February 29, 2016
In a year when the Academy Awards were faulted for a lack of diversity among its nominees, ceremony host Chris Rock addressed the #OscarsSoWhite controversy head on in his opening monologue by mixing pointed criticism with biting humor. Anne Thompson, Indiewire’s editor at large, brings us along as she attends the 88th annual Oscars and explains just how difficult it was to predict this year’s winners.
Mind you, award season never really ends. France handed out their own awards for last year’s top movies and we’ll tell you who won all the big prizes at the Cesars. We even look at the nominations for the Olivier Awards, the London theater equivalent to the Tonys. Literally hours after winning his first Oscar, Mark Rylance was nominated again, this time for his performance in “Farinelli and the King”.
Meanwhile, Barnes & Noble is planning to imitate its online rival Amazon by, oddly enough, opening new brick and mortar stores. And a reissue of the Alex Haley bestseller Roots brings up everything from copyright to the question of when a book goes out of print to ebook pricing.
Of course we also cover the week’s top entertainment news including how Netflix and other streaming services have decimated video sales, PBS will launch its own cable network and Adele tops the Brit Awards.
July 13, 2015
Pop-culture fans from around the world made their annual pilgrimage to San Diego over the weekend for this year’s Comic-Con. More than 130,000 attendees turned up to a show where the largest auditorium has a capacity of 6,000. Alex Billington, editor of FirstShowing, explains how some fans had to wait in line for days (literally) to get into popular panel discussions such as the one for “Star Wars: Episode VII”.
Billington waited out the neverending lines so he could fill us in on all the events, panels, trailers and collectibles designed to build hype for upcoming films and television shows like “Hateful Eight”, “Batman v Superman: Dawn of Justice” and “Deadpool”. In fact, so many movie studios and television networks showed up at Comic-Con, and with so much content, one has to wonder if their marketing messages weren’t ultimately lost in all the noise.
Meanwhile, the Minions spinoff from the “Despicable Me” franchise opened to record box office in North America giving Universal Pictures yet another big hit this year. Surely the studio will want the animated film to stick around cinemas for as long as possible, whereas Paramount Pictures has teamed up with two theater chains in an experiment to shorten the release window on certain films.
Of course we also cover the week’s top entertainment news including a request from publishing groups for an antitrust investigation targeting Amazon, “South Park” continues to redefine television thanks to a new deal with Hulu and the Rolling Stones continue their reign as the concert industry’s top earner.
February 8, 2015
The Grammy Awards were held last weekend to honor the year’s best music. David Wild, one of the producers and writers of the Grammys telecast (not to mention a contributing editor at Rolling Stone), takes us behind the scenes at the ceremony. He explains what it’s like to get Madonna, Miley Cyrus and Nikki Minaj on the same page and the difficulty of describing Sia’s unique stage performance to Stevie Wonder.
Meanwhile, a couple of big media conglomerates announced significant management changes over the past week; Amy Pascal will be stepping down as head of Sony Pictures due in no small part to the recent cyber attack against the company and Tom Staggs is anointed as the most likely candidate to take over for Disney CEO, Bob Iger when the latter steps down in 2018.
Speaking of big name execs, FCC chairman Tom Wheeler finally submitted his proposal for net neutrality, which would regulate ISPs to enforce open internet protections.
Of course, we also cover the week’s top entertainment news stories including why actor Michael Gambon is retiring from the stage, the uproar over news anchor Brian Williams and how Kodak is keeping film stock alive.
January 20, 2015
While debating Oscar nomination snubs has become an annual tradition, the criticism over this year’s list of nominees had to do with racial bias and a lack of diversity. Specifically, a film about civil rights activist Martin Luther King Jr. was nominated for Best Picture, but its female director and lead actor, both black, were surprisingly overlooked.
Yet few seemed to notice is that “Selma”, the film in question, is only the twelfth film directed by a woman to receive a Best Picture nomination in the 86 year history of the Academy Awards. On only four occasions has the filmmaker also been nominated for Best Director. And six of these movies were nominated during the last 10 years, pointing towards a positive trend for female helmers.
Also under represented in the Best Picture category at this year’s Oscars are hit movies. Sure, all of the nominees were successful, but only “American Sniper” earned big bucks at the box office. If only Legos were eligible to vote… maybe they’re film would have been nominated for Best Animated Feature.
Of course, we also cover the week’s top entertainment news stories including Barbara Streisand’s latest platinum album, Amazon’s move into theatrical film distribution and why James Cameron is delaying the “Avatar” sequels to 201.
October 27, 2014
Technology is quickly emerging that delivers enhanced theatrical and home viewing experiences the likes of which audiences have never seen. What remains unknown is whether consumers even notice incremental upgrades such as Ultra HD or care enough to pay extra for them. TV manufacturers sure hope so.
