Showbiz Sandbox 126: Foot In Mouth Disease Sweeps Through Hollywood

Getting publicity in Hollywood can be a very difficult task. If you are an A-list director like Brett Ratner or a hot actor like Ashton Kutcher however, all you need to do is make a bigoted statement or fire off an ignorant Twitter post and you’ll get more ink than you ever wanted. Ratner’s homophobic slur forced him to resign as producer of next year’s Oscars, while Kutcher’s uninformed opinion on current events caused him to rethink his social media participation. Has the entertainment industry become overly sensitive or do its inhabitants just have no class? We try to figure out what all the fuss is about.

The other big news of the week was the sale of record label EMI to Universal Music Group and Sony. EMI’s owner, Citibank, decided to split the record label from its publishing arm in an effort to get the deal passed antitrust regulators. As the music industry contracts from four major record companies to three, what will it mean for indie artists and their fans?

Broadway may also be undergoing some changes soon. Long running musicals such as “Mamma Mia!”, “Chicago” and “Mary Poppins” seem to be fading fast and may need to make way for new productions such as a revival of “Porgy & Bess”, “Evita” featuring Ricky Martin and a stage version of “Bonnie & Clyde”.

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Showbiz Sandbox 100: In Showbiz, As In Life, Size Matters

It’s hard to believe we’ve recorded 100 episodes of Showbiz Sandbox. It’s also hard to believe that a 3D porno (okay, an erotic comedy) could ever smash a box office record set by “Avatar”. But that’s exactly what happened in Hong Kong, where “Sex and Zen: Extreme Ecstasy” opened to USD $2.19 million. The producers wanted to screen the film in Imax, but were refused, disappointing Karen Woodward, our guest and former co-host, who says that despite all the rumors, size does matter.

If bigger really is better, then Netflix has nothing to worry about. They are set to become the largest subscription entertainment business in the United States with over 23 million customers, beating out satellite radio and cable television. The same can’t be said about any of the music streaming services that Apple, Google and others are working on. Apparently, negotiating a licensing deal with record labels can be quite difficult. Go figure!

The Coachella Music Festival also took the size issue to heart, adding more space for attendees to enjoy the more than 100 bands which performed this year. J. Sperling Reich was there and tells us which artists are worth checking out (Lauryn Hill), and which shouldn’t quit their day jobs (Odd Future).

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Showbiz Sandbox 95: The Media Is Charlie Sheen’s Worst Enabler

It’s hard to believe that we’re writing headlines about Charlie Sheen for the second week in a row. Alas, the actor went on a whirlwind media campaign let the world know he was ready to go back to work on his hit sitcom. Mainstream media reveled in an endless supply of Sheen’s erratic and manic behavior, portraying him as a deluded, drugged out narcissist.

Eric Deggans, the television and media critic for the St. Petersburg Times, stops by to discuss his NPR commentary piece on how mixed-race couples are portrayed on network television. However, we get sidetracked when news arrives that Sheen has been fired from “Two And A Half Men”.

During Inside Baseball we are joined by Andrew Wallenstein of PaidContent (and soon Variety) who explains why movie studios should start a war over premium video-on-demand.

We also cover all the week’s top entertainment news including Google’s rumored music service, “American Idol’s” ratings dominance, Courtney Love’s Twitter lawsuit and Oprah’s struggling cable network.

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Showbiz Sandbox 87: The Oscars Have A Mommy Complex

It seems as if this year’s supporting actress awards are being overrun by a handful of horrible mothers. “The Fighter” and “Animal Kingdom” feature just the kind of evil matriarchs Oscar voters have reward in the past. Stephen Farber of the Daily Beast and Hollywood Reporter discusses the evolution of flawed movie mommies from “Mildred Pierce” to “Precious”.

Ben Fritz of the Los Angeles Times tells us that Hollywood studios are hoping to make selling films online a bit easier and explains how Academy members may soon be able to download awards screeners from iTunes .

Last week during the Consumer Electronics Show in Las Vegas it seemed as if television manufacturers were on the defensive over the lackluster sales of 3D televisions. The music industry isn’t fairing much better as Nielsen reported album sales Fell 12.8% in 2010 and digital downloads were flat.

Of course we also review the week’s top entertainment headlines including a new film version of Gypsy starring Barbara Streisand, the return of “Jersey Shore”, Quentin Tarantino’s flawed top 20 list and Broadway’s record setting box office.

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Showbiz Sandbox 65: Hollywood’s Love/Hate Relationship With Twitter

Last summer a number of movies had enormous box office drop offs in their second day of release and studios blamed it on what they termed the Twitter Effect. Daniel Frankel from The Wrap joins us to explain how the social media trend that was going to revolutionize word-of-mouth hasn’t demonstrably done so. Platforms such as Facebook, MySpace and even text messaging seem to influence moviegoers more than Twitter. That hasn’t stopped studios from finding modest success on Twitter by purchasing trending topics.

A number of big television news stories broke over the past week thanks to the annual Television Critics Association press tour. Ellen DeGeneres resigned as a judge on “American Idol”, but Fox may be replacing her with Jennifer Lopez. Meanwhile, Stephen McPherson, the president of ABC, abruptly resigned under a cloud of controversy relating to rumored sexual harassment investigations and was promptly replaced by ABC Family topper Paul Lee.

