Showbiz Sandbox 320: Is Comcast the New Disney?

May 2, 2016

Comcast announced last week that it would acquire Dreamworks Animation for $3.8 billion, taking another step toward transforming themselves from a cable giant into a full fledged media conglomerate. Meg James, a corporate media reporter for the Los Angeles Times, join us to discuss how, though the deal may not have been anticipated, it makes a lot of sense for both companies.

The purchase is the most recent in a string of acquisitions that have closely mirrored the strategy Disney has executed over the past decade as they gobbled up companies such as Pixar, Marvel and Lucasfilm. Comcast has proven quite adept at turning undervalued assets such as NBCUniversal and Universal Studios theme parks into profitable entities.

Meanwhile, as the Tony Awards season officially kicks off, Broadway is suffering from what is being referred to as The Hamilton Effect. This is a condition in which you open a musical that blends hip-hop and history in a way that not only makes the show a cultural phenomenon, but the inevitable winner of this year’s much coveted Best Musical Tony.

Of course we also cover the week’s top entertainment news including the Daytime Emmy winners, why Fox is pulling out of this year’s Comic-Con convention and how French law enforcement is preparing for the Cannes Film Festival.

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Showbiz Sandbox 194: Tony Awards Prove Broadway Knows How To Put On A Show

June 11, 2013

Once again actor Neil Patrick Harris proved he knows how to host an awards show with a dazzling turn as master of ceremonies at this year’s Tony Awards last Sunday. The ceremony provided its share of surprises and dramatic speeches from the likes of Cicely Tyson and pop-star Cyndi Lauper as “Kinky Boots” walked off with six Tonys including Best Musical. Though the telecast may have been poorly directed, it was filled with a mixed bag of performances from this season’s top Broadway shows.

For Broadway play or musical, a Tony can provide a huge boost at the box office, though it’s no guarantee. There has never been a magic formula for investing in the arts which is something JP Morgan and its partners should have looked into before loaning Paramount Pictures a load of cash to finance movies. Now everyone is suing each other after the bank discovered their Hollywood investments weren’t as risk free as they had initially thought.

That kind of inside news is usually reported by the likes of Nikki Finke over at her Deadline Hollywood blog. However, if a scoop from a competing online news source is correct, Finke’s days at Deadline may be numbered. Has Finke’s conentious reputation finally caught up with her, or will a crosstown rival need to eat some crow?

Of course we also cover the week’s top entertainment news including Amazon’s European tax problems, Disney’s digital distribution plans, and the possibly illegal limitations of Microsoft’s new Xbox.

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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood

April 4, 2011

Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.

One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.

The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.

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