July 17, 2012
Last weekend self-professed geeks made their annual pilgrimage to San Diego for Comic-Con. There’s no better person to speak with about the world’s largest pop-culture convention than Los Angeles Times writer Geoff Boucher. His Hero Complex blog has become a must-read for those attending “the Con” and he fills us in on all the big news coming out of this year’s show.
Boucher also had a professional and somewhat personal relationship with producer Richard Zanuck who unexpectedly passed away last week at the age of 77. The executive behind such films as “The Sound of Music” and the producer of movies like “Driving Miss Daisy”, Boucher provides a unique perspective on what Zanuck was really like.
Meanwhile in the world of television, the war over carriage fees has heated up once again. This time Viacom has pulled its 26 networks from DirecTV and AMC has yanked its programming from Dish.
We also cover the week’s top entertainment headlines including Bruce Springsteen’s curfew, the exodus of judges from “American Idol” and why you should see the “The Dark Knight Rises” in Imax.
June 21, 2010
On the weekend of June 11th the film “Unthinkable” starring Samuel L. Jackson and Michael Sheen rocketed up the Internet Movie Database’s MovieMeter. It wound up at number three beating out such new releases as “Get Him To The Greek” and “Shrek Forever After”. The funny thing is, this film wasn’t playing in theaters and at the time hadn’t even been released on DVD. A pristine pirated version however did leak online.
Cotty Chubb, the producer of “Unthinkable”, joins us to discuss the film, whether the illegal version helped its recent release and ultimately how movie piracy is affecting the entertainment industry.
“Toy Story 3” didn’t have to worry about being pirated when it opened this weekend since most theaters were showing it in 3D. The film earned debuted in first place with a whopping $109 million. That makes it the most successful Pixar opening ever.
Piracy doesn’t seem to be affecting Michael Jackson’s estate either. In the year since the performer’s death his music and film work has earned nearly a billion dollars according to Billboard magazine.