Showbiz Sandbox 478: Setting Records at Sundance and the Grammys
January 27, 2020
With the Winter Olympics causing an abbreviated and frantic awards season, the film took a brief respite from Oscar-talk to head to Park City, Utah for this year’s Sundance Film Festival. We give you an update on all the hot titles and buzz being generated at this year’s festival, including a record breaking price for a Sundance film.
Meanwhile, the Grammys were held under a scandalous cloud due to the fallout from the Recording Academy dismissing its top exec, Deborah Dugan. The evening belonged to 18-year-old Billie Eilish who became the youngest person to win four of the top awards at the event including Best Pop Vocal Album, Best New Artist, Record of the Year, Song of the Year and Album of the Year.
In China, the Chinese New Year usually marks the highest grossing week on the calendar, however not this year. A highly contagious virus caused the government to quarantine large cities and the country’s cinema chains shuttered out of precaution leading to a loss of hundreds of millions yuan.
Of course we also cover the week’s top entertainment headlines including why country radio stations won’t play female artists, more talent agencies sign on to the Writers Guild code of conduct, and Netflix continues to gain subscribers.
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Showbiz Sandbox 470: The End of the Paramount Consent Decree
December 1, 2019
The Department of Justice has announced their intention to jettison the Paramount Consent Decree, the agreement that ended the studio system and under which the film industry has operated for the past 70 years. What will this mean for movie theater operators moving forward? Now that studios have become big media conglomerates will they behave anti-competitively?
Speaking of agreements, more mid-level talent agencies have signed the Writers Guild of America’s code of conduct. In the process, these agencies have gotten the WGA to agree not to enforce the ban on television packaging until one of four major firms signs on.
Meanwhile, the Thanksgiving holiday weekend was once again a time for audiences to return to cinemas en masse. However this year instead of going to see the latest blockbuster sequel, moviegoers actually sought out original films.
Of course we also cover the week’s top entertainment headlines including the Grammy nominations, why Netflix bought a movie theater in New York City and the controversy over the firing of Gabrielle Union from “America’s Got Talent.”
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Showbiz Sandbox 462: Netflix and Amazon Take Advantage of Fall Film Festivals
September 16, 2019
Though the Cannes Film Festival avoids programming movies from streamers like Netflix and Amazon, internationally renowned festivals in Venice, Telluride, Toronto and New York embrace them. And no wonder. As Anne Thompson of Indiewire tells us, the streamers used the fall film festival circuit to premiere some of the year’s most award-worthy movies.
Just back from Toronto and Telluride (and on her way to the New York Film Festival), Thompson fills us in on what new releases movie lovers should look forward to as we kick off awards season. She explains how making a big splash at such festivals can turn a middling movie into a hit collecting both big box office and plenty of kudos. Yes, we’re looking at you, Hustlers.
Meanwhile, with the imminent launch of their own streaming service, Disney wants to rewrite the rules — or at least the contracts — on how the profits from hit television shows gets shared, or as the company would prefer it, not shared. If successful, other networks and studios are sure to follow Disney’s lead.
Of course we also cover the week’s top entertainment headlines including why YouTube is revamping its music charts, Apple announcing the price for its streaming service and “Saturday Night Live” stumbling in a casting move.
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Showbiz Sandbox 460: Spider-Man Exits The Marvel Cinematic Universe
September 2, 2019
The big-time Hollywood divorce that has the entertainment industry buzzing this summer is the acrimonious split between Sony Pictures and Walt Disney Studios over custody of the most popular character in the Marvel Cinematic Universe; Spider-Man. The agreement that allowed Sony to loan out the character for Disney’s Avenger films was unprecedented. But after Disney asked to share in the financing and profit of future Spidey films, Sony opted out of the relationship.
The latest Spider-Man movie was one of the biggest hits of the summer, though box office for the season was actually down. One might think that’s why AMC Cinemas is planning to experiment with dynamically pricing movie tickets, but actually it’s really because they just want to charge more for popular films.
Meanwhile, streaming giants like Netflix are premiering some of their high profile movies at the biggest fall film festivals just in time to kick off awards season. They even plan to show them in cinemas before allowing them to be streamed on their platform. Now all Netflix has to do is convince cinema chains to book them.
Of course we also cover the week’s top entertainment headlines including why Eminem is suing Spotify, the Writers Guild takes its case against talent agents to federal court and why Taylor Swift wants to record all her old albums over again.
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Showbiz Sandbox 442: Apple Finally Unveils Their Content Plans
March 26, 2019
After years of anticipation and endless speculation, the technology giant Apple finally announced its plans for its video streaming service. Not only will Apple TV now be available on all smart televisions and integrate with existing cable providers, it will offer a la carte over the top services. What’s more, Apple revealed a slate of six homegrown series marking its first foray into original content.
Apple is not starting small either, launching their service with shows from some of the biggest names in Hollywood, including Steven Spielberg, J.J. Abrams, Jennifer Aniston and Reese Witherspoon, to name just a few. The only thing they didn’t make public about Apple TV+ is its subscription price.
And while new digital streaming platforms are all the rage, there is still plenty of money to be earned at the theatrical box office. Official numbers for 2018 have now been finalized, with North American box office rising 7%, helping boost worldwide receipts 2% to over $41 billion.
Of course we also cover the week’s top entertainment headlines including the contentious talks between the WGA and talent agencies over packaging fees, Disney officially acquires Fox and the Library of Congress adds 25 new sound recordings to the National Recording Registry.
