October 4, 2016
After originally splitting 10 years ago, Viacom and CBS may once again become a single organization. While a merger may help save Viacom, it doesn’t necessarily benefit the cash rich CBS. Even so, since the Redstone family owns the controlling share of both companies, it seems inevitable the two will once again be joined whether they like it or not.
Meanwhile the Federal Communications Commission has paused its attempt to wrestle the control of television set-top boxes away from cable providers, delaying a vote in order to clarify some of the rules included in the proposed legislation. That means consumers in the United States will still spend $20 billion for at least the next two years renting cable boxes.
At the box office, “Miss Peregrine’s Home for Peculiar Children” helped reverse the fortunes of Tim Burton’s latest films and even “Deepwater Horizon” may be not be the disaster some had predicted.
Of course we also cover the week’s top entertainment news including why NBC is dumping its “Mail Order Bride”, Disney plans on making a live-action version of “The Lion King” and a huge chunk of Rolling Stone magazine gets sold off.
August 22, 2016
We keep hearing that cord-cutting is going to destroy the U.S. cable industry. But SNL Kagan analyst Ian Olgeirson says the economic outlook for the business over the next decade is actually quite solid. Olgeirson joins us to explain how cable companies are turning cord-cutters into more profitable cord-swappers and what that means for their long-term health.
Meanwhile, for the 2016 Summer Olympics in Rio you didn’t need to have a cable subscription since so much of the action was streamed live online. In fact, while television viewership may not have reached the levels some networks around the world had hoped, a record number of hours were streamed over the Internet from this year’s games.
We also launch a new segment that tells you the one new book worth reading out of the thousands that are published each week, as listed on BookFilter, a book lover’s best friend.
Of course we also cover the week’s top entertainment news including the dispute over Tom Cruise’s salary for “Mission: Impossible 6”, the power struggle at Viacom nears a resolution and Barbara Streisand tells Apple’s Siri how to pronounce her name properly.
June 20, 2016
It would seem keeping one’s job as a senior executive at a major Hollywood movie studio has become much harder of late. Last year both Paramount and Sony Pictures replaced their studio heads. Now the executive shuffles at Sony and Fox, as well as the turmoil at Viacom, have our heads spinning. We’ll be joined by Anne Thompson of Indiewire who explains why Hollywood is in turnaround.
We also breakdown the past week’s worldwide box office, where a little fish swam a long way. Apparently audiences hadn’t forgotten the forgetful character from “Finding Nemo” and thus turned the Pixar movie “Finding Dory” into a box office smash.
Amazon plans to expand its streaming music service, but will it be worth listening to? Meanwhile, CBS won a potentially significant lawsuit when it argued successfully that a remastered album can in fact be considered a brand new work in terms of copyright.
Of course we also cover the week’s top entertainment news including the Tony Awards telecast get a ratings bump, Disney opens a theme park in Shanghai and ESPN devotes itself to soccer (or football, depending where you live).
May 30, 2016
Each May all the U.S. television networks invite major advertisers and the media to New York so they can pitch all of the new and returning shows on their fall schedules. Known as the upfronts, a good chunk of the prime time advertising inventory is sold during these meetings as promotional buzz about each series commences in earnest. We’ll take a closer look at some of the big trends coming out of this year’s upfronts.
Meanwhile, a much beloved series might be starting a trend of its own by increasing viewership in its 12th season. Usually long-running shows lose audience in their latter years, however “Grey’s Anatomy” is the perfect example of how new technology can boost viewership.
Viacom and CBS are likely to have kept a close eye on the recently completed upfronts, given their dominance in television. CBS was originally a Viacom property, but was spun-off more than a decade ago. Now, amidst leadership turmoil at Viacom, there is speculation the two companies may merge, once more becoming a single entity.
Of course we also cover the week’s top entertainment news including why U.S. presidential candidate Bernie Sanders is criticizing Disney, Spotify’s big success in helping subscribers find new music and why the next James Bond film is in search of a director.
May 24, 2016
This year’s Cannes Film Festival ended over the weekend with the awarding of the Palm d’Or, the festival’s top prize, to an unlikely, albeit quite solid, movie from director Ken Loach. A critically panned movie from filmmaker Xavier Dolan was given the runner up award, the Grand Prix, leaving many in Cannes baffled over how the jury made its selections. However festival director Thierry Fremaux has always said, Cannes is not set up for critics.
The Broadway season also came to a close last week earning a record $1.3 billion in ticket sales. Musical productions took in most of the revenue over the past year, though it was “The Lion King” and not “Hamilton”, which only opened in August, which ruled the box office.
Over at HBO Michael Lombardo, the longtime head of programming for the premium cable network is stepping down, whereas at Viacom Sumner Redstone has stirred up a hornets nest by ousting his longtime protogé, the company’s chief executive, from the trust that will eventually control the company.
Of course we also cover the week’s top entertainment news including whether the wave of summer blockbusters will prove to be too much competition, rumors of Adele’s massive record deal and Bill Cosby gets his day in criminal court.
February 8, 2016
The movie awards season remains as confusing as ever, with the Directors Guild handing out its top honor to “The Revenant”. Will this have any impact on an Oscar race in which “The Big Short” and “Spotlight” also look like major contenders? No one knows but we’ll try and sort it out.
