Showbiz Sandbox 308: Hollywood Thinks It Has Netflix’s Numbers

January 18, 2016

With Netflix now available in 190 countries, the upstart video-on-demand service has grown so big Hollywood studios and television networks are getting seriously worried. Sure, they’ve earned millions by licensing their content to Netflix, but they now find themselves competing with the company for new projects, not to mention the industry’s most sought after talent.

TV networks are especially upset Netflix can claim to be a success without ever revealing their ratings. Some have even gone so far as to commission studies to determine the true viewership of Netflix programming. Meanwhile, Netflix has become concerned about viewers bypassing geographic restrictions by subscribing to their U.S. service from international territories.

When it came to this year’s Academy Awards nominations however, Netflix was overlooked in all of the major categories. So were minorities. For the second year in a row all of the acting nominations and those for best director went to caucasians, giving rise to a repeat of the #OscarsSoWhite social media campaign.

Of course we also cover the week’s top entertainment news including NBC’s plans to produce a live version of the musical “Hairspray”, Al Jazeera America is being shut down and the death of actor Alan Rickman.

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Showbiz Sandbox 293: Why Forecasting Box Office Has Become So Difficult

September 7, 2015

Though this year’s North American summer box office may wind up being the second biggest on record at $4.4 billion, movie studios are finding it far more difficult to predict opening weekend grosses. An article in the Hollywood Reporter details how tracking pre-release box office has become unreliable in an age when social media buzz and movie review aggregation have become so prevalent.

Word-of-mouth can now spread so quickly that movies like “Ted 2” can be doomed 24 hours after release, opening 33% below its estimated $50 million first weekend gross. And it’s not just flops that suffer tracking mishaps, as evidenced by “Jurassic World” bowing to $208 million, 60% more than originally anticipated.

Until now, Apple hasn’t had to worry about movie box office or even television ratings, but all that might change if rumors the company is getting into producing original content are at all true.

Of course we also cover the week’s top entertainment news including why Aretha Franklin wound up in court last week, why DreamWorks is leaving Disney and who the Academy selected to produce next year’s Oscar telecast.

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Showbiz Sandbox 285: Why the Film Academy Is Becoming More Diverse and International

June 30, 2015

When the Academy of Motion Picture Arts and Sciences invited over 300 new members to join their ranks this year, many noted not only the number of young women and minorities among the group, but also 36 international invitees. According to Oscars pundit Scott Feinberg of the Hollywood Reporter, that’s the highest number of new international members than at any other time in the Academy’s 88-year history.

We explain why the organization is looking to filmmakers and craftspeople from around the world when adding to their ranks, as well as how that might change the demographics of the Academy moving forward. At a time when international box office has never been more dominant and important, it is nice to see the Academy’s membership become a little more diverse.

E-commerce giant Amazon is also making a few changes, especially in the way it pays authors of titles in its monthly book rental offering. Instead of paying writers for every book a user starts but may not finish, the company will pay based upon how many actual pages a subscriber reads.

Of course, we also cover the week’s top entertainment news stories including why NBC and Univision fired Donald Trump, Harry Potter heads to London’s West End and Apple signs a deal with indie record labels for its new music streaming service.

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Showbiz Sandbox 272: Why The TV Industry Is Fighting Over Your Viewing Habits

March 9, 2015

Time-shifting content consumption has grown astronomically over the past several years thanks to technology like streaming and DVRs. Nearly half of all TV viewers no longer watch shows when they are first aired, upending the traditional ratings system used to measure audiences. Networks now want advertisers to pay for all the viewers of a program up to a week after its original telecast.

Presently, advertisers only pay for viewers of a show during the first three days after its broadcast, a timeframe the don’t wish to extend. Complicating the matter is a dramatic increase in the number of shows airing during primetime, fracturing audiences and forcing ad execs to sift through 1,700 programs in which commercials can be placed.

Buying ad time during the Academy Awards ceremony is usually a no-brainer for marketing moguls, however the Oscars telecast has become so predictably dull that it’s audience has begun to shrink. In an effort to boost ratings, the Academy’s Board of Governors is now hinting they may revert back to having only five Best Picture nominees, rather than the potential of ten. We debate why this is not such a good idea.

Of course, we also cover the week’s top entertainment news stories including the high profile court battle over the authoriship of a hit song, NBC goes over-the-top and Bruce Willis heads to Broadway.

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Showbiz Sandbox 270: The Oscars Need A Reboot

February 23, 2015

What was billed as the closest Oscar race in recent memory turned out to be predictably dull as “Birdman” flew away with four awards including Best Picture. Not even host Neil Patrick Harris could make them more entertaining. Indiewire’s Anne Thompson attended the ceremony and stops by to give us her thoughts on this year’s Oscar winners and the ceremony itself.

We also take a look at the movies that could potentially be competing for Oscar trophies next year. Filmmakers such as Ron Howard, David O. Russell, Steven Spielberg and even this year’s Best Director winner Alejandro González Iñárritu all have movies set for release.

In other awards prognostication news, now that the Academy Awards are over, we have the Tony Awards for live theater to look forward to. Though once it looked as if there wouldn’t be any musicals to honor, Broadway will be awash in them come springtime. Even better, there are more new musicals than revivals scheduled for this season.

Of course, we also cover the week’s top entertainment news stories including Starbucks plan to stop selling CDs, the Emmys update their rules and finding an ending to “Mission: Impossible 5” has been… well, impossible.

