Showbiz Sandbox 250: TV Ratings Have Become Messy, Misleading and Downright Maddening

September 22, 2014

Picking the winners and losers out of this year’s new television shows has never been more difficult. Just ask Marc Berman, editor-in-chief of TV Media Insights, joins us to explain how DVR’s and on-demand viewing have made overnight TV ratings very problematic. Berman says that these days the number of viewers watching a show when it airs is less important than its total audience during the week that follows.

Those looking for entertainment on a screen larger than the average television can head to movie theaters where they can watch the recently released “Maze Runner” in the new Barco Escape format. The experimental offering wraps three screens around the audience to provide a 270 degree viewing experience.

At the other end of the spectrum there are screens of a less significant size, like those found on the ever increasing number of e-readers. Amazon continues to improve its Kindle line and new the latest gadgets from Apple have excited publishing industry observers. We’ll explain why.

Of course, we also cover the week’s top entertainment news stories including Sony’s $2 billion loss, Stevie Wonder heads out on tour and the twentieth anniversary of the sitcom “Friends”.

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Showbiz Sandbox 118: Mr. Television Rates This Year’s New Shows

September 12, 2011

There’s a good reason Marc Berman is known as Mr. Television. As the man behind MediaWeek’s daily television newsletter The Programming Insider his commentary on the medium reached more than 50,000 readers per day. Berman recently launched TV Media Insights, a new online destination for television and media with its own newsletter, forum and podcast. Berman handicaps this year’s Emmy Awards and also tells us which new shows are worth watching in the upcoming season.

We also continue our discussion on the publishing industry, which due to the dramatic changes in how they do business, is becoming one of the more fascinating parts of the entertainment industry. As e-book sales increase, popular authors are beginning to announce plans to release new work directly to readers and Amazon plans on creating a Netflix fof books.

Meanwhile, a The Hollywood Reporter served a cease and desist order on which sparked a war of words between the two trade outlets. Is the Reporter in financial trouble, and if so, should Deadline staff be spreading the word to potential advertisers?

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