Showbiz Sandbox 613: Author James Patterson Questions New York Times Best Seller List
April 4, 2023
James Patterson has been a perennial presence on the New York Times best seller list after his most recent book failed to make the list, he accused the newspaper of “cooking the books” in the way it compiles its lists. According to BookScan, which uses actual sales figures, Patterson’s latest book should have made the list, but the Times uses a proprietary formula and method for determining its list and now he’s publicly calling them out.
Meanwhile, we signed up for the new version of MoviePass just to find out what it offered. It turns out it is very hard to pull off a moviegoing subscription service when you don’t have deals with movie theaters.
Of course we also cover the week’s top entertainment headlines including how Cineworld, the owner of Regal Cinemas, plans to restructure and exit bankruptcy, why the cast of the television series “Blue Bloods” took a pay cut, and the stage adaptation of Hayao Miyazaki’s “My Neighbor Totoro” wins six Olivier Awards.
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Showbiz Sandbox 572: Picking The Best Music From The Past Year
February 15, 2022
In an age when everyone with GarageBand and a kazoo is releasing a record, finding good new music isn’t always easy. Sal Nunziato, the curator of the Burning Wood music blog and the drummer for The John Sally Ride, tells us about some of the best music he’s discovered over the past year. Nunziato listened to hundreds of records each year to create his list, always coming up with a few surprises like Micky Dolenz and Brian Wilson.
None of the performers at this year’s Super Bowl Halftime Show made Nunziato’s list, but that’s because most of the hip-hop artists on stage released their best music over 20 years ago. Even so, it was nice to see the NFL finally invite hip-hop to the big game.
Of course we also cover the week’s top entertainment headlines including how the Academy Awards are allowing fans to vote for their favorite film, Disney continues to grow their streaming service and MoviePass raises the curtain on its second act.
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Showbiz Sandbox 479: Are Streamers Ruining Sundance?
February 2, 2020
About every five years a new group of deep-pocketed players shows up at the Sundance Film Festival and spends a small fortune acquiring a handful of films causing fear that the industry has been forever changed. This year, some of the world’s largest media and tech companies have invaded Park City, Utah and are picking up movies for amounts far in excess of what makes fiscal sense or what theatrical distributors are willing to pay.
Such companies don’t have to worry about box office results because they are more concerned with a different metric; the number of subscribers they can attract to their streaming service. Now some industry veterans are worried about whether indie distributors will be able to stay afloat with the leftover titles the streaming giants don’t gobble up.
Meanwhile, in China the film industry is down for the count with cinemas shuttered for the second week in a row due to the rapid spread of a coronavirus. Flights to and from the country have been suspended, as has all film and television production. When movie theaters finally do open for business the ripple effect on the Chinese release schedule will be felt around the world as films jockey for new playdates.
Of course we also cover the week’s top entertainment headlines including this year’s BAFTA award winners, Apple and Netflix may be chasing MGM’s film library and MoviePass officially files for bankruptcy.
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Showbiz Sandbox 462: Netflix and Amazon Take Advantage of Fall Film Festivals
September 16, 2019
Though the Cannes Film Festival avoids programming movies from streamers like Netflix and Amazon, internationally renowned festivals in Venice, Telluride, Toronto and New York embrace them. And no wonder. As Anne Thompson of Indiewire tells us, the streamers used the fall film festival circuit to premiere some of the year’s most award-worthy movies.
Just back from Toronto and Telluride (and on her way to the New York Film Festival), Thompson fills us in on what new releases movie lovers should look forward to as we kick off awards season. She explains how making a big splash at such festivals can turn a middling movie into a hit collecting both big box office and plenty of kudos. Yes, we’re looking at you, Hustlers.
Meanwhile, with the imminent launch of their own streaming service, Disney wants to rewrite the rules — or at least the contracts — on how the profits from hit television shows gets shared, or as the company would prefer it, not shared. If successful, other networks and studios are sure to follow Disney’s lead.
Of course we also cover the week’s top entertainment headlines including why YouTube is revamping its music charts, Apple announcing the price for its streaming service and “Saturday Night Live” stumbling in a casting move.
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Showbiz Sandbox 454: Summer Box Office Is Heating Up
July 8, 2019
It was the Fourth of July in the United States which is often a slow news time for the entertainment industry. Except for when it comes to the box office which looks to finally be picking up slightly thanks to sequels such as “Toy Story 4” and “Spider-Man: Far from Home.” Though the box office continues to trail behind last year’s record-breaking tally there are still plenty of big releases to come.
That includes at least one more live-action remake of a classic Disney film; “The Lion King.” That will be the third such Disney release this year. Is the company saturating the market with live-action remakes of its own classic films?
Of course we also cover the week’s top entertainment headlines including why Lionsgate is slowing down its theme park plans, Mad Magazine will stop being published and Rolling Stone launches its own music charts.
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Showbiz Sandbox 445: Is Netflix Leaving Money On The Table?
April 22, 2019
There is no arguing that Netflix is doing quite well these days. Even the announcement of heavyweight competition from the likes of Disney and Apple hasn’t affected its stock price nor, more importantly, hampered its subscriber growth. The company added 10 million new subscribers in the first quarter of 2019 alone.
