Showbiz Sandbox 504: Does The Entertainment Industry Need A Government Bailout?
July 29, 2020
Most of the world’s cinemas are closed. Studios are struggling to release films theatrically. Live theatre probably won’t return until at least 2021. Who knows when concerts can safely be held. Likewise, new movies and television shows can’t get made because producers can’t get production insurance. Is it time for governments to help the entertainment business bounce back the same way they help other industries?
Meanwhile, the Emmy nominations provided some good news, at least for HBO and Netflix who racked up a combined 267 nods. In a year where an Emmy ceremony is hardly likely, the major broadcast networks only scored one nomination for a top award. We go take a stab at predicting which shows will score an Emmy this year.
Of course we also cover some of the week’s top entertainment headlines including why TikTok signed a deal with record labels, Drake charts another music industry record and how Universal Music Group profits from local music acts.
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Showbiz Sandbox 488: The Hollywood Reporter Falls Into A Parent Trap
April 8, 2020
In a move that took the entertainment industry by surprise, Matthew Belloni, the Executive Editor of The Hollywood Reporter, announced he would be stepping down from the publication after 14 years. Within minutes competitors such as Variety and The Wrap revealed that Belloni’s departure was over editorial independence.
Valence Media’s leadership allegedly wanted to block unfavorable stories about their friends and affiliated companies. As well, the sought additional coverage of subsidiaries such as Dick Clark Productions. The situation has angered the editorial staff at the Reporter leaving many to wonder who might be next to depart the world’s most widely read entertainment news outlet.
Of course we also cover some of the week’s top entertainment headlines including why a partner at one leading talent agency is suing the firm for wrongful termination, Activision wins a lawsuit allowing it to use Humvees in “Call of Duty” and the latest on how the coronavirus pandemic is affecting the global entertainment business.
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Showbiz Sandbox 486: Box Office In the Age of the Coronavirus
March 24, 2020
For the first time in history a majority of movie theaters around the world have been closed due to the coronavirus pandemic. That means there is no theatrical box office to collect and analyze. Paul Dergarabedian, a senior media analyst at Comscore, is one of the most widely recognized box office pundits in the world. He joins us to explain not only how the industry is coping without grosses to measure their success and failure, but also what it’s like to sleep in on Sunday morning for the first time in 30 years.
In China, a few cinemas have begun opening back up, though very few people are going. Still this may provide a glimpse of where the rest of the world will be within six months after COVID-19 is under control.
Of course we also cover the week’s top entertainment headlines including how much the entertainment industry (sort of) earned last year and Woody Allen finds a publisher for his memoir.
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Showbiz Sandbox 83: The Social Network Tops Critics Year-End Picks
December 13, 2010
Even the latest “Chronicles of Narnia” film can’t steal the spotlight from “The Social Network”. David Fincher’s little Facebook movie is the toast of critics groups throughout the country with most selecting it as the year’s best film. “Blue Valentine” may be getting overlooked when it comes to top awards, but the MPAA decided to downgrade the film’s NC-17 rating to a more marketable R.
Spotify, Europe’s leading online music service, still hasn’t launched in the United States thanks to licensing disputes with the record labels. We’ll just have to be satisfied with watching music videos on YouTube where artists like Rhianna, Eminem and Justin Bieber rake in millions from advertising.
Disney and ABC aren’t relying on YouTube to make money online with their television shows. Instead, they struck a lucrative licensing deal with Netflix who will stream the shows to to paying subscribers.
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