Showbiz Sandbox 629: Disney vs. Charter Feud Could Finally Unbundle Cable

September 5, 2023

Carriage disputes between cable companies and media companies are nothing new. They happen regularly around big events like the Super Bowl, FIFA World Cup or the Oscars. However this time Charter Communications, the second largest cable operator in the United States, has pulled all of Disney’s 19 networks from its service, refusing to pay the higher licensing fees, arguing that the bundled pay television business model no longer works. Settling the disagreement could significantly alter the future of the television landscape.

Meanwhile, Taylor Swift has conquered the album charts and football stadiums and now she’s going to conquer movie theaters. And with summer box office hitting $4 billion, Swift’s concert film comes at the perfect time, at least for those in North America.

Of course we also cover the week’s top entertainment headlines including the Hollywood Reporter gets another editor-in-chief, more details about Kevin Costner’s departure from “Yellowstone” and Michael Mann brings his “Ferrari” to the Venice Film Festival.

Read more

Showbiz Sandbox 628: An Inside Look at Streaming’s Microscopic Residual Payments

August 30, 2023

The recent success of the television series “Suits” on Netflix has shined a spotlight on how much money writers make on a cable or broadcast hit versus one on a streaming service. Last week one of the show’s writers revealed the vast difference in residual payments he received between linear and streaming underscoring why the WGA is currently on strike.

Meanwhile, with the WGA and SAG-AFTRA striking in strong solidarity, the AMPTP has hired a public relations crisis management firm. Studios, realizing the strike shows no sign of ending, have begun postpone tentpole releases such as “Dune 2” into 2024.

Of course we also cover the week’s top entertainment headlines including how Amazon has shown interest in partnering with Disney on ESPN, how preview screenings are messing up box office calculations and why musicians seem to be dumping manager Scooter Braun.

Read more

Showbiz Sandbox 512: Pandemic Drives New York Film Festival to Push Boundaries

September 30, 2020

Over the last twenty years the annual fall film festival circuit has become the unofficial launching pad for movies looking to be seriously considered during awards season. Nobody was certain, however, how such festivals could be held amidst a global pandemic. Especially those whose jobs it is to produce and program such major events.

As the director of the New York Film Festival Eugene Hernandez had to not only watch movies and convince filmmakers to show them, he also had to research digital platforms for a virtual festival and prove to everyone from Disney to Apple that they could trust a new digital platform to do virtual screenings for critics and audiences, all while figuring out a safe way to show movies – at drive ins – and ultimately decide whether the festival should actually happen.

Of course we also cover some of the week’s top entertainment headlines including the Hollywood Reporter and Variety now share owners, which new musical is planning to open on the shuttered West End in London and why CBS is licensing certain shows to Netflix.

Read more

Showbiz Sandbox 496: Hollywood Jumps On the TikTok Bandwagon

June 3, 2020

Even after the platform helped Lil Nas X turn “Old Town Road” into one of the most successful popular songs of all time, there are some (mostly older) demographics that are unfamiliar with the explosive popularity of the social media platform. Natalie Jarvey, the Senior Digital Media Editor at the Hollywood Reporter, joins us to discuss how TikTok is doing YouTube one better as a launching pad for new talent.

In fact, TikTokers with tens of millions of followers, many of whom are still teenagers, have begun to attract Hollywood talent agencies, record labels and major brands, ultimately leading to big paydays. However, as fast as TikTok became the social media flavor of the moment, could its star fade just as fast.

Of course we also cover some of the week’s top entertainment headlines including which major entertainment conglomerates are backing #BlackLivesMatters during recent civic protests, the Writers Guild of America takes aim at international residuals and “It’s Always Sunny In Philadelphia” sets a new record for a sitcom.

Read more

Showbiz Sandbox 490: The Future of Journalism After the Coronavirus

April 21, 2020

Long before the coronavirus pandemic, independent journalism was on life support, especially at the local level. After businesses around the world shut down advertising revenue at media outlets completely disappeared and may never fully return. This is especially true at newspapers and industry trade publications, which have begun cutting staff.

In a wide-ranging interview, Kelly McBride, a senior vice president at the Poynter Institute gives us her take on what journalism will look like after the pandemic. She also discusses her new role as the public editor of National Public Radio, as well as her work advising the Hollywood Reporter.

Of course we also cover some of the week’s top entertainment headlines including when we all might be able to attend a live event again, the latest on the Writers Guild contract negotiations and Netflix hits a new high.

Read more

Showbiz Sandbox 488: The Hollywood Reporter Falls Into A Parent Trap

April 8, 2020

In a move that took the entertainment industry by surprise, Matthew Belloni, the Executive Editor of The Hollywood Reporter, announced he would be stepping down from the publication after 14 years. Within minutes competitors such as Variety and The Wrap revealed that Belloni’s departure was over editorial independence.

Valence Media’s leadership allegedly wanted to block unfavorable stories about their friends and affiliated companies. As well, the sought additional coverage of subsidiaries such as Dick Clark Productions. The situation has angered the editorial staff at the Reporter leaving many to wonder who might be next to depart the world’s most widely read entertainment news outlet.

