August 26, 2014
It’s bad enough that the Emmy Awards honor the exact same talent and television shows every year. Now, the Emmys are really growing stale by handing out prizes to shows that finished airing before last year’s ceremony. Unfortunately, as television migrates to year round programming, there is no good time to schedule the Emmys which would make them feel more timely or relevant.
The industry-at-large was likely glad to see at least one aspect of the Emmys go unchanged as shows from broadcast and cable networks continue to win the most awards over shows from streaming services such as Netflix, which went home empty handed. There also, thankfully, seems to be a voter backlash against shows positioning themselves in odd categories.
Meanwhile, August has proven to be the cruelest month for show business with the untimely death of actor Robin Williams and the passing of Hollywood legend Lauren Bacall, among others.
Of course, we also cover the week’s top entertainment news stories including Amazon public relations battle with Hachette over e-book pricing, Jimmy Fallon comes out on top in the late night television war, and Anne Rice’s Vampire Lestat may see new life on the big screen.
August 27, 2012
In case you haven’t heard, Peter Jackson is shooting his upcoming adaptation of “The Hobbit” at 48 frames per second (fps). That’s twice the standard 24 fps most films are filmed and shown in. Digital cinema expert C.J. Flynn explains why filmmakers such as James Cameron are urging the industry to adopt high frame rates (HFR). While HFR has its benefits, Flynn highlights the many technology hurdles that need to be overcome before it becomes the norm.
DreamWorks Animation is undergoing changes of its own. The studio signed a new deal with Twentieth Century Fox to release their films after the expiration of their current agreement with Paramount Pictures.
Late-night TV also had some big news last week with ABC announcing it will move Jimmy Kimmel’s show to 11:35 pm, competing directly with Jay Leno and David Letterman. What does this mean for the late shift and more specifically, for the long running news program Nightline, which will be pushed back an hour.
Of course, we cover all the week’s top entertainment news including Amazon launching the Kindle in India, Taylor Swift proves she has staying power with her latest single, and NBC’s “The Office” comes to an end after nine seasons.
March 5, 2012
With nine different streaming services there are more ways than ever to listen to music these days. With the likes of Spotify, Rhapsody, Rdio, Mog and Pandora all competing for our attention and media dollars, some have argued that there is too much competition in the market and is primed for a major consolidation. Which services will survive and why? Will Amazon, Apple or Google launch there own services? We try to answer all these questions and more.
Meanwhile Harvey Weinstein is once again fighting the MPAA over the ratings for one of his films. Public figures such as Rev. Jesse Jackson joined the chorus of those opposing the R-rating which the Weinstein Company’s school bullying documentary received. Unfortunately, if “Bully” is released without a rating, movie theaters may be forced to treat it as an NC-17 film.
Former co-host Karen Woodward, joins us to run down some of the top entertainment news stories of the week including, James Spader’s departure from “The Office”, Mike Tyson’s Las Vegas show, and Random House trippling the price of e-books for libraries.
July 6, 2011
When “Transformers 3: Dark of the Moon” hit theaters over the Fourth of July holiday weekend fans of the franchise were relieved to discover it wasn’t nearly as bad ad the second film. That seems to be a fairly common response to Michael Bay’s latest critic-proof popcorn blockbuster. The highly anticipated movie made nearly $400 million at the worldwide box office in its first week explaining why studios love such formulaic dreck and all but ensuring another sequel.
Last week also saw the sale of MySpace. The once dominant social network Internet site which was once valued at $12 billion was sold by News Corp. at a loss for a mere $35 million. What may be more surprising than anyone actually wanting to buy MySpace is that pop star Justin Timberlake has been tapped to help turn the company’s fortunes around by focusing on music.
Speaking of music, NPR tried to figure out how much it costs to make a hit pop song by examining the finances behind Rihanna’s recent single “Man Down”. Apparently all it takes is $1.1 million in production and promotions costs and 12 minutes to right the lyrics.
August 23, 2010
Who would have guessed that in this day and age a Sylvester Stallone movie could top the box office for two straight weeks. But Sly’s “The Expendables” finished first with $16 million beating out five new releases including the Jennifer Aniston vehicle “Switched”. The dramedy opened to a disappointing $8.1 million prompting entertainment pundits like Patrick Goldstein of the Los Angeles Times to question whether Aniston is truly a movie star.
Generating interest doesn’t seem to be a problem for “The Social Network”, which details the founding of Facebook. More than six weeks before its release the film directed by David Fincher is getting a ton of early Oscar buzz.
Google is also making waves in Hollywood. A book about the company’s early days is being turned into a movie and Google TV has the industry worried that consumers will start canceling their cable subscriptions en masse. According to a story in the New York Times however, Americans have not been cutting their cable cords in the large numbers once predicted. Instead, cable subscriptions have increased.
August 2, 2010
Last summer a number of movies had enormous box office drop offs in their second day of release and studios blamed it on what they termed the Twitter Effect. Daniel Frankel from The Wrap joins us to explain how the social media trend that was going to revolutionize word-of-mouth hasn’t demonstrably done so. Platforms such as Facebook, MySpace and even text messaging seem to influence moviegoers more than Twitter. That hasn’t stopped studios from finding modest success on Twitter by purchasing trending topics.
A number of big television news stories broke over the past week thanks to the annual Television Critics Association press tour. Ellen DeGeneres resigned as a judge on “American Idol”, but Fox may be replacing her with Jennifer Lopez. Meanwhile, Stephen McPherson, the president of ABC, abruptly resigned under a cloud of controversy relating to rumored sexual harassment investigations and was promptly replaced by ABC Family topper Paul Lee.
In the music world Kanye West may be hoping the Twitter effect will help boost sales of his upcoming album. The hip-hop star made headlines by opening a Twitter account and turning up at Facebook headquarters to entertain employees.
June 28, 2010
If you are a minor working on a reality television series it turns out there are no child labor laws that protect you. A month long investigation by the Los Angeles Times found dozens of kids appearing on reality programs without legal safeguards due to widespread uncertainty about how to classify the shows. Times staff writers Matea Gold and Richard Verrier reveal that most of the popular shows had not obtained work permits to employ minors. Gold joins us this week to provide all the details.
It was good news and bad news at the box office. Good news for “Toy Story 3”, which finished in first place for the second week and bad news for Tom Cruise, whose latest movie, “Knight and Day” didn’t open to boffo numbers. If you’d like to place a bet on how much Cruise’s next movie might make, you might never get the chance. The U.S. Congress is set to pass a financial reform bill that would prevent two box office futures exchanges from operating.
The government is also getting involved in the annual Lollapalooza festival in Chicago, and not in a good way. The events promoters was subpoenaed last week for an anti-trust investigation. Turns out the “radius clause” in Lollapalooza’s contract is preventing Chicago night clubs from booking musical acts. Maybe Coachella’s booking rules aren’t so bad after all.