Showbiz Sandbox 242: Supreme Court Fumbles Aereo Ruling

Last week the United States Supreme Court ruled that the television streaming service Aereo violated copyright laws by using mini-antennas to deliver broadcast signals to paying subscribers. Denise Howell, an intellectual property lawyer and host of “This Week in Law”, outlines a decision that will have long term and wide-ranging effects for the entertainment and technology industries.

The Academy of Motion Picture Arts and Sciences are attempting to alter their demographics by inviting younger, more ethnically diverse artists to join the ranks of those who nominate and vote for the Oscars each year. What’s truly remarkable is some of the legendary veterans who are just now receiving invites.

Meanwhile, as the publishing industry watches Hachette Book Group go to war with Amazon over the price of their books, the country of France is trying to protect its bookstores by passing a law meant to combat the online retailers influence.

Of course, we also cover the week’s top entertainment news stories including the gigantic opening of “Transformers: Age of Extinction”, why this summer’s domestic box office is considered anemic and “Community” heads to Yahoo for its sixth season.

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Showbiz Sandbox 233: Net Neutrality – Is The Fat Lady Singing?

The concept that all data sent via the Internet should be treated equally has allowed services such as YouTube and Netflix to develop and prosper on a level playing field. However a new proposal from the Federal Communications Commission would effectively kill net neutrality by allowing companies to pay for faster access. Will the public revolt in mass protest or will big business ultimately prevail?

A similar question is being asked as the United States Supreme Court heard oral arguments over whether Aereo infringes on broadcaster’s copyright by retransmitting over-the-air television signals via the Internet, or if the company’s services are legal under current law. The future of television may hinge on the answer.

There seems to be no dispute over the state of opera these days as many regional companies are suffering from a number of problems, not the least of which is declining ticket sales. Most recently the San Diego Opera announced it would be shutting down after running out of money.

Of course, we also cover the week’s top entertainment news stories including Amazon’s deal to stream past HBO series, Ryan Seacrest stays with “American Idol” and why record labels are suing Pandora… again.

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Showbiz Sandbox 144: Measuring Media Proves Difficult In The Digital Age

Whether trying to figure out how many users the streaming music actually has or why audiences have abandoned television shows in the ten o’clock hour, it turns out keeping track of media metrics often requires fuzzy logic.

In one instance the ratings for CNBC in the 18 to 49-year-old demographic plummeted when three people included in Nielsen’s measurement sampling turned 50. Meanwhile, Billboard’s new formula for ranking singles caused Justin Bieber to narrowly miss hitting the number one spot.

There have been no problems counting money at movie theater and Broadway box offices. “Hunger Games” has helped movie grosses continue their record setting pace for the year and over on the Great White Way, three musicals pulled in over $2 million during Easter break.

Of course, we also cover the top entertainment headlines from the past week, including Ryan Seacrest’s Olympic efforts, Vince Vaughn’s bad timing and YouTube’s confusing relationship with Viacom.

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Showbiz Sandbox 135: Is The SAG-AFTRA Merger Good For Hollywood?

After years of humoring the idea it looks as if two of Hollywood’s largest labor unions may actually merge. Detailing the history of SAG and AFTRA, Jonathan Handel, a contributing editor at The Hollywood Reporter and an entertainment attorney, explains the reasons behind why the unions might want to merge and what it all means for the entertainment industry.

The telecast of Super Bowl XLVI proved to be another ratings winner and as in previous years, is expected to be the most watched show of the year, if not all-time. Were audiences tuning in for the game or to watch Madonna’s extravagant half-time show?

Despite gaining a million subscribers last year the minuscule royalties paid by Spotify to independent musicians barely budged at all. Some industry veterans have grown weary of subscription music services and are advising they be used for promotional purposes only.

We also cover the week’s top entertainment headlines including a new CEO at Sony, why you won’t see Bon Iver perform at the Grammys and how Facebook might turn U2’s Bono into a billionaire.

