Showbiz Sandbox 512: Pandemic Drives New York Film Festival to Push Boundaries

September 30, 2020

Over the last twenty years the annual fall film festival circuit has become the unofficial launching pad for movies looking to be seriously considered during awards season. Nobody was certain, however, how such festivals could be held amidst a global pandemic. Especially those whose jobs it is to produce and program such major events.

As the director of the New York Film Festival Eugene Hernandez had to not only watch movies and convince filmmakers to show them, he also had to research digital platforms for a virtual festival and prove to everyone from Disney to Apple that they could trust a new digital platform to do virtual screenings for critics and audiences, all while figuring out a safe way to show movies – at drive ins – and ultimately decide whether the festival should actually happen.

Of course we also cover some of the week’s top entertainment headlines including the Hollywood Reporter and Variety now share owners, which new musical is planning to open on the shuttered West End in London and why CBS is licensing certain shows to Netflix.

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Showbiz Sandbox 485: Coronavirus Is Trolling the Film Industry

March 16, 2020

The ongoing coronavirus pandemic is causing the biggest disruption the global entertainment industry has had to contend with in the modern era. In the movie business alone it has shut down cinemas, delayed film releases and halted productions in all corners of the world.

Andrew Wallenstein, co-editor-in-chief of Variety, proposed that now might be an opportune time for studios to finally reach an agreement with movie theaters on release windows. No sooner had the virtual ink dried on his piece Universal Pictures announced it would be distributing some of its current and future theatrical films via premium video on demand. It would, he suggests, be the entertainment industry equivalent of peace in the Middle East.

Wallenstein joins us to discuss this fast moving story and what the future may hold for cinemas and the film industry at large.

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Showbiz Sandbox 431: India Is Set for A Battle Over Streaming Market Share

December 3, 2018

By 2023 the country of India is forecast to have 550 million people streaming content, earning $18 billion in video streaming alone. Of course, most of people will be watching on their mobile devices, but big players like Amazon, Disney, Netflix and Spotify don’t care, so long as they wind up with the largest piece of the Indian market. One major hurdle; India makes its own content and doesn’t need Hollywood.

That is why streaming companies have begun to produce their own India-centric shows, though that can be challenging in a country with more than 20 languages and wildly diverse cultures. Plus all the major providers have to compete with the likes of YouTube, which is by far India’s most popular streaming service thanks to its advantageous price point; free.

Meanwhile, the awards season is clearly upon us with the National Board of Review and the New York Film Critics weighing in on their favorites. Los Angeles Film Critics will be making their picks shortly and Golden Globe nominations will be announced this week.

Of course we also cover the week’s top entertainment headlines including a lucrative new deal at Warner Bros. for director and producer Ava DuVernay, actor Hugh Jackman is planning a worldwide concert tour and the collapse of independent bookstores.

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Showbiz Sandbox 407: Beyoncé Delivers A Higher Education To Coachella

April 17, 2018

Though Beyoncé was unable to headline Coachella last year due to being pregnant with twins, she more than made up for it this year with a performance that music critics are rightly hailing as the best live music event in decades. In a two hour set that included more than 100 performers from dancers to musicians, even a full marching band, Beyoncé put on a spectacular show that managed to be technically brilliant as well as socially relevant to the times. We were there and provide first hand reporting from this year’s Coachella.

Another festival making news is Cannes, which announced the films in this year’s competition, leaving out many of the event’s favorite auteurs. The festival also parted ways with Netflix, not inviting films produced by the streaming giant since they won’t be released in movie theaters.

Speaking of Netflix, a shareholder has sued the company for what they allege to a scheme which assured senior management and board members performance bonuses. The complaint accuses Netflix of using the performance bonuses to avoid paying taxes, rather than for any actual performance gains.

Of course we also cover the week’s top entertainment news including the kurfuffle over Apu, an Indian character on “The Simpsons,” Kendrick Lamar wins a Pulitzer Prize for his latest album and Fleetwood Mac parts ways with its longstanding guitarist Lindsey Buckingham.

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Showbiz Sandbox 333: Predicting The Biggest Box Office Flops of 2016

August 31, 2016

Much has been made about the decline in box office this summer, with franchise sequels underperforming and certain pricey movies failing to attract an audience. Kevin Lincoln, a senior editor at New York Magazine and Vulture, takes a look at this summer’s biggest flops and predicts which mega-budget releases might suffer a similar fate as we round out the year.

In China it might be more difficult to know which movies are box office disappointments or crowd favorites since online and mobile ticketing companies have been offering hefty subsidies to cinemagoers in their heated battle for market share. This means the gross of any release is almost always higher than what moviegoers actually paid to see it.

We’ll also dip back into audience figures from the recently completed Summer Olympics in Rio. This time however we have some data about viewership in Europe, Canada and elsewhere. To nobody’s surprise, more people streamed coverage online than ever before.

Of course we also cover the week’s top entertainment news including how Netflix international subscribers will soon outnumber those in the United States, a changing of the guard at Twentieth Century Fox gets expedited and the late Prince’s home and music studio is set to become a museum.

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Showbiz Sandbox 229: Making South by Southwest A Family Affair

March 18, 2014

Countless bands long to play at South by Southwest, the music festival that takes place in Austin, Texas every March. The event has grown into an important showcases for undiscovered, unsigned and fast rising artists. The Family Crest, an indie rock band from San Francisco, is one of the buzzworthy acts that played at this year’s SxSW. Liam McCormick, the group’s songwriter and founding member, joins us to discuss what it’s being officially invited to play at such a prestigious festival.

