Showbiz Sandbox 523: Who Owns The Copyright For The Ratatouille Musical?
January 8, 2021
The Pixar film “Ratatouille” is enjoying new life. The tale of a rat who becomes a gourmet Parisian chef has gone from one of Pixar’s animated blockbusters, to a TikTok meme taken on by a collaborative community to an actual honest to goodness online musical, complete with Broadway stars. But with so many people from all over the world working on the production, who owns the rights?
Meanwhile, in the ongoing dispute between William Morris Endeavor and the Writers Guild, the agency keeps insisting they’ve got a deal on a new code of conduct but the WGA keeps saying, not so fast.
Of course we also cover some of the week’s top entertainment headlines including how Amazon’s podcast maneuver, Quibi may have found a new home and why “The Great Gatsby” is now in the public domain.
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Showbiz Sandbox 520: Writing Hollywood’s Obituary… Again
December 8, 2020
The film industry is facing an existential crisis due to the COVID pandemic; film productions are struggling to continue, cinema chains have become burdened with debt and studios are sending their blockbuster releases directly to streaming services. In fact, last week Warner Bros. announced that its entire 2021 slate of movies would be released both in theatres and on their streaming service HBO Max, at least in the United States.
Brooks Barnes, a reporter for the New York Times, recently wrote a feature story detailing the death of Hollywood…again. Literally the headline used the word obituary. Barnes joins us to discuss the unprecedented challenges and disruption the industry is facing and helps us understand their overall ramifications.
Of course we also cover some of the week’s top entertainment headlines including why Disney is putting the Fox film library back in its vault, Bob Dylan sells the publishing rights to all of his songs and an all-Spanish album tops the Billboard charts for the first time in its 64 year history.
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Showbiz Sandbox 516: What Went Wrong With Quibi
October 27, 2020
Quibi, the bite-sized content platform founded by media mogul Jeffrey Katzenberg and business leader Meg Whitman, has been mocked since it was first announced. Now after six months and $2 billion, Quibi is kaput. Unable to find an audience, and despite a fruitless attempt to find a buyer, Quibi is officially shutting down.
The company insists people were gunning for them from the start, but the simple truth is that Quibi always seemed like a solution in search of a problem. Besides, however good the content may have been, it was going to be very hard to convince people to plunk down $5 a month just to watch random videos while commuting.
Of course we also cover some of the week’s top entertainment headlines including Netflix misses its third quarter subscriber goal, television ratings for live sports events plummets and box office continues to soar in China and Japan.
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Showbiz Sandbox 515: Disney Restructures Its Magical Kingdom
October 20, 2020
One week after the Walt Disney Company announced that it would be premiering its latest Pixar film on Disney+ rather than in movie theaters, the media giant says it will reorganize its corporate structure to focus the company’s content creation on streaming. Is this a hasty pivot, long in the works, or just making official the obvious? The move left many industry watchers a bit confused.
Meanwhile, movie theaters in most of New York state can reopen, except in New York City itself. Even so, studios still won’t be releasing a blockbuster soon enough to help struggling cinema operators like AMC, who claims they will run out of money before the end of the year.
Of course we also cover some of the week’s top entertainment headlines including why Kevin Hart is taking over for Jerry Lewis on the muscular dystrophy telethon, K-Pop boy band BTS might be enlisting in the South Korean military (literally) and this year’s slimmed-down Tony nominations.
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Showbiz Sandbox 493: Rebooting Film and TV Production Won’t Be Easy
May 12, 2020
When most of the global entertainment industry shut down in March due to the COVID-19 pandemic, it wasn’t just movie theaters, concert halls and amusement parks that were affected. The sudden lockdown forced film and television productions of all kinds to be suspended, no matter what stage they were in. What has yet to be determined is how to start filming new shows and movies while keeping cast and crew safe.
Questions remain over everything from how to shoot love scenes moving forward, whether cast and crew should sequester themselves during production to how often everyone on set should be tested to how meal breaks should be handled. There are concerns over every aspect of a production, including craft services.
Of course we also cover some of the week’s top entertainment headlines including an increase in cord-cutting among cable subscribers, why a major Hollywood talent agency is struggling to survive the industry’s lockdown and how the Fox network is making their upcoming television season coronavirus-proof.
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Showbiz Sandbox 490: The Future of Journalism After the Coronavirus
April 21, 2020
Long before the coronavirus pandemic, independent journalism was on life support, especially at the local level. After businesses around the world shut down advertising revenue at media outlets completely disappeared and may never fully return. This is especially true at newspapers and industry trade publications, which have begun cutting staff.
In a wide-ranging interview, Kelly McBride, a senior vice president at the Poynter Institute gives us her take on what journalism will look like after the pandemic. She also discusses her new role as the public editor of National Public Radio, as well as her work advising the Hollywood Reporter.
