Showbiz Sandbox 191: The Misunderstood Math Behind Movie Ticket Prices
May 13, 2013
The average cost of a movie ticket dropped to $7.94 in North America during the first quarter of 2013. That’s according to the National Association of Theatre Owners, the trade group that keeps track of such figures. Patrick Corcoran, the vice president and chief communication officer of NATO, explains how the average ticket price is calculated and the perennial complaint that such a low amount can’t possibly be correct.
Meanwhile, television networks have been working overtime putting together their schedules for next season. That also means they’ve been making public which shows didn’t make the cut, a.k.a. got canceled. Did your favorite show survive for another season, or did it go the way of series such as “Smash”, which was axed as had long been predicted.
Such bad news isn’t something the Rolling Stones have to worry about. According to the legendary rock group’s concert promoter reports that tickets to shows aren’t selling is completely untrue. In fact, tickets were priced at an exorbitant $600 on purpose to keep the secondary market at bay.
Of course we also cover the week’s top entertainment news including YouTube’s pay channels, Barbara Walter’s retirement and legislation that calls for a la carte cable offerings.
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Showbiz Sandbox 181: Why The Grammys Telecast Matters More Than Ever
February 11, 2013
While winning a Grammy Award can boost a musician’s record sales temporarily, a knockout performance during the widely viewed ceremony can launch a career. Simply ask Mumford & Sons who stole the show during the 2011 telecast and on Sunday took home the 2013 Grammy for Album of the Year. Will the Lumineers, who performed at this year’s ceremony, follow in their footsteps?
David Wild, a contributing editor for Rolling Stone magazine, helped write the Grammy telecast as he has for the past 12 years. He joins us to discuss how the show was put together, working with host LL Cool J and some of the elements that came off without a hitch (projecting images onto Carrie Underwood’s dress comes to mind). Wild even reveals John Mayer’s secret life as a joke writer.
Meanwhile, digital downloads are already outpacing physical sales in music and will surely do so with books and movies in the not too distant future. But what happens when you want to sell off all those media downloads in the now non-existent digital secondhand market? Amazon is trying to patent technology that will make such sales possible.
Of course we cover the week’s top entertainment headlines including how “The Walking Dead” continues to increase viewership, an end to Don Johnson’s lawsuit over “Nash Bridges” and why some concerts may be sold out before tickets ever go on sale.
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Showbiz Sandbox 149: Cannes Falls For “Amour”
May 29, 2012
This year’s Cannes Film Festival concluded with “Amour”, a film by Austrian director Michael Haneke, winning the Palme d’Or. The movie about an elderly couple in Paris features two renown French actors and was a hit with festival audiences. Anne Thompson from Indiewire’s Thompson on Hollywood blog says the jury rewarded many of the noteworthy films at this year’s festival, though entries with stars like Brad Pitt and Nicole Kidman were rather disappointing.
Speaking of winners, last week Phillip Phillips was crowned the winner of this season’s “American Idol”. The big loser however may be the singing competition show itself, since it is no longer the most watched television show in the nation, a title it held for a historic seven years. That honor is now held by Sunday Night Football.
Apple rather convincingly shredded the antitrust suit tbe Justice Department filed against them and top publishers over the price fixing of e-books. Apple’s response points out a number of innacuracies in the suit and manages to bolster their own case, while notably not helping the publishers with their defense.
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Showbiz Sandbox 136: Crafting A Story For The Grammys Through Triumph and Tragedy
February 13, 2012
Los Angeles Times entertainment reporter Geoff Boucher was on assignment at the Grammy Awards when he heard about the the sudden death of pop star Whitney Houston over the weekend. While still covering music’s biggest night, Boucher was given two hours to write Houston’s obituary for the Sunday paper.
At the same time, David Wild was backstage at the Grammys putting the finishing touches on his script for the telecast. A contributing editor at Rolling Stone and best-selling author, Wild had less than 24-hours to work with Grammys producer Ken Ehrlich and revise the awards in the wake of Houston’s passing.
After an exhausting weekend Boucher and Wild join us to discuss how this year’s Grammys focused on two voices; one looking to the future with Adele winning six awards and one honoring the past by mourning the fresh tragedy of Houston’s death.
A whopping 40 million people watched this year’s Grammys telecast, though if we were to believe Nielsen few of them were under the age of 24. Brian Stelter of the New York Times stops by to explain why young people are watching television less often.
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Showbiz Sandbox 92: The Awards Otherwise Known As The Grammys
February 13, 2011
Indie rock darling Arcade Fire provided an upset at this year’s Grammy Awards by taking home the prize for Album Of The Year. Rolling Stone contributing editor David Wild helped write the Grammy telecast and he provides an insider’s perspective on the show as well as a peak backstage. Unfortunately, nobody can explain why Lady Gaga arrived in a glass coffin.
Teen pop sensation Justin Bieber didn’t take home any Grammys on Sunday, but does he really care? After all, his concert film “Never Say Never” earned an astonishing $30 million during its opening weekend.
Meanwhile, the movie industry had their own awards show over the weekend and we’ll go over who the big winners were at the BAFTAs and how they might affect the Oscar race.
We also review and provide analysis on all the week’s top entertainment headlines, including how to get tickets to LCD Soundsystem’s last concert, Pandora’s IPO, Zooey Deschanel’s move to television and Arnold Schwarzenegger’s return to acting.
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