In an in-depth conversation, McCormick walks us through how The Family Crest has managed to follow through on all the necessary achievements modern bands strive for in search of success; they’ve funded two albums via Kickstarter which feature hundreds of musicians, they’re signed to an indie record label and NPR is touting the group’s music, which of course can be easily found on all the popular streaming services. On top of all that, television series and advertising campaigns have begun licensing their music.

Much like The Family Crest, Disney is doing quite well for itself these days, at least when it comes to Broadway. What’s surprising is that it isn’t one of the company’s hot new productions that’s the highest grossing production on the Great White Way, but rather “The Lion King”, which opened 16 years ago. It’s all thanks to the new trend of dynamic ticket pricing. We’ll explain.

Of course, we also cover the week’s top entertainment news stories including why the NFL is suing M.I.A., Amazon prepares to enter the streaming music business, and “Big Bang Theory” gets renewed for three whole seasons.

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Showbiz Sandbox 187: Does The Justice System Finally Understand Copyright?

March 25, 2013

Last week the Supreme Court of the United States dealt another blow to copyright owners in a landmark ruling that confirmed what most consumer advocates had been saying for years; the first sale doctrine does not have geographic boundaries. The court smacked down publisher J. Wiley & Sons’ copyright infringement lawsuit against Supap Kirtsaeng for reselling textbooks he had purchased at a discount in his native Thailand.

While major entertainment companies and trade groups like the MPAA and RIAA may have been on the losing end with the Supreme Court, an appeals court handed them a major victory by ruling in favor of movie studios who claimed that the operator of isoHunt, a large BitTorrent site, was inducing copyright infringement. The court agreed isoHunt was not eligible for safe harbor.

Meanwhile the Library of Congress announced 25 new recordings that will be added to its official preservation registry. We’ll fill you in on the grab bag of popular music, radio shows, news reports, opera and other recordings that made the cut.

Of course, we also cover the week’s top entertainment headlines including NBC’s silly decision to oust Jay Leno from The Tonight Show (again), the booming Chinese box office and “Downtown Abbey’s” record ratings.

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Showbiz Sandbox 184: How Authors Rig The Bestseller Lists

March 4, 2013

When Soren Kaplan’s “Leapfrogging” was published last summer it immediately appeared on the Wall Street Journal’s list of best-selling business books, a position that would be maintained for only a week. That was more than enough time for Kaplan to cement his status as a best-selling author which, in-turn, helps him land lucrative speaking and consulting gigs.

That is precisely why Kaplan hired a marketing firm to purchase copies of the book upon publication to assure it would appear on bestseller lists. During an interview with the Journal, Kaplan reveals how authors buying their way onto the bestseller list is a dirty little secret the publishing industry would prefer you not know about.

Dreamworks Animation is not being completely honest either. They took huge write-downs on their most recent release “Rise of the Guardians” and faulted the film’s weak performance as the reason for laying of 400 employees. However many question whether the company’s decision to move some of their production to China may have more to do with it.

Of course we also cover the week’s top entertainment headlines including the best yearly music sales since 1999, the end of Daily Variety and whether NBC is looking to part ways with Jay Leno (again).

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Showbiz Sandbox 167: The Digital Age Crushes Variety

October 15, 2012

Last week the venerable trade paper Variety, which has been covering the entertainment industry for more than 100 years, was sold to Penske Media Corporation for $25 million. Dana Harris, the editor-in-chief of Indiewire, spent 11 years at Variety and she joins us to discuss the past, present and future of a news outlet that has struggled to adapt in an online world.

Of course, the music world is quite familiar with how digital technology can disrupt existing markets. Digital radio pioneer Pandora is pushing legislation regarding the royalties they pay to artists. This past week they made public some the big checks they’ve been writing to individual musicians.

The royalties for a bunch of super heroes are also being disputed. Stan Lee Media is suing Marvel to get a cut of all that “Avengers” money and the daughter of Superman creator Jerry Seigel is duking it out with Warner Bros. over copyright claims.

Of course, we also cover the week’s top entertainment news including a break for Louis CK, CNN gets into the documentary film business, and how New Zealand is literally minting money for “The Hobbit”.

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Showbiz Sandbox 142: Is The MPAA Rating System Broken?

March 26, 2012

Though the MPAA often rates more than 700 films per year, the number of rating disputes rarely reaches the double digits. This year however eight films have already appealed their ratings and it’s not even April. Has the MPAA lost touch with modern culture or are filmmakers beginning to push the boundaries with edgier content? Ethan Noble, of Motion Picture Consulting, helps guide filmmakers and studios through the ratings process. Noble, who recently tried to appeal the restrictive rating on the documentary “Bully”, provides an overview of the MPAA’s rating system and tells us whether it needs to be fixed.

Speaking of the MPAA, they released their annual report on the motion picture industry. Moviegoing may have declined 4% in North America, but overseas revenue grew more than 5% and is booming in markets such as China and Japan.

We previously predicted that Broadway shows such as “Sister Act” and “Priscilla, Queen of the Desert” would close by now. Despite playing to half empty theaters and consistently losing money, they are still running night after night. What gives?

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