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Showbiz Sandbox 381: Telluride and Toronto Continue To Shape Awards Season
September 18, 2017
Each year the Venice, Telluride and Toronto film festivals are held so closely together their programming often overlaps as each vies to land titles that will be in the running for major awards (read: Oscars). Anne Thompson, Indiewire’s editor at large, has just returned from Telluride and Toronto and she fills us in on all the festival season favorites.
While Thompson was in Toronto enjoying movies like “The Shape of Water” from director Guillermo del Toro, film buyers were struggling to find anything to pick up. There was a general sense that all the worthwhile titles had been cherry picked before the festival even began.
Meanwhile the Emmy Awards were held over the weekend honoring the best television from the past year. At this year’s ceremony a disruptive streaming video provider made a big splash, though not the one everyone expected. Hulu took home the Best Drama Emmy for “The Handmaid’s Tale”, despite Netflix having three shows nominated in the category.
Of course we also cover the week’s top entertainment news including the head of NBC admitting most of its primetime viewership is not watched live, George R. R. Martin’s new TV series and MoviePass surpsasses 400,000 subscribers in under a month.
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Showbiz Sandbox 330: Rio Olympics Faces Competition for TV Viewers
August 8, 2016
The 2016 Summer Olympics are underway in Rio de Janeiro, Brazil and there are more ways to watch the games than ever before. In the United States, NBC is broadcasting 6,800 hours of coverage from Rio across 11 television channels and 41 live online streams. We look at the declining TV ratings and whether all the action is happening in primetime or online. And does that even matter?
What didn’t seem to matter at all were the dozens of negative reviews movie critics skewered threw at the latest DC Comics adaptation, “Suicide Squad”. After being universally panned, the film went on to break global and North American box office records when it opened over the weekend.
The Television Critics Association summer press tour has proven to be a hotbed of video streaming news. For instance, Time Warner bought a 10% stake in Hulu and NBC let slip they will be announcing their own streaming plans soon. Meanwhile, rumors are circulating that Apple wants to build a TV guide to let everyone know how and where there favorite shows can be found.
Of course we also cover the week’s top entertainment news including Oprah’s latest book club pick, the albums nominated for this year’s Mercury Prize and George R. R. Martin books another TV series.
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Showbiz Sandbox 294: As Box Office Grows In China, So Do Claims of Fraud
September 14, 2015
China continues on its torrid pace toward become the number one movie market in the world having already surpassed its record $4.7 billion box office from last year. However, some Chinese distributors, and even some moviegoers, are claiming cinema owners are manipulating reported grosses on behalf of the government.
Recently a propaganda film titled “The Hundred Regiments Offensive” managed to sell more tickets than was possible based on its number of showings and theater count. Industry executives now say releases such as “Terminator:Genisys” are being unfairly robbed of their true earnings. Yet the market is so big, when “Mission Impossible: Rogue Nation” debuted last week it gave Tom Cruise the biggest box office opening of his career.
Meanwhile, parts of the world are entering autumn, a time when leaves fall from the trees and Broadway shows fall from the marquees to make way for new shows. We’ll tell you which shows have announced closings, which ones will follow soon and take a brief look at some new productions opening soon.
Of course we also cover the week’s top entertainment news including the return of Stephen Colbert to late night television, the new owner of National Geographic and how the late Billie Holiday and Whitney Houston will perform once again… as holograms.
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Showbiz Sandbox 293: Why Forecasting Box Office Has Become So Difficult
September 7, 2015
Though this year’s North American summer box office may wind up being the second biggest on record at $4.4 billion, movie studios are finding it far more difficult to predict opening weekend grosses. An article in the Hollywood Reporter details how tracking pre-release box office has become unreliable in an age when social media buzz and movie review aggregation have become so prevalent.
Word-of-mouth can now spread so quickly that movies like “Ted 2” can be doomed 24 hours after release, opening 33% below its estimated $50 million first weekend gross. And it’s not just flops that suffer tracking mishaps, as evidenced by “Jurassic World” bowing to $208 million, 60% more than originally anticipated.
Until now, Apple hasn’t had to worry about movie box office or even television ratings, but all that might change if rumors the company is getting into producing original content are at all true.
Of course we also cover the week’s top entertainment news including why Aretha Franklin wound up in court last week, why DreamWorks is leaving Disney and who the Academy selected to produce next year’s Oscar telecast.
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Showbiz Sandbox 157: Which Summer Blockbusters Will Spawn Sequels
August 6, 2012
Though the summer movie season isn’t quite over, its never too early to start debating which of this year’s crop of releases will have studio heads clamoring for a sequel. It’s safe to say neither “John Carter” or “Battleship” will get the sequel treatment. But what about hits such as “Men In Black”, “Ice Age”, “Madacascar” and “Ted”? The Hollywood Reporter has the lowdown on what studio heads are thinking, and it’s always fun trying to second guess them.
Speaking of summer blockbusters, the Olympics continues to pull in huge viewership for broadcasters around the world. In the United Kingdom, the host nation for this year’s games, the BBC has gone interactive with its broadcasts by allowing viewers to program special channels with coverage of any event they want to see.
Meanwhile, a number of large North American cable providers held their second quarter earnings calls last week. Despite a declining subscription base and increased content costs, profits at the companies are up and their executives couldn’t be happier. We’ll tell you why.
We also cover the week’s top entertainment headlines including Snoop Dogg’s reggae transformation, rumors that Nick Jonas will join “American Idol” and a new poll dethrones “Citizen Kane” and crowns a new winner as the greatest film of all time.
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