Showbiz Sandbox 361: Forget Release Windows, CinemaCon Proves the Screen is the Future
April 4, 2017
Cinema operators gathered in Las Vegas last week to attend the annual CinemaCon trade show where they were able to preview upcoming film releases and learn about some of the new technology on offer for their theatres. Naturally, box office was a big topic with global ticket sales (barely) hitting a record $38.6 billion. Even with a strong U.S. dollar, international box office still made up 71% of the total.
Another issue on everyone’s mind were theatrical release windows; studios want to introduce a premium video on demand offering that brings new releases to the home sooner, though exhibitors are understandably pushing back.
Meanwhile, there may be no movies to show in cinemas if screenwriters goes on strike. The Writers Guild of America has been meeting with producers and studios, however the sides are far apart in their negotiations and a strike is looking more likely.
Of course, we also cover the week’s top entertainment news stories including Robert Downey Jr. as Dr. Dolittle, why major advertisers are upset with YouTube and Adam Sandler reups with Netflix.
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Showbiz Sandbox 348: Hollywood Studios Get Serious About Shortening Theatrical Windows
December 19, 2016
Studios have been itching to shorten the theatrical release window for their movies since the moment they learned how much money they could make on home video. Of course, cinema owners aren’t too keen on the idea and refuse to book films that can be viewed at home less than three months after they hit theaters. With reports that Apple is talking to Hollywood in hopes of getting early access to movies for iTunes, have the stakes been raised?
Oscar season is heating up as the guilds begin weighing in. First up was the Screen Actors Guild who announced the nominees for their annual awards helping confirm a few front runners. When it comes to foreign language features, the Academy narrowed the list of eligible contenders down to nine, leaving out a few of this year’s favorites.
Meanwhile the Library of Congress announced a selection of 25 titles to enter the National Film Registry including silent films starring Buster Keaton, “The Princess Bride”, “Thelma & Louise” and “Rushmore”.
Of course we also cover the week’s top entertainment news including the executive shakeup at Warner Bros. Pictures, Julia Roberts comes to television and Amazon goes global with its video streaming service.
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Showbiz Sandbox 239: A Gentleman’s Guide To This Year’s Tony Winners
June 9, 2014
This year’s Tony Awards spread the love around with many of the Broadway season’s most lauded shows taking home trophies. “A Raisin in the Sun” won several awards including best revival of a play. Actor Bryan Cranston earned a Tony for his portrayal of President Lyndon Johnson “All The Way”, which also won best play. The critical darling “A Gentleman’s Guide to Love & Murder” walked off with one of the night’s biggest awards, best musical.
Meanwhile Audra McDonald made history by winning her sixth Tony for acting, the most ever won by a performer. There were very few surprises during this year’s ceremony, accept for maybe host Hugh Jackman starting the telecast off by hopping (literally) through a dance routine that lasted four minutes. And even though Neil Patrick Harris didn’t host this year’s ceremony as he has for the past three years, he still managed to make his presence felt by performing a number from “Hedwig and the Angry Inch” and winning the Tony for best actor in a leading role in a musical.
In the world of movies it appears the day-and-date release of movies both in theatres and online is quickly becoming the new normal, if the practice hasn’t done so already. Now, a new research report out of Europe suggests that overlapping release windows is not eroding cinema attendance.
Of course, we also cover the week’s top entertainment news stories including the latest movie from the Wachowski siblings gets pushed into next year, “Game of Thrones” becomes the the most watched show in HBO’s history and despite critical praise the latest Tom Cruise blockbuster is struggling at the box office.
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Showbiz Sandbox 122: The Real Story Behind Steve Jobs And Pixar
October 10, 2011
Millions mourned the loss of Apple co-founder Steve Jobs this past week when the innovator behind the Macintosh computer, the iPod and others died at the age of 56. Though the endless eulogies of Jobs always mention Jobs Pixar tenure, they rarely provided any real detail. Truth is Jobs lost money with Pixar for ten years trying to turn the company into a successful computer hardware business. We’ll dive into the story of how Jobs came to own Pixar and how the company stumbled upon success in computer animation.