Of course we also cover some of the week’s top entertainment headlines including when we all might be able to attend a live event again, the latest on the Writers Guild contract negotiations and Netflix hits a new high.
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Showbiz Sandbox 482: Entertainment Industry Facing Coronavirus Challenge
February 24, 2020
For the past four weeks the Chinese government has mandated that all of its cinemas remain closed in hopes of preventing further spread of the Coronavirus, also known as COVID-19. Not that anyone would actually show up even if movie theaters were open since a majority of China’s population are avoiding public venues and gatherings. Having the second largest movie market in the world out of business for so long will surely affect the global box office, not to mention release dates.
As the Coronavirus reaches other countries and turns into a full-blown pandemic, cinemas in Northern Italy are shutting their doors in the wake of infestations and the popular Korean boy band BTS moved a press conference for its upcoming album to an online only event, rather than meet journalists in-person.
In the United States, the popular indie-cinema chain Alamo Drafthouse launched its own long-awaited subscription plan. We debate the merits of Alamo’s new program and what theater operators need to consider when adopting such a scheme.
Of course we also cover the week’s top entertainment headlines including soaring occupancy rates for Broadway productions, the United Kingdom embraces streaming in earnest and HBO Max will launch with a reunion of “Friends.”
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Showbiz Sandbox 480: “Parasite” Infects the Oscars With Historic Win
February 10, 2020
Though many Academy Awards pundits believed that “1917” would win the Oscar for Best Picture, the prize went to filmmaker Bong Joon-ho’s “Parasite.” Anne Thompson of Indiewire joins us to explain how the industry united behind the South Korean film, giving it four top Oscars, in a historic win; the first foreign language film to ever win the Best Picture Oscar.
Surely none of the Oscar winners will be getting a bump at the box office in China, even if they managed to get a release date. Movie theaters have been closed for the past three weeks due to a coronavirus which has completely upended which films will get into cinemas and when in a tight calendar they’ll reach audiences.
Meanwhile, the WGA overwhelmingly approved their demands for the upcoming contract talks with producers and studios. The existing contract is set to expire in the middle of this year and just about everyone in Hollywood is expecting and gearing up for another writers’ strike.
Of course we also cover the week’s top entertainment headlines including why manufacturing vinyl records might get a lot harder, how YouTube is raking in revenue and Disney plans on bringing the Broadway musical “Hamilton” to movie theaters.
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Showbiz Sandbox 468: A Rundown of This Year’s Rock & Roll Hall of Fame Nominees
November 10, 2019
Next year’s nominees for placement into the Rock & Roll Hall of Fame in Cleveland, Ohio include candidates considered in previous years, including Depeche Mode, Judas Priest and Todd Rundgren. They join new nominees such as Pat Benatar, Dave Matthews Band and Whitney Houston, among others. We speak with Sal Nunziato, a music blogger and drummer for the band The John Sally Ride, to get his encyclopedic thoughts on which of the nominees should actually get the nod.
We also discuss the pros and cons of streaming music services. There is no dispute that it’s great to have an archive of music, not to mention new releases, all available for listening within a few seconds. On the other hand, it’s also nice to support the music we really like by actually buying physical copies.
Meanwhile, the video game industry made some headlines this week after a Chinese team won the latest “League of Legends” world championship. At the same time the latest “Call of Duty” release has generated some controversy since it is set amidst the Syrian Civil War and depicts child soldiers, the killing of civilians, among many other issues.
Of course we also cover the week’s top entertainment headlines including why Woody Allen dropped his lawsuit against Amazon Studios, HBO Max sets its subscription price and technology is allowing filmmakers to cast the late James Dean in an upcoming movie.
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Showbiz Sandbox 466: How Hollywood Kowtows to China
October 28, 2019
Entertainment companies are finding themselves in compromising positions when it comes to avoiding political pitfalls in China. Movie studios and media conglomerates don’t want to disrupt their bottom line by appeasing Chinese authorities while surrendering their creative freedom. The result is that companies distributing content in China find themselves censoring themselves.
“South Park,” on the other hand, chose an alternative path; directly offending the Chinese government and immediately being banned throughout the country. Even when companies do kowtow to the Chinese government, they find themselves getting into trouble at home and abroad. Just ask the producers of the animated film “Abominable,” an animated film which was banned in the country for showing a map that favored China’s disputed territorial claims.
Meanwhile, the new television season started. Not that you’d know it based on the ratings, which are down almost any way you slice them. And the clear message is this: people’s viewing habits have changed, probably forever, and it’s not going to help TV channels trying to sell eyeballs to advertisers.
Of course we also cover the week’s top entertainment headlines including a tie for this year’s Booker Prize, Netflix somehow adds even more subscribers and a big Hollywood talent agency scraps its long awaited IPO.
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