Showbiz Sandbox 430 – Taylor Swift Helps Fellow Artists With Her New Record Deal

November 26, 2018

When her current recording contract expired at Big Machine, Taylor Swift went looking for a new label. After a heated bidding war, Swift wound up at Universal Music landing a deal that allows her to retain control of her masters. Swift also demanded that if the label ever sold its share in Spotify that she get a cut. More importantly, she insisted on this for every single act in Universal’s roster.

This is especially notable because Swift is not a big player in music streaming, because she holds back her albums with a window to urge fans to purchase them instead. Unfortunately, the sales of physical albums, like vinyl LPs and CDs, is collapsing, causing many artists to get out of the habit of actually creating them. Instead, some big acts release a constant stream of singles, videos and live cuts since that’s how their fans listen to music these days.

Meanwhile the North American box office continues to chug along at 10% over last year’s tally, with a record breaking $12 billion in sight. That growth rate is keeping pace with the Chinese box office, which is up 11% this year, earning $8.1 billion thus far. Maybe the date for when China’s theatrical box office will surpass that of North America’s needs to be pushed back a year or two.

Of course we also cover the week’s top entertainment headlines including why pop stars may be headed to Broadway, how YouTube has begun showing blockbuster movies (with ads) and the winners of this year’s International Emmy Awards.

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Showbiz Sandbox 429: Remembering the Genius of Stan Lee

November 13, 2018

In a career that spanned over six decades, Stan Lee became one of the most influential creators and publishers of comics that ever worked in the medium. He helped build Marvel Comics by creating dozens of superheroes including most notably Spider-Man, The Incredible Hulk and X-Men. Geoff Boucher, the new genre editor at Deadline Hollywood, joins us to discuss how Lee’s enduring work has heavily influenced the modern pop culture landscape.

Boucher also tells us how he got the exclusive story on Fox’s plans to release a PG-13 version of “Deadpool 2” in the midst of the holiday season. You might be interested to hear how this led to the kidnapping of actor Fred Savage, best known for his role in “The Wonder Years”.

Meanwhile a team from China just won the 2018 “League of Legends” World Championship. Though 110 million people in China play the game, it’s the first time the country has ever captured one of the most prestigious prizes in e-sports.

Of course we also cover the week’s top entertainment headlines including how we’re headed toward a record year at the North American box office, why Fox News is chastising some of its hosts and pay TV loses over one million subscribers in the third quarter.

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Showbiz Sandbox 428: Why Everyone Is Raving About “Red Dead Redemption 2”

November 5, 2018

While there may still be some debate over whether video games are works of art, there is no doubting their earning potential. This was proven yet again when the game “Red Dead Redemption 2” earned a whopping $725 million in global retail sales after its first three days. And with glowing reviews haling it as a new gold standard for video games, and online components yet to be released, it’s poised to rake in much more.

Meanwhile, theatrical box office in North America is also looking profitable. In fact, 2018 may end with record setting grosses (if not attendance), and it’s all due to Hollywood releasing blockbuster movies outside the usual summer and holiday season.

In China, movie stars continue to fess up to how much money they have avoided paying taxes on. The latest is Chow Yun Fat who took his cue from the government and decided now was a good time to announce he’d be giving away his fortune, estimated at more than $700 million.

Of course we also cover the week’s top entertainment headlines including why Rihanna turned down the Super Bowl halftime show, Drake topples another Billboard chart record and why Broadway is skewing a little younger.

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