Showbiz Sandbox 655: Netflix Stops Sweating (and Reporting) Subscriber Growth
April 23, 2024
Netflix first quarter earnings report showed growth in all areas from subscribers, to revenue and income. But with Netflix clearly dominating competitors and entering a mature market, the streaming giant will no longer provide subscriber figures on a regular basis. Instead, Netflix will concentrate on profit and the amount of time each of their 270 million subscribers spend viewing programming on their platform.
Meanwhile, the long gestating sale of Paramount Global got a lot more interesting last week when Sony entered the picture with its own bid for the media conglomerate. Unfortunately, indie production house Participant Media was unable to find a buyer and abruptly shuttered.
Of course we also cover the week’s top entertainment headlines including this year’s Rock and Roll Hall of Fame inductees, Taylor Swift breaks her own sales records with the release of her album “The Tortured Poets Department” and the Sundance Film Festival may be in search of a new home.
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Showbiz Sandbox 648: Judging This Year’s Rock & Roll Hall of Fame Nominees
February 20, 2024
The Rock & Roll Hall of Fame announced their 2024 nominees, including some musical acts previously shortlisted for inclusion. Musician and music writer Sal Nunziato joins host Michael Giltz to argue over which of these acts should be included in the Hall of Fame and why. Plus they give us a rundown of their favorite albums from the past year.
Meanwhile, “Oppenheimer” solidified itself as the obvious and only leader during this year’s awards season by winning seven BAFTA awards, including Best Film. At this point, the movie seems destined to top the upcoming Academy Awards.
Of course we also cover the week’s top entertainment headlines including the math behind this year’s movie release schedule, how Microsoft is spreading some Xbox love and ESPN is going long on college football.
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Showbiz Sandbox 405: Hollywood Adopts A Queer Gaze as LGBTQ Films Go Mainstream
March 26, 2018
Hollywood studios are no strangers to coming-of-age romantic comedies (see any John Hughes film), but never before has a mainstream film centered around a gay teenager. Even so, Twentieth Century Fox didn’t cover up the subject matter of “Love, Simon” and instead used it in their marketing campaign.
What’s more, such films are now being made by members of the LGBTQ community lending them a sense of credibility through what Los Angeles Times film reporter Tre’vell Anderson calls the “queer gaze”. Anderson joins us to discuss the present state of queer films and the future of a genre that is becoming more prominent.
Meanwhile the music industry has something to celebrate as 2017 marked the second year in a row with double digit revenue growth. Streaming services accounted for more than half the year’s total earnings, which are finally back at 2008 levels.
Of course we also cover the week’s top entertainment news including some of the changes taking place at this year’s Cannes Film Festival, Bruce Springsteen extends his stay on Broadway and online piracy continues to grow.
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Showbiz Sandbox 75: Hollywood Stunned By A Jackass (And It’s Not Perez Hilton!)
October 18, 2010
Everyone expected the latest installment of the low-rent “Jackass” franchise to bring in a few bucks, especially since it was filmed in 3D, but nobody expected the movie to take in $50 million in its debut weekend and set records for an October opening. Another surprise from this past week came when gossip blogger Perez Hilton told the world he would no longer “bully” or “out” celebrities on his popular website. Hilton has left everyone wondering if he is being honest, or just trying to grab a few headlines.
In television news, the big story was all about the Chilean miner rescue which drew huge ratings for cable news networks. As for some of the season’s new shows, we provide an update on which ones seem to be fairing well and which may be headed into a permanent hiatus.
The nominations for the American Music Awards were announced, though instead of pulling names from Billboard’s Hot 100 chart, the show relied on the Ultimate Chart published by BigChampagne.
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