Of course we also cover some of the week’s top entertainment headlines including why a partner at one leading talent agency is suing the firm for wrongful termination, Activision wins a lawsuit allowing it to use Humvees in “Call of Duty” and the latest on how the coronavirus pandemic is affecting the global entertainment business.

Read more

Showbiz Sandbox 469: Hollywood Unions Set For Fight Over Streaming Residual Payments

November 17, 2019

As television networks turn from linear broadcast methods to consumer streaming platforms a brewing battle over residual payments has the potential to spark a dual union strike in the middle of next year. Jonathan Handel, an entertainment attorney and a contributing editor at The Hollywood Reporter, joins us to discuss how the lack of data coming from streaming giants could lead to a standoff between major guilds and producers.

Indeed, in mid-2020 the master contacts between the Alliance of Motion Picture and Television Producers and the Directors Guild of America, The Writers Guild of America and SAG-AFTRA are set to expire. By now negotiations on new contracts would be well underway. Instead talks have stalled as unions try to revise the formulas used by streamers to make residual payments to their members. Given the timing, it’s a perfect storm for a potential massive industry work-stoppage.

Meanwhile, the Broadway musical “Tootsie” is closing long before it recoups its production costs. Michael Riedel of the New York Post has a host of reasons for why this critic’s darling didn’t click, however only one of them makes sense; the show’s music wasn’t all that great.

Of course we also cover the week’s top entertainment headlines including how Amazon has followed Netflix in deciding not to publish box office figures for its films, George Lucas revises the original “Star Wars” once again and Taylor Swift gets into a public spat with her former record label.

Read more

Showbiz Sandbox 431: India Is Set for A Battle Over Streaming Market Share

December 3, 2018

By 2023 the country of India is forecast to have 550 million people streaming content, earning $18 billion in video streaming alone. Of course, most of people will be watching on their mobile devices, but big players like Amazon, Disney, Netflix and Spotify don’t care, so long as they wind up with the largest piece of the Indian market. One major hurdle; India makes its own content and doesn’t need Hollywood.

That is why streaming companies have begun to produce their own India-centric shows, though that can be challenging in a country with more than 20 languages and wildly diverse cultures. Plus all the major providers have to compete with the likes of YouTube, which is by far India’s most popular streaming service thanks to its advantageous price point; free.

Meanwhile, the awards season is clearly upon us with the National Board of Review and the New York Film Critics weighing in on their favorites. Los Angeles Film Critics will be making their picks shortly and Golden Globe nominations will be announced this week.

Of course we also cover the week’s top entertainment headlines including a lucrative new deal at Warner Bros. for director and producer Ava DuVernay, actor Hugh Jackman is planning a worldwide concert tour and the collapse of independent bookstores.

Read more

Showbiz Sandbox 293: Why Forecasting Box Office Has Become So Difficult

September 7, 2015

Though this year’s North American summer box office may wind up being the second biggest on record at $4.4 billion, movie studios are finding it far more difficult to predict opening weekend grosses. An article in the Hollywood Reporter details how tracking pre-release box office has become unreliable in an age when social media buzz and movie review aggregation have become so prevalent.

Word-of-mouth can now spread so quickly that movies like “Ted 2” can be doomed 24 hours after release, opening 33% below its estimated $50 million first weekend gross. And it’s not just flops that suffer tracking mishaps, as evidenced by “Jurassic World” bowing to $208 million, 60% more than originally anticipated.

Until now, Apple hasn’t had to worry about movie box office or even television ratings, but all that might change if rumors the company is getting into producing original content are at all true.

Of course we also cover the week’s top entertainment news including why Aretha Franklin wound up in court last week, why DreamWorks is leaving Disney and who the Academy selected to produce next year’s Oscar telecast.

Read more

Showbiz Sandbox 273: Bringing The ‘Blurred Lines’ Verdict Into Focus

March 16, 2015

A federal jury decided last week that the hit song “Blurred Lines” was improperly derived from Marvin Gaye’s 1977 classic “Got to Give It Up” and ordered songwriters Robin Thicke and Pharrell Williams to Pay $7.4 Million for copyright infringement. Though the verdict was a surprise, Eriq Gardner, a senior editor for The Hollywood Reporter, tells us it may not have the wide ranging implications for the music industry everyone now predicts.

Gardner explains some of the legal positions taken by both sides in the case. Usually for a copyright lawsuit to be successful the melody, harmony or lyrics must be infringed upon, though in this instance it was extended to include the style and “vibe” of the work. What will this mean for songwriters in the future?

Meanwhile, the MPAA published their verdict on last year’s box office figures. The good news is the organization’s annual report looks at the entire world, and not just the U.S. The bad news, at least according to some, is that box office receipts only increased 1% during what was a record breaking year in Asia.

Of course, we also cover the week’s top entertainment news stories including Sony’s plans for a Ghostbuster’s universe, the worldwide premiere of next season’s “Game of Thrones” and Disney announces a sequel to “Frozen”.

Read more

Next Page »