Showbiz Sandbox 590: New Warner Bros. Discovery Strategy Is A Little Batty
August 9, 2022
The newly merged Warner Bros. Discovery held its first earnings call last week making so many headlines it was all anyone in the entertainment industry could talk about. The company has a ton of debt, but a plan to get into better financial shape; stop producing expensive scripted shows, shelve pricey projects and layoff thousands of employees. Most controversially the media giant decided to completely abandon the nearly finished DC movie, “Batgirl.”
Speaking of comic book movies, the Wall Street Journal believes Disney’s Marvel titles are in a bit of a slump. Their movies are grossing less, getting worse reviews are not a big deal on social media. Do people even like superhero movies anymore?
Of course we also cover the week’s top entertainment headlines including the story behind all those expensive Springsteen tickets, why Beyonce is changing the lyrics to one of her recent songs and why “To Kill A Mockingbird” is leaving Broadway.
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Showbiz Sandbox 569: Are Music Catalog Deals Overvalued?
January 18, 2022
Every week it seems another aging artist is selling off their music publishing rights for exorbitant amounts. Bob Dylan, Paul Simon, Tina Turner, ZZ Top, David Bowie’s estate and recently Bruce Springsteen. Why are so many back catalogs for sale and are they really worth hundreds of millions of dollars? Ryan Faughnder, a staff writer at the Los Angeles Times discusses his latest article which tackles this very issue.
Meanwhile, streaming numbers for television shows, series, and movies for the last few weeks of 2021 were finally published. The top ten original programs were dominated by Netflix, which might be why they decided to “update” their pricing. Translation; they are raising prices, at least in North America.
Of course we also cover the week’s top entertainment headlines including why the British government is freezing funding for the BBC, Spotify shutters its podcasting studio and this year’s SAG Awards nominations.
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Showbiz Sandbox 561: After “Squid Game,” Korea Wants Netflix to Pay Up
November 9, 2021
Though Netflix’s expensive blockbuster “Red Notice” is getting little notice in movie theatres, the company’s signature streaming service is thriving. In fact, its series “Squid Game” is so popular around the world that in Korea Netflix is being barraged with questions about paying for the cost of the increased streaming traffic it continues to generate.
Meanwhile, a music festival in Houston headlined by Travis Scott left at least eight concertgoers dead and scores injured after they were crushed when the audience surged toward the stage. We’ll explore the poor choices made by Astroworld’s promoters that lead to the tragedy.
Of course we also cover the week’s top entertainment headlines including why the BBC may lose funding, Netflix launches its mobile games and the Justice Department wants to stop two of the world’s largest book publishers from merging.
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Showbiz Sandbox 553: CinemaCon Makes A Case for the Big Screen
August 31, 2021
After more than a year in which most blockbuster releases headed to streaming services, movie theater operators gathered in Las Vegas last week for CinemaCon, their annual convention. Ryan Faughnder of the Los Angeles Times moderated a panel discussion at the event featuring the heads of major movie chains, distribution executives and director Patty Jenkins. He tells us what he learned at this year’s show.
One consistent headline to come out of CinemaCon was the call from both exhibitors and distributors for an exclusive theatrical release window. When it comes to China however, Hollywood studios are relieved to get any type of release these days, even if they only have a week to prepare for it.
Of course we also cover the week’s top entertainment headlines including how Apple is buying into classical music, women top the music charts for the first time in ten years and why China is canceling celebrities.
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Showbiz Sandbox 544: The Existential Crisis Facing Theatrical Movie Releases
June 8, 2021
Anne Thompson, the editor at large at IndieWire, believes “a lot of things have to go right for the two-hour movie theatrical release to endure.” Thompson said as much in an opinion column she recently wrote for the New York Times. In a detailed opinion column for the New York Times. In a detailed conversation she explains four key challenges movie theaters face as they revive their business after the pandemic, including whether North American box office will ever again reach $11 billion.
One theatrical release that is doing better than some expected is Disney’s “Cruella.” The live-action spin-off has been popular enough for Disney to release a fashion line inspired by the outfits Oscar winning costume designer Jenny Bevan created for the film. They probably should have told her first since the Costume Designers Guild is none too pleased.
