, takes a few minutes from his busy schedule to discuss Rihanna’s no-show, Kendrick Lamar’s electric performance and more.

It would seem that anyone who wasn’t watching the Grammys was at the movie theater watching “Deadpool”. The R-rated superhero movie that transformed from a comeback vehicle for Ryan Reynolds to a box office hit to a phenomenon, all in the space of five days.

Meanwhile China was also breaking box office records thanks to the Golden Week holiday associated with Chinese New Years. Plus, the Oscars are getting closer and we’ll report on the latest buzz generated by the BAFTAs and the WGA Awards.

Of course we also cover the week’s top entertainment news including an autobiography from rocker Bruce Springsteen, Disney is sending “Frozen” to Broadway and why media stocks have suddenly taken a nosedive.

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Showbiz Sandbox 217: In Hollywood You’re Nobody Till Somebody Sues You

The entertainment industry is marking the end of 2013 with a flurry of lawsuits all having to do, one way or another, with profit participation. Moguls Harvey and Bob Weinstein have filed suit against Warner Bros. over profits from sequels to “The Hobbit”, a property they originally owned. Then there’s the fired creator of “The Walking Dead” who is suing AMC claiming the network owes him tens of millions of dollars for the hit television series.

Filmmaker James Cameron is no stranger to legal battles since he is constantly having to fend off plagiarism lawsuits. Last week the director said he struck a tax deal with New Zealand to film not one, but three “Avatar” sequels in the country.

Golden Globe nominations were announced last week helping solidify awards season frontrunners such as “12 Years A Slave”, “American Hustle” and “Gravity” among others. Keep in mind, only about 90 international entertainment journalists get to nominate and vote for the Globes.

Of course, we also cover the week’s top entertainment news stories including the new additions to the National Film Registry, the new members of the Rock and Roll Hall of Fame, and how Beyoncé surprised fans with a new album.

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Showbiz Sandbox 91: Super Bowl Ads Suffer Their Own Recession

More than 111 million people watched this year’s Super Bowl telecast; more viewers than any broadcast in U.S. television history. That’s great news for companies that spent big money to run ads during the game. Unfortunately, most of the usually entertaining commercials were downright dreadful. Whether praiseworthy or offensive, we give you the low down on all the adverts.

Documentary filmmaker Michael Moore is taking the Weinstein Brothers to court, suing them for the $2.7 million in “Fahrenheit 9/11” proceeds Moore claims he’s owed. Is it safe to say the Weinstein Company won’t be releasing Moore’s next film?

Turns out nobody will be releasing the White Stripes next album. Jack and Meg White have decided to call it quits. Meanwhile theater critics were so eager to see the new “Spider-Man” musical they couldn’t wait until it opened. Based on their scathing reviews, it’s probably best if it never makes it out of previews.

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Showbiz Sandbox 21: Name Dropping At The Emmys and Toronto

Three very special guests join us on this episode to discuss the Emmy Awards and the Toronto International Film Festival, including Brill Bundy from Zap2it.com, Noel Murray from the Onion’s AV Club and David Poland from The Hot Blog and Movie City News. Before we get into either of those hot topics Michael Giltz and J. Sperling Reich duke it out over 3D movies while discussing this week’s North American box office topper, “Cloudy With A Chance of Meatballs”. Karen Woodward still isn’t convinced to see animated content, whether it’s 3D or not.

Brill wasn’t all that suprised by any of the Emmy Awards handed out on Sunday, except for maybe Jon Cryer’s trophy for Best Supporting Actor in a Comedy. Like last year, Both “Mad Men” and “30 Rock” repeated their wins for Best Drama and Best Comedy. In the end, it was host Neil Patrick Harris who stole the show, if not an Emmy for himself, by winning rave reviews for keeping the awards program light and fast paced (even at three hours).

Jay Leno began his new primetime talk show last week with enormous ratings, though Brill says it will take a few months, if not a year, before the show’s success can be determined. Certainly, having Kanye West as a guest, fresh from his stage storming moment at MTV’s Video Music Awards, was a major coup.     Read more

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