However, at the SMPTE 2014 Technical Conference held last week in Los Angeles, some of the industries smartest engineers agreed that images with a wider contrast and color range (HDR) are preferable to those packing more pixels into every frame (4K). They also questioned if we were technically capable of getting all this enhanced content onto screens both big and small.
China, on the other hand, will take any content they can get their hands. After Hollywood spent years trying to break into the Chinese market, China is now come knocking down Hollywood’s door in search of movies and television programs to show via streaming and subscription services.
Of course, we also cover the week’s top entertainment news stories including how Ken Burns scored big ratings for PBS with his latest documentary, why sock puppets are all the rage on Broadway and TLC shows Honey Boo-Boo the door.
July 29, 2014
Whether it’s movies streaming online before they premiere in theaters, the never-ending retransmission dispute between television networks and cable companies or the dwindling number of book retailers, how media companies are distributing their content has never been more in flux.
The Weinstein Company released their critically acclaimed release “Snowpiercer” on VOD just two weeks after the film opened in cinemas. Then they agreed to let “One Chance”, a biopic of talent show winner Paul Potts, stream free on Yahoo! ten days before the movie opens in the United States.
Meanwhile, rather than sell you books, Amazon is hoping you’ll be willing to pay a monthly fee for their new e-book subscription service. The only problem is the service’s limited selection (not to mention the company’s inability to make a profit), making us wonder whether such a business model is viable.
Of course, we also cover the week’s top entertainment news stories including how Weird Al Yankovic’s album wound up at the top of the sales charts, the Emmy’s snub broadcast networks and Garth Brooks comes out of retirement.
July 1, 2014
Last week the United States Supreme Court ruled that the television streaming service Aereo violated copyright laws by using mini-antennas to deliver broadcast signals to paying subscribers. Denise Howell, an intellectual property lawyer and host of “This Week in Law”, outlines a decision that will have long term and wide-ranging effects for the entertainment and technology industries.
The Academy of Motion Picture Arts and Sciences are attempting to alter their demographics by inviting younger, more ethnically diverse artists to join the ranks of those who nominate and vote for the Oscars each year. What’s truly remarkable is some of the legendary veterans who are just now receiving invites.
Meanwhile, as the publishing industry watches Hachette Book Group go to war with Amazon over the price of their books, the country of France is trying to protect its bookstores by passing a law meant to combat the online retailers influence.
Of course, we also cover the week’s top entertainment news stories including the gigantic opening of “Transformers: Age of Extinction”, why this summer’s domestic box office is considered anemic and “Community” heads to Yahoo for its sixth season.
March 11, 2013
HitBliss is a new streaming video service that enables users to earn credit toward popular movies and television shows simply by watching advertising. The catch is all the targeted ads are shown up-front, and viewers must be paying attention or they won’t get the credits needed to purchase or rent videos.
Sharon Peyer is the co-founder of HitBliss and spent four years helping launch the company. In this interview she explains how the service originated, how it works and what the future of HitBliss might look like. Peyer believes consumers are actually willing to watch ads so long as the messages are relevant and they can get something out of it.
It’s no secret that streaming media services are all the rage these days, yet it remains to be seen whether they can be profitable too. Pandora’s latest earnings (or lack thereof) beat analysts expectations sending its stock price soaring. Unfortunately, the royalties they pay for music might start rising, along with the number of competitors like YouTube and Apple looking to enter the market.
Of course we also cover the week’s top entertainment headlines including Pink Flloyd’s 40 year presence in the music charts, Rupert Murdoch’s plans for a television sports network and the Daily Show’s Jon Stewart takes a crack at making a movie.
August 2, 2010
Last summer a number of movies had enormous box office drop offs in their second day of release and studios blamed it on what they termed the Twitter Effect. Daniel Frankel from The Wrap joins us to explain how the social media trend that was going to revolutionize word-of-mouth hasn’t demonstrably done so. Platforms such as Facebook, MySpace and even text messaging seem to influence moviegoers more than Twitter. That hasn’t stopped studios from finding modest success on Twitter by purchasing trending topics.
A number of big television news stories broke over the past week thanks to the annual Television Critics Association press tour. Ellen DeGeneres resigned as a judge on “American Idol”, but Fox may be replacing her with Jennifer Lopez. Meanwhile, Stephen McPherson, the president of ABC, abruptly resigned under a cloud of controversy relating to rumored sexual harassment investigations and was promptly replaced by ABC Family topper Paul Lee.
In the music world Kanye West may be hoping the Twitter effect will help boost sales of his upcoming album. The hip-hop star made headlines by opening a Twitter account and turning up at Facebook headquarters to entertain employees.