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Showbiz Sandbox 133: Oscars Celebrate The Past; Sundance Discovers The Future

This year’s Oscar nominations have finally been announced and they are full of surprises. Actors and actresses which seemed like shoe-ins for a nomination were completely overlooked. Films that nobody thought would be considered for Best Picture wound up in the list of nine nominated titles.

Meanwhile up in Park City, Utah this year’s Sundance Film Festival is underway. We’ll go over all the movies that have festival goers (and acquisitions executives) buzzing as well as fill you in on why indie films may finally reach wider audiences.

“American Idol” returned to the airwaves to lower ratings. Ryan Seacrest, the show’s host, may not care though since he took another step last week toward becoming the next Dick Clark by partnering with Mark Cuban and AEG on a new cable television network.

We also cover some of the week’s top entertainment headlines including Adele’s continued dominance of the music charts, the death of controversial anti-piracy legislation and the shuttering of Megaupload over copyright infringement.

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Showbiz Sandbox 129: Ticket Masters – The Rise of the Concert Industry and How the Public Got Scalped

Anyone who has ever tried to get good tickets to see their favorite band in concert knows how frustrating it can be. Josh Baron and Dean Budnick, two editors of Relix magazine, spent three years speaking to hundreds of industry veterans to research the history of modern ticketing. Their book, “Ticket Masters: The Rise of the Concert Industry and How the Public Got Scalped“, is being hailed as the most comprehensive work on the subject. In this interview they explain the real culprit behind today’s high ticket prices and provide a few ways to get the best seats in the house.

The end of the year usually marks a busy and highly profitable time in the movie industry, however box office receipts have been declining over the past two weekends to three year lows. It certainly doesn’t help that as film critics from around the nation bestow their annual awards, there doesn’t seem to be a clear frontrunner for the upcoming Oscar season.

In the music world, despite the glut of music subscription services such as Spotify, Rdio and Mog, some musicians are pulling their latest releases from the platforms. Most recently, The Black Keys have joined the likes of Coldplay in not allowing their new album to be streamed on any of the top services. Rather than help increase sales, the feeling is that these services may actually be preventing them.

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Showbiz Sandbox 118: Mr. Television Rates This Year’s New Shows

There’s a good reason Marc Berman is known as Mr. Television. As the man behind MediaWeek’s daily television newsletter The Programming Insider his commentary on the medium reached more than 50,000 readers per day. Berman recently launched TV Media Insights, a new online destination for television and media with its own newsletter, forum and podcast. Berman handicaps this year’s Emmy Awards and also tells us which new shows are worth watching in the upcoming season.

We also continue our discussion on the publishing industry, which due to the dramatic changes in how they do business, is becoming one of the more fascinating parts of the entertainment industry. As e-book sales increase, popular authors are beginning to announce plans to release new work directly to readers and Amazon plans on creating a Netflix fof books.

Meanwhile, a The Hollywood Reporter served a cease and desist order on Deadline.com which sparked a war of words between the two trade outlets. Is the Reporter in financial trouble, and if so, should Deadline staff be spreading the word to potential advertisers?

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Showbiz Sandbox 82: Training For The Awards Season Marathon

The end of the year always has more “best of” lists and awards show news than any media outlet knows what to do with. Over the past week nominees were announced for the Independent Spirit Awards, the Grammys and the Annies (for animated films). In Europe, they’ve already started holding awards ceremonies, with “The King’s Speech” cleaning up at the British Independent Film Awards and “Ghost Writer” topping the European Film Awards.

Competing at next year’s awards shows will likely be a few films selected for the upcoming Sundance Film Festival which will take place in January. Some outlets noted that the festival’s competition selection didn’t have enough star driven films, but artistic director John Cooper points to the premieres section which has been programmed with films sure to keep the Park City paparazzi quite busy.

In television news, it appears the degree to which networks and advertisers trust Nielsen’s rating system is decreasing by the day. They claim Nielsen’s method of acquiring its numbers is antiquated.  Meanwhile, on Broadway, all anyone wants to talk about is “Spider-Man: Turn Off The Dark”. While most avid theater-goers believe the super hero musical is going to be awful, they all still can’t wait to see it.

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