In the music world Kanye West may be hoping the Twitter effect will help boost sales of his upcoming album. The hip-hop star made headlines by opening a Twitter account and turning up at Facebook headquarters to entertain employees.

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Showbiz Sandbox 49: Hollywood Experiences Premature Sequalization

Have you ever wondered why movie studios love to make sequels of hit films? Well, these studios don’t even wait for a film to be released before announcing its sequel. Steve Zeitchik of the Los Angeles Times fills us in on the sequel culture that has taken over Hollywood.

Meanwhile, the king and queen of television, Steve Carell and Tina Fey, nudged “Clash of the Titans” out of first place at the box office with their new release “Date Night”.

While Fey may be making a move to the silver screen, the big news of the week was happening in television – cable television no less. Oprah Winfrey announced five new shows that will air on her cable network starting next January, a lineup that left some industry-watchers befuddled. Another TV personality following Oprah onto a cable network is Conan O’Brien. He surprised just about everyone by announcing he would be starting his own late night talk show this fall on TBS.

While analyzing the week’s top entertainment news stories including how celebrities are using Twitter these days. We finish off with a little Inside Baseball in which we try and understand why anyone would want to buy Miramax or MGM.  Read more

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Showbiz Sandbox 44: And The (Six) Oscars Go To… “Hurt Locker”

The ballots have been counted, the envelopes have been opened and the nominees have undoubtedly returned their ball gowns and tuxes. Finally, after all the news coverage and public speculation about who would this year’s Oscars, the Academy of Motion Picture Arts and Sciences put us out of our misery on Sunday during their annual awards ceremony. The proceedings lasted more than three hours as usual and provided very few surprises.

Katheryn Bigelow made history by being the first woman to win the Best Director Oscar for “The Hurt Locker”, which won six awards in total including Best Screenplay and Best Picture. Jim Cameron’s “Avatar” won three technical awards for art direction, cinematography and visual effects. One of the night’s biggest surprises was when Geoffrey Fletcher walked off with the Best Adapted Screenplay Oscar for “Precious”, upsetting Jason Reitman’s “Up In The Air”.

As we predicted on last week’s episode, Jeff Bridges won Best Actor for “Crazy Heart”, Sandra Bullock won Best Actress for “The Blind Side”, Mo’Nique won Best Supporting Actress for “Precious” and Christolph Waltz won Best Supporting Actor for “Inglorious Basterds”. Damien Bona, co-author of the book Inside Oscar, stops by to help us analyze this year’s Oscar results. Read more

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Showbiz Sandbox 25: Mr. Television Grades Freshman TV Shows (and Leno Flunks)

Mr. Television himself is our guest this week, which means we talk a lot about TV. Marc Berman is the senior television editor at MediaWeek and creator/editor of The Programming Insider, a daily online bible focused on all things television that reaches more than 50,000 readers per day. He even has a daily companion podcast to catch you up on all the latest television news.

But first, “Where the Wild Things Are” and “Paranormal Activity” win box office kudos this week, earning the number 1 and number 3 spots, respectively (sandwiching “Law Abiding Citizen,” at number two, as if anyone cares).

Motion Picture Association of America chief Dan Glickman will step down as Hollywood’s top lobbyist next year. He claims that at the ripe old age of 65, it’s time for him to “move on back into the world of either academia, public service, or non profits….This is a very difficult job. From the outside world, this job has the perception of being very glamorous. People think Angelina Jolie goes home with me every night. It hasn’t happened yet.” Poor Dan. Maybe we know someone who knows someone who can work the Angelina thing out for him before he steps down next September.  Read more

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Showbiz Sandbox 19: The Beatles Get Mono (and Stereo!)

The focus is on music this week, with guests Bob Bolien of NPR’s All Songs blog and Sal Nunziato, former independent record store owner, and now freelance writer and blogger. Bob and Sal talk about the new Beatles box sets, how they find new music, and how the music industry is changing. . . or not changing enough. Boilen can also be found on twitter at twitter.com/allsongs. You can find Nunziato’s writing on the Huffington Post on a regular basis.

In movie news, the Telluride Film Festival is under way. This festival is the charming little sister to the major film festivals and is where such films as “Slumdog Millionaire,” “Brokeback Mountain,” and “Capote,” first launched their extended Academy Award campaigns. Back in California, writer/director Nick Cassavetes is suing New Line Cinema (the studio that produced “The Notebook,” which Cassavetes helmed) claiming that the studio owes him money for writing a draft of a script that he was attached to direct. New Line had no comment… Read more

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Showbiz Sandbox 17: Twitter Makes Movie Critics Important Again

Anne Thompson of “Thompson On Hollywood” joins us again this week, with big news of her own: Her blog is now a part of the indieWire network, where she will shine the Hollywood light on outlet which has traditionally covered the indie scene. Thompson can now be read at http://blogs.indiewire.com/thompsononhollywood, and you can always follow her on twitter at twitter.com/akstanwyck.

Speaking of Twitter, is the social media platform responsible for the successful opening weekend of “Inglorious Basterds”? “Bruno” and “GI Joe” plummeted at the box office within their opening weekends, and box office watchers posit that social networking sites such as Twitter and Facebook have a lot to do with it. Bad news travels fast. Obviously so does good news – and the best news is that studios may have to start making – gasp – watchable movies!

Friday, August 21st was Avatar Day, when fans could hustle over to their nearest IMAX theatre to watch 16 minutes of 3D footage from James Cameron’s “Avatar.” Read more

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