Even so, Netflix may want to rethink their approach to how they monetize their television shows. While their big hits such as “House of Cards” may not be appropriate or too exclusive to syndicate on traditional linear networks, others such as “One Day At A Time” may be a missed opportunity for the streamer to do what it’s never done before: seek more outside revenue.
Meanwhile, this year’s Cannes Film Festival lineup features longtime favorites like Ken Loach and Pedro Almodovar, new favorites like Xavier Dolan and more female filmmakers than in the past. Just don’t look for any movies from Netflix.
Of course we also cover the week’s top entertainment headlines including the continuing dispute between the WGA and talent agents, MoviePass loses 90% of its 3 million subscribers and director Roman Polanski wants back into the Academy.
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Showbiz Sandbox 436: A Wealth in Diversity at Sundance
February 5, 2019
This year’s Sundance Film Festival was more diverse than it usually is in every way one might imagine. Sure, there were the usual crop of independent films and documentaries, but the predominance of women and people of color and queer voices was more notable than ever. In fact, female filmmakers took home most of the festival’s top prizes.
Sundance also proved to be a feeding frenzy for independent distributors with Amazon swooping in to spend more money than any other studio has ever spent during a single year at the festival. Usually, if one selection sells for over $10 million it makes headlines. This year there were at least three films that fell into that category.
Meanwhile the Super Bowl weekend proved to be a bust both at the box office, which was reached a 20-year-low, as well as on television, where the broadcast of the big game fell to a 10-year-low.
Of course we also cover the week’s top entertainment headlines including Peter Jackson’s Beatles documentary, Hulu raises its prices and Spotify turns on a feature that allows users to turn off artists.
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Showbiz Sandbox 432: Peak TV Just Got Peakier
December 17, 2018
When John Landgraf, head of the FX network, proclaimed we had reached a state of “peak TV” back in 2015, he predicted the 422 television shows being produced at the time would inevitably decline since there was no way for audiences to keep up. Last year however, that number rose to 495 series being produced. To put this increase in perspective, there were 182 shows on the air in 2002.
It’s safe to assume these numbers are bound to rise with new entrants into the video streaming market launching in 2019 including Disney and WarnerMedia. What’s more, the annual amount of money being spent on all this content is astonishing with the likes of Netflix and Amazon each spending $8 billion and $5 billion respectively. And that’s nothing compared to the $22 billion Disney is shelling out.
Meanwhile, the awards season is underway with all sorts of groups weighing in on their favourites, including the Los Angeles Film Critics Association, the Golden Globes and the first awards that matter: the Screen Actors Guild. Spoiler alert: “Roma” just hit a roadblock.
Of course we also cover the week’s top entertainment headlines including the Grammy nominations, new entrants to the National Film Registry and Mariah Carey’s latest chart-topping hit is a quarter century-old Christmas song.
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Showbiz Sandbox 430 – Taylor Swift Helps Fellow Artists With Her New Record Deal
November 26, 2018
When her current recording contract expired at Big Machine, Taylor Swift went looking for a new label. After a heated bidding war, Swift wound up at Universal Music landing a deal that allows her to retain control of her masters. Swift also demanded that if the label ever sold its share in Spotify that she get a cut. More importantly, she insisted on this for every single act in Universal’s roster.
This is especially notable because Swift is not a big player in music streaming, because she holds back her albums with a window to urge fans to purchase them instead. Unfortunately, the sales of physical albums, like vinyl LPs and CDs, is collapsing, causing many artists to get out of the habit of actually creating them. Instead, some big acts release a constant stream of singles, videos and live cuts since that’s how their fans listen to music these days.
Meanwhile the North American box office continues to chug along at 10% over last year’s tally, with a record breaking $12 billion in sight. That growth rate is keeping pace with the Chinese box office, which is up 11% this year, earning $8.1 billion thus far. Maybe the date for when China’s theatrical box office will surpass that of North America’s needs to be pushed back a year or two.
Of course we also cover the week’s top entertainment headlines including why pop stars may be headed to Broadway, how YouTube has begun showing blockbuster movies (with ads) and the winners of this year’s International Emmy Awards.
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Showbiz Sandbox 428: Why Everyone Is Raving About “Red Dead Redemption 2”
November 5, 2018
While there may still be some debate over whether video games are works of art, there is no doubting their earning potential. This was proven yet again when the game “Red Dead Redemption 2” earned a whopping $725 million in global retail sales after its first three days. And with glowing reviews haling it as a new gold standard for video games, and online components yet to be released, it’s poised to rake in much more.
Meanwhile, theatrical box office in North America is also looking profitable. In fact, 2018 may end with record setting grosses (if not attendance), and it’s all due to Hollywood releasing blockbuster movies outside the usual summer and holiday season.
In China, movie stars continue to fess up to how much money they have avoided paying taxes on. The latest is Chow Yun Fat who took his cue from the government and decided now was a good time to announce he’d be giving away his fortune, estimated at more than $700 million.
Of course we also cover the week’s top entertainment headlines including why Rihanna turned down the Super Bowl halftime show, Drake topples another Billboard chart record and why Broadway is skewing a little younger.
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