Showbiz Sandbox 357: Oscars Can’t Win For Losing This Year
February 27, 2017
In a moment that will be discussed for years to come, this year’s Academy Awards ended with the wrong film being announced as the Best Picture winner. Ultimately it wasn’t “La La Land” that took home the prize as many predicted, but rather the socially conscious, racially diverse indie film “Moonlight” that won the award. Anne Thompson, Indiewire’s editor at large, tells us that by choosing “Moonlight” for its top award the Academy was making a statement about who they want to be as an industry.
Thompson also brings us backstage at this year’s Oscars, walking us through how such a huge mistake could actually happen, and what it was like in the press room when the error became apparent. Naturally, we touch on the some of this year’s Oscar winners as well.
Meanwhile, the way movies get distributed continues to be a contentious topic in Hollywood, with studios and cinema owners reportedly in negotiations on an agreement that might see new releases available for home viewing in as little as two weeks.
Of course, we also cover the week’s top entertainment news stories including how Netflix continues to book comedians, CBS cancels a brand new series and Beyoncé cancels her Coachella gig.
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Showbiz Sandbox 240: Nikki Finke Is Back! And This Time It’s Personal
June 16, 2014
An infamous entertainment industry journalist who causes Hollywood executives to break into cold sweats is back on the interwebs. Nikki Finke, the founder and former editor of Deadline Hollywood whom the New York Times once dubbed “a digital-age Walter Winchell”, launched her new website last week. Using her trademark brash and personal writing style, Finke admits she is ready to spill some show business blood.
Amazon appears to be just as aggressive as Finke when negotiating with their suppliers. First the online retailer started making it difficult to purchase books from the publisher Hachette. Now they’re taking the same approach with Warner Bros. movies as they come to a new agreement with the studio. According to PriceWaterhouseCoopers we’ll all be buying more of our media on digital platforms rather than physical ones anyway.
The platform the Metropolitan Opera cares most about is the stage. However New York’s opera company is weathering some tough negotiations of its own as it tries to balance big salaries with a shrinking endowment. A recent tax filing has revealed the Met’s inner financial workings, including some of the hefty salaries it pays to employees and performers.
Of course, we also cover the week’s top entertainment news stories including Matt Lauer extends his contract at NBC, Bjork gets selected by the Museum of Modern Art and actor Harrison Ford takes that “break a leg” saying to a whole new level on the set of the new Star Wars movie.
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Showbiz Sandbox 107: The Pros And Cons Of Cloud Music Services
June 13, 2011
After months of rumors and speculation Apple finally announced their cloud music service last week. Aptly named iCloud, the new service joins similar offerings from both Amazon and Google. Though each of the services has their benefits, no two are exactly alike. Amazon and Google stream music over the Internet and require you to upload your entire music library. Apple doesn’t do any of those things. We dissect the pros and cons of all three services and wonder why anyone really needs them in the first place.
Something else that’s probably not needed is a sequel to “Tron: Legacy” but thanks to a television series spinoff of last year’s sci-fi blockbuster, we’ll probably get one. And it will probably be in 3D like its predecessor even though Dreamworks Animation head Jeffrey Katzenberg is heartbroken over the decline of the format.
The Tony Awards were handed out on Sunday and as we predicted, “The Book Of Mormon” walked off with the most trophies, including Best Musical. But what is a Tony really worth to a Broadway show’s bottom line? We’ll try and find out.
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Showbiz Sandbox 85: How To Save The Movie Business
December 27, 2010
In an age of video on demand and mobile computing, the traditional method for releasing films doesn’t seem to be working. As ticket prices rise, moviegoing and ticket sales are declining. Even worse, the fastest declining segment of moviegoers is young adults who can’t find movies that speak to their generation. Independent producer Cotty Chubb has proposed a potential solution to the problem, but it requires the participation of reluctant theater operators.
In a open letter to Relativity Media topper Ryan Kavanaugh published on IndieWire, Chubb suggests that riskier movies be released “day-and-date” at lower prices not only in theaters but on multiple platforms such as DVD and iTunes. He joins us for an in-depth discussion about his plan and how to bring audiences back to the movies.
As 2010 comes to a close we take a look at some of the year’s highest grossing and most pirated films. We also say goodbye to our co-host Karen Woodward whose career as a social media consultant has truly taken off.
Of course, we cover the week’s top entertainment headlines during Big Deal or Big Whoop, including the latest news from the Broadway version of “Spider-Man”, a delay in the next “DaVinci Code” movie and Steven Soderbergh’s rumored retirement. Our Inside Baseball topic focuses on SoundExchange and the music industry’s rising digital fortunes.
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