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Showbiz Sandbox 269: When Journalists Make Headlines Instead of Report Them

February 17, 2015

Last week a number of respected journalists who have won praise after decades of reporting the news actually wound up in the headlines themselves. First Brian Williams, the anchor of NBC Nightly News was suspended for six month by the network when allegations arose that he exaggerated his experiences while reporting on the Iraq War. Then, esteemed New York Times media columnist David Carr suddenly died after collapsing in the newsroom leading to an outpouring of condolences.

Ironically, overshadowing both of these events was an announcement from Jon Stewart, a self-professed “fake journalist” that he would be leaving “The Daily Show” after 17 years as it’s host. Such news must have executives at Comedy Central reeling, since it comes on the heels of Stephen Colbert’s departure from the network.

On the other hand, Spider-Man isn’t going anywhere. He’s going to stay at Sony, however will be loaned to Disney for appearances in Marvel’s multi-character movies. The studio also plans to once again reboot the Spider-Man franchise by recasting the role.

Of course, we also cover the week’s top entertainment news stories including the huge opening weekend for “Fifty Shades of Grey”, Netflix heads to Cuba and the latest awards season winners.

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Showbiz Sandbox 265: This Year’s Oscar Nominations Aren’t Only Racist, They’re Anti-Lego

January 20, 2015

While debating Oscar nomination snubs has become an annual tradition, the criticism over this year’s list of nominees had to do with racial bias and a lack of diversity. Specifically, a film about civil rights activist Martin Luther King Jr. was nominated for Best Picture, but its female director and lead actor, both black, were surprisingly overlooked.

Yet few seemed to notice is that “Selma”, the film in question, is only the twelfth film directed by a woman to receive a Best Picture nomination in the 86 year history of the Academy Awards. On only four occasions has the filmmaker also been nominated for Best Director. And six of these movies were nominated during the last 10 years, pointing towards a positive trend for female helmers.

Also under represented in the Best Picture category at this year’s Oscars are hit movies. Sure, all of the nominees were successful, but only “American Sniper” earned big bucks at the box office. If only Legos were eligible to vote… maybe they’re film would have been nominated for Best Animated Feature.

Of course, we also cover the week’s top entertainment news stories including Barbara Streisand’s latest platinum album, Amazon’s move into theatrical film distribution and why James Cameron is delaying the “Avatar” sequels to 201.

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Showbiz Sandbox 257: Debating President Obama’s Position On Net Neutrality

November 10, 2014

President Obama finally weighed in on the battle over net neutrality calling for the FCC to reclassify broadband providers as utilities under Title II of Telecommunications Act. This inflamed the war between those who believe such a move is mandatory and others who fear bureaucratic regulation will have the unintended consequence of throttling future development and investment in technology. We do our best to debate both sides of a very contentious issue.

Leaking copyrighted content online however, is an issue everyone can agrees is bad. Marvel Entertainment showed how to handle just such a scenario with aplomb when a leaked copy of the trailer for their highly anticipated sequel to “Avengers” hit the Internet before its official release. We’ll fill you in on Marvel’s immediate and exemplary response.

While we’re on the subject of responses, there’s no question how Taylor Swift’s new album was received by her fans. They gobbled up more than 1.2 million copies during its first week on sale. That’s more than the next 106 albums on the weekly sales chart combined.

Of course, we also cover the week’s top entertainment news stories including Lemony Snicket on Netflix, Matt Damon returns to Jason Bourne and Pixar gears up for another “Toy Story”.

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Showbiz Sandbox 254: Are HBO and CBS Really Really Becoming Cord-Cutters?

October 21, 2014

The entertainment industry was stunned last week when Time Warner announced plans for HBO to go over the top. The premium cable channel intends to offer a standalone service in the US come 2015 that won’t require a cable subscription. Legions of cord-cutters rejoiced upon learning the news, but what they weren’t actually hearing about were the details of how the new plan would work.

Just a day later the broadcast network CBS offered a bit more information about their upcoming Access All In streaming service. The network will begin offering their programming directly to viewers via the web and mobile apps at a cost of $6 per month.

Both of these landmark moves are being seen as bellwethers for how television will be distributed in the future and they come with all sorts of ramifications. Will selecting television channels a la carte actually increase our cable bills? What do all these new services mean for net neutrality? What does all of this mean for Netflix? We’ll explain.

Of course, we also cover the week’s top entertainment news stories including Amazon’s deal with Simon & Schuster, Neil Patrick Harris gets tapped to host next year’s Oscars and why pop-star Lorde is persona non grata in San Francisco.

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Showbiz Sandbox 243: United They Stand – SAG-AFTRA Forges Ground-Breaking Contract

July 7, 2014

Two years after merging their unions, and with their current contracts set to expire within hours, SAG-AFTRA reached an agreement with studios and producers for a new three-year contract. Jonathan Handel, an entertainment attorney and contributing editor at the Hollywood Reporter, discusses the proposed deal and what improvements actors managed to secure.

Music sales, on the other hand, aren’t improving at all. Nielsen reports that album and digital download sales for the first half of 2014 are down significantly. Could the increase in on demand music streaming be the cause?

Movies aren’t faring much better so far this year, at least not in North America and Germany where box office is down 12% and 8% respectively. Is something amiss with this summer’s blockbuster releases, or is setting new earnings records every year simply unrealistic?

Of course, we also cover the week’s top entertainment news stories including how the characters from “Frozen” are crossing over to television, why cable set-top boxes gobble up so much energy and The Who plan on saying a long, slow goodbye during yet another one of their farewell tours.

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