Showbiz Sandbox 613: Author James Patterson Questions New York Times Best Seller List

April 4, 2023

James Patterson has been a perennial presence on the New York Times best seller list after his most recent book failed to make the list, he accused the newspaper of “cooking the books” in the way it compiles its lists. According to BookScan, which uses actual sales figures, Patterson’s latest book should have made the list, but the Times uses a proprietary formula and method for determining its list and now he’s publicly calling them out.

Meanwhile, we signed up for the new version of MoviePass just to find out what it offered. It turns out it is very hard to pull off a moviegoing subscription service when you don’t have deals with movie theaters.

Of course we also cover the week’s top entertainment headlines including how Cineworld, the owner of Regal Cinemas, plans to restructure and exit bankruptcy, why the cast of the television series “Blue Bloods” took a pay cut, and the stage adaptation of Hayao Miyazaki’s “My Neighbor Totoro” wins six Olivier Awards.

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Showbiz Sandbox 259: Sony Hack Reveals Hollywood’s Digital Dilemma

December 1, 2014

Digital technology helped Hollywood significantly reduce the production cost of movies that overflow with stunning visual effects. One major downside to such technological advances is how easy it has become to steal, duplicate and distribute pristine copies of digital content. Movie studios were reminded just how vulnerable they are after a cyberattack against Sony Pictures resulted in several upcoming films being leaked online.

Netflix, on the other hand, delivers digital content legally, even if some of its subscribers happen to be access the service surreptitiously from countries where the company doesn’t operate. Netflix announced it would be launching soon in two such countries; Australia and New Zealand.

On Broadway meanwhile, productions are gearing up for what is usually a busy holiday season. A few new musicals however are off to slow starts. We’ll give you a rundown on how all the shows are doing and which are worth seeing.

Of course, we also cover the week’s top entertainment news stories including Russia’s proposed boycott of Hollywood movies, why Hasbro ditched Dreamworks Animation and how Apple intends to bundle Beats Music.

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Showbiz Sandbox 180: Binge-Viewing Is Transforming The Way We Watch Television

February 4, 2013

With new streaming media services such as Netflix, Hulu and Amazon Prime popping up all the time, we now have the ability to watch entire seasons of episodic television series all at once.  Now Netflix is taking binge-viewing one step further by releasing all 13-episodes of their original drama series “House of Cards” at once.  Dawn Chmielewski of the Los Angeles Times explains how the trend is altering narrative structures, existing revenue models and the entire television landscape.

Speaking of television, the Super Bowl proved once again to be a huge ratings bonanza with more than 108 million viewers tuning in to the football championship game.  Unfortunately a power outage delayed the airing of a post-game television show which had hoped to get a boost from carryover viewers.

Meanwhile, Quentin Tarantino’s “Django Unchained” continues to top the worldwide box office, leading a pack of Oscar contenders that continues to attract big audiences well into the new year.

Of course we also cover the top entertainment headlines from the past week including news about a film version of the hit series “Entourage”, plans for subscription channels on YouTube and Ticketmaster (sort of) ditches its horrible security system.

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Showbiz Sandbox 177: The Bloomin’ Onion Effect: Why Audiences Are Happy Movies Have Gotten Longer

January 14, 2013

In an age where audiences have grown used to the brevity of YouTube clips and 140 character updates, Hollywood is instead serving up super sized movies. Six of the top ten movies from 2012 were over two hours, including comic book movies like “The Avengers”. Even comedies such as “This Is 40” crossed the 120 minute mark and don’t even get us started on “The Hobbit”.

Rebecca Keegan of the Los Angeles Times explains the increase in movie running times has a lot to do with the creative control marquee directors have over their films as well as digital tools that allow them to shoot more footage. Surprisingly, Keegan found that most moviegoers appreciate longer running times since it makes them feel they are getting a more value for the price of admission.

Also from the Los Angeles Times is Glenn Whipp, who joins us to discuss some of the surprise Academy Award nominations announced last week and whether the Golden Globes might affect who wins Oscars this year.

Of course, we also cover the week’s top entertainment headlines including a resolution in Superman’s court case, the return of daytime soap operas and whether the film adaption of “Fifty Shades of Grey” will be rated NC-17.

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Showbiz Sandbox 49: Hollywood Experiences Premature Sequalization

April 12, 2010

Have you ever wondered why movie studios love to make sequels of hit films? Well, these studios don’t even wait for a film to be released before announcing its sequel. Steve Zeitchik of the Los Angeles Times fills us in on the sequel culture that has taken over Hollywood.

Meanwhile, the king and queen of television, Steve Carell and Tina Fey, nudged “Clash of the Titans” out of first place at the box office with their new release “Date Night”.

While Fey may be making a move to the silver screen, the big news of the week was happening in television – cable television no less. Oprah Winfrey announced five new shows that will air on her cable network starting next January, a lineup that left some industry-watchers befuddled. Another TV personality following Oprah onto a cable network is Conan O’Brien. He surprised just about everyone by announcing he would be starting his own late night talk show this fall on TBS.

While analyzing the week’s top entertainment news stories including how celebrities are using Twitter these days. We finish off with a little Inside Baseball in which we try and understand why anyone would want to buy Miramax or MGM.  Read more