Meanwhile, it appears Time Warner wants to join Disney, Fox and NBCUniversal as an owner of the streaming service Hulu. There’s only one catch; they’d like Hulu to stop showing all episodes from the current season of a TV series. Maybe they want to buy it so they can shut it down.
Over at Viacom, Sumner Redstone stepped down last week after a court mandated the 92-year-old would submit to a medical exam to determine his competency. Bowing to reality, Redstone resigned from his position as chairman of CBS and Viacom. Leslie Moonves is officially taking over CBS, but after daughter Shari Redstone publicly announced it wasn’t a good idea for Viacom CEO Philippe Dauman to take over, he did just that.
Of course we also cover the week’s top entertainment news including how Amazon plans to enter the retail space, ESPN plans to enter China and Matt LeBlanc is named as the new host of the popular automotive TV program, “Top Gear”.
January 26, 2016
Anyone who is anyone in the indie film world is presently in Park City, Utah attending this year’s Sundance Film Festival. Of course, it’s impossible to see all the nearly 200 films making their debut at Sundance. As we explain, seeing some of the hottest titles at the festival requires hours of waiting in line for screenings that are often over capacity, thus leaving dozens out in the cold. Literally and figuratively.
Some of the biggest headlines at this year’s Sundance were made by Amazon and Netflix. Though both distributors have previously had a presence at Sundance, this year they went on a buying spree, shelling out big bucks to snap up a number of buzzworthy films. The industry now is watching closely how the distribution of these acquisitions is handled and whether the companies are capable of turning them into financial successes.
Meanwhile, the controversy over the lack of diversity for this year’s Oscar nominations continues to boil over. With talk of boycotts and accusations of racial bias, the Academy of Motion Picture Arts and Sciences announced some drastic steps it plans on taking to rectify the situation. Unfortunately, this only caused the debate to become even more boisterous.
Of course we also cover the week’s top entertainment news including the Grammy Awards will go live, Bette Midler will be going to Broadway and actress Gillian Anderson balks at being paid half of what David Duchovny makes for the “X-Files” reunion.
March 16, 2015
A federal jury decided last week that the hit song “Blurred Lines” was improperly derived from Marvin Gaye’s 1977 classic “Got to Give It Up” and ordered songwriters Robin Thicke and Pharrell Williams to Pay $7.4 Million for copyright infringement. Though the verdict was a surprise, Eriq Gardner, a senior editor for The Hollywood Reporter, tells us it may not have the wide ranging implications for the music industry everyone now predicts.
Gardner explains some of the legal positions taken by both sides in the case. Usually for a copyright lawsuit to be successful the melody, harmony or lyrics must be infringed upon, though in this instance it was extended to include the style and “vibe” of the work. What will this mean for songwriters in the future?
Meanwhile, the MPAA published their verdict on last year’s box office figures. The good news is the organization’s annual report looks at the entire world, and not just the U.S. The bad news, at least according to some, is that box office receipts only increased 1% during what was a record breaking year in Asia.
Of course, we also cover the week’s top entertainment news stories including Sony’s plans for a Ghostbuster’s universe, the worldwide premiere of next season’s “Game of Thrones” and Disney announces a sequel to “Frozen”.
January 28, 2015
Though the Sundance Film Festival has long been one of the more important festivals held each year, it was primarily known as a launching pad for American independent films and as such international attendance was minimal. That seems to have changed over the past few years as Sundance selections started receiving Oscar nominations. Now industry professionals from all over the world show up at the festival to find the next “Whiplash”, “Precious” or “Beasts of the Southern Wild”.
We didn’t have to travel from halfway around the world to attend this year’s Sundance, but we are in Park City and will fill you in on all the buzzworthy films, major acquisitions and festival news.
Meanwhile, the Producer’s Guild Awards muddied the waters in the current race for the Best Picture Academy Award. While everyone assumed “Boyhood” would walk off with the prize on its way to Oscar victory, “Birdman” swept in and unexpectedly stole it. Whether this is any indication as to how Oscar voters will cast their ballots is questionable.
Of course, we also cover the week’s top entertainment news stories including why American Idol winner Phillip Phillips is headed to court over his record contract, how James Patterson is promoting his new book and Mrs. Doubtfire is headed to Broadway.
July 26, 2010
Geoff Boucher of the Los Angeles Times, Alex Billington of First Showing and Anne Thompson of indieWIRE all attended the 41st annual Comic-Con. They stop by to fill us in on all the the movies and television shows that managed to generate a lot of buzz (as well as a few that fizzled). We recap the pop-culture convention’s highlights and breaking news items.
Of course, before Comic-Con invited movies and television shows to the party, it used to be about buying and selling comic books. However, as Alex Pham of the Los Angeles Times informs us, physical comic books may be an endangered item thanks to the growing popularity of digital comics. These newfangled comics have animation, sound effects and narration. Pham also explains how e-books are changing the future of how and what we read.
E-books were the source of major controversy in the publishing world this past week. Literary agent Andrew Wylie announced he would bypass traditional publishing firms and form his own digital publishing company to release e-book versions of his client’s work, including out of print work from the likes of John Updike and and Philip Roth. Rachel Deahl, senior news editor at Publishers Weekly, tells us why this move was so controversial within the publishing industry.