June 27, 2016
Thanks to the passage of a referendum in the United Kingdom dubbed Brexit, Britain will soon be leaving the European Union. Entertainment companies beyond those in the UK suddenly face a lot of uncertainty and confusion over deals they have already made and will be making in the months and years to come. We discuss how the Brexit vote may affect the entertainment industry.
In other troubling news, the long awaited (as in 20 years) sequel to “Independence Day” opened to disappointing box office returns. This has led to industry pundits spouting erroneous lessons Hollywood can take away from its release. Knowledgeable nuggets such as don’t wait too long to make a sequel (or did they forget about “Star Wars”) and don’t make sequels without the original star (though “Jurassic World” proved that theory wrong just last year).
We also take a look at virtual print fees or VPFs. A letter from one of our listeners asked us to clarify how small independent distributors can afford them. So, we review the history of VPFs, how they work around the world and when studios will stop paying them to theater owners.
Of course we also cover the week’s top entertainment news including a court decides that legendary rock band Led Zeppelin didn’t plagiarize its biggest hit, “Mr. Robot” gets more episodes in its second season and “Star Trek” fan films get a green light from Paramount Pictures (sort of).
February 22, 2016
Kanye West is making headlines for exhibiting manic behavior around the upcoming release of his latest album, “The Life of Pablo”. Is it erratic behavior or a canny promotional tactic? And is West’s album actually finished, or are the many changes he’s making before its official release all part of an intentional, yet public, artistic process.
In more serious news, music heavyweights are beginning to speak out about the court battle between artist Kesha and music producer Dr. Luke. The musician is attempting to break free of a record contract which ties her to a man Kesha says “sexually, physically, verbally and emotionally” abused her for years.
Meanwhile, we’re going to look at a worldwide box office phenomenon that has set records in the United States and around the world. Not “Deadpool”, but rather China’s “The Mermaid,” which had the highest per screen average of any movie in North America this past week.
Of course we also cover the week’s top entertainment news including the new owner of movie review aggregator Rotten Tomatoes, Amazon’s plans to distribute Woody Allen’s next movie and new rules for the Eurovision song contest.
May 9, 2011
Music videos rose to prominence in the 1980s to become on of the most important promotional vehicles for new music. As fans grew tired of watching their favorite musicians lip sync their way through elaborate videos MTV and the like stopped showing them. However, with the advent of inexpensive production equipment and the ability to reach a massive global audience via the Internet, musicians have begun churning out a new crop of innovative, and at times interactive, music videos, revitalizing an art form once written off as extinct.
In other music news, Warner Music Group was finally auctioned off for $3.3 billion. Now there is talk that the record labels new owner might scoop up EMI making Warner Music Group even larger than it is already. Meanwhile, in an attempt to reverse declining box office, concert promoters are trying to win audiences back with cheaper ticket prices and high-end acts.
Flixster and Rotten Tomatoes, two of the Internet’s most popular movie sites, were sold to Warner Bros. We debate whether the move will influence some of the reviews and recommendations the websites have become known for.
January 7, 2010
“Avatar” continues its takeover of the box office, while “The Hurt Locker” appears to be taking over the awards season. James Cameron’s 3D labor of love entered the list of top 10 grossing films of all time and may be poised to become the highest grossing movie ever, a title now held by another Cameron film, “Titanic”. “Avatar” is now one of only five films to ever earn over a billion dollars world-wide.
Now the prognostication begins about whether “Avatar” (and Cameron) will be nominated for an Academy Award? His ex-wife’s movie “The Hurt Locker” certainly seems to be headed that way. Director Kathryn Bigelow is earning raves for the film and she is being being heavily favored to be the first female to win a Best Director Oscar. Between Bigelow and Nancy Meyers (“It’s Complicated”), female directors, or at least the discussion of their recent success, is the topic du jour in Hollywood.
Another favorite topic at the beginning a year is reflection and prediction. What were the top reviewed movies of the decade? Did you see any of them? Read more