Of course, there has never been a Pixar film that didn’t make money. However, we often blithely dismiss one movie as being a box office loser and another as a hit even though they might seem similar in budgets and box office. When we consider a film a hit or a flop, we’re making numerous assumptions on various factors. It’s always a judgment call, but to try and explain what sort of judgments we’re making, we’ve decided to look at several different movies and explain why we consider them a hit or miss.
It’s not as hard to tell when a new television series is a flop, especially after the network cancels it. A number of new shows (“Playboy Club”) got axed this past week, while others (“New Girl”) were picked up for an entire season. One series which nearly didn’t make the cut was “The Simpsons”. After its 23rd season the animated show was nearly canceled over a contract dispute with the cast providing voices for its lovable characters.
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Showbiz Sandbox 100: In Showbiz, As In Life, Size Matters
April 25, 2011
It’s hard to believe we’ve recorded 100 episodes of Showbiz Sandbox. It’s also hard to believe that a 3D porno (okay, an erotic comedy) could ever smash a box office record set by “Avatar”. But that’s exactly what happened in Hong Kong, where “Sex and Zen: Extreme Ecstasy” opened to USD $2.19 million. The producers wanted to screen the film in Imax, but were refused, disappointing Karen Woodward, our guest and former co-host, who says that despite all the rumors, size does matter.
If bigger really is better, then Netflix has nothing to worry about. They are set to become the largest subscription entertainment business in the United States with over 23 million customers, beating out satellite radio and cable television. The same can’t be said about any of the music streaming services that Apple, Google and others are working on. Apparently, negotiating a licensing deal with record labels can be quite difficult. Go figure!
The Coachella Music Festival also took the size issue to heart, adding more space for attendees to enjoy the more than 100 bands which performed this year. J. Sperling Reich was there and tells us which artists are worth checking out (Lauryn Hill), and which shouldn’t quit their day jobs (Odd Future).
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Showbiz Sandbox 99: How To Fix Hollywood’s Obsolete Residual Payments System
April 11, 2011
Labor and contract negotiations are a constant concern in Hollywood. Entertainment attorney Jonathan Handel is a contributor to The Hollywood Reporter and has written a book about the industry’s labor disputes, “Hollywood on Strike!: An Industry at War in the Internet Age
Blockbuster, the beleaguered video chain which filed for bankruptcy protection last year, was auctioned off to Dish Networks. How the acquisition will benefit the satellite television provider remains to be seen.
The Grammy Awards are getting trimmed down as they cut more than 30 categories and combine a number of others. Music industry professionals are split over whether the changes will help the awards show.
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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood
April 4, 2011
Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.
One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.
The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.
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Showbiz Sandbox 95: The Media Is Charlie Sheen’s Worst Enabler
March 7, 2011
It’s hard to believe that we’re writing headlines about Charlie Sheen for the second week in a row. Alas, the actor went on a whirlwind media campaign let the world know he was ready to go back to work on his hit sitcom. Mainstream media reveled in an endless supply of Sheen’s erratic and manic behavior, portraying him as a deluded, drugged out narcissist.
Eric Deggans, the television and media critic for the St. Petersburg Times, stops by to discuss his NPR commentary piece on how mixed-race couples are portrayed on network television. However, we get sidetracked when news arrives that Sheen has been fired from “Two And A Half Men”.
During Inside Baseball we are joined by Andrew Wallenstein of PaidContent (and soon Variety) who explains why movie studios should start a war over premium video-on-demand.
We also cover all the week’s top entertainment news including Google’s rumored music service, “American Idol’s” ratings dominance, Courtney Love’s Twitter lawsuit and Oprah’s struggling cable network.
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