Of course we also cover some of the week’s top entertainment headlines including the big winners at the BAFTA TV awards, how SpongeBob SquarePants is able to avoid paying taxes and the Russian comedy that is getting lots of local language remake love.
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Showbiz Sandbox 542: TV Networks Are Upfront About Streaming Plans
May 25, 2021
Last week all the big television networks in the United States went through the old fashioned ritual of inviting advertisers to big presentations of their fall programming. Besides being virtual a lot has changed for the networks, including primetime scheduling, which is now an afterthought. Instead they emphasized streaming and the range of content available through numerous platforms including network, broadcast and their new subscription services.
Meanwhile, the global box office is revving its engines with “F9” opening to huge numbers internationally, pushing the “Fast & Furious” franchise over the $6 billion mark. Movie theaters in Europe are reopening just in time to show the movie.
Of course we also cover some of the week’s top entertainment headlines including why Amazon may purchase MGM, this year’s Eurovision contest and the return of music festivals.
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Showbiz Sandbox 534: Do All The Streaming Numbers Add Up?
March 23, 2021
With world-wide subscriptions surpassing 1 billion last year, every movie studio and every television network is pouring money into streaming video services. They’re hoping to make more money with subscribers than the untold billions they’ve been raking in for decades at the box office, through advertising, in syndication or sales of Blu-Rays. And while these services are quick to tell us how many subscribers they have, it’s anyone’s guess as to how many people are actually tuning in to their programming.
Theatrical box office is another statistic that has gotten harder to track during the pandemic with many distributors delaying the reporting of grosses. Even so, the Motion Picture Association added up all the numbers for 2020 and reported that global box office was down over 70 percent to $12 billion.
Of course we also cover some of the week’s top entertainment headlines including the NFL’s new relationship with Amazon, Hollywood agencies are getting into celebrity estate management and a trip to this year’s SXSW Film Festival.
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Showbiz Sandbox 529: Hollywood Grapples With Cancel Culture
February 16, 2021
Whether it’s sexual misconduct, misogynistic behavior or social media missteps, the careers of numerous entertainment industry figures have recently been upended after allegations of their moral misbehavior surfaced. The repercussions are impacting every part of the industry, from the upper echelons of the French film industry to the rose ceremony on “The Bachelor.” Agencies, studios and record companies are now left to decide whether to jettison stars that have become tainted.
Meanwhile, one year after China closed movie theaters to contend with a growing coronavirus epidemic, the country is showing the world how to revive the cinema business. Apparently all it takes is a few blockbusters to get audiences back into the very theaters many had predicted would never reopen.
Of course we also cover some of the week’s top entertainment headlines including how the cast of the “Umbrella Academy” got a raise, Disney continues to add subscribers to its streaming service and why Dave Chapelle’s old show is back on Netflix.
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Showbiz Sandbox 521: Words In Bubbles – Behind the Scenes of the Comic Book Industry
December 16, 2020
Everyone in the entertainment industry has suffered the disruption caused by the COVID pandemic, including those who create and publish independent comic books. Kyle Higgins knows a thing or two about that. He’s known for his work on the Batman franchise for DC and the Power Rangers franchise for Boom Studios, not to mention his own ground-breaking work on originals like C.O.W.L.
We talk to Higgins about his latest creation, “Radiant Black” as well as the challenges of creating comics during a pandemic. He gives us a unique peak into the world of conceiving, creating and publishing independent comic books.
Of course we also cover some of the week’s top entertainment headlines including the fallout from Warner Bros. sending all their movies to HBO Max, all the big announcements from Disney’s investor day and the latest additions to the National Film Registry.
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Showbiz Sandbox 466: How Hollywood Kowtows to China
October 28, 2019
Entertainment companies are finding themselves in compromising positions when it comes to avoiding political pitfalls in China. Movie studios and media conglomerates don’t want to disrupt their bottom line by appeasing Chinese authorities while surrendering their creative freedom. The result is that companies distributing content in China find themselves censoring themselves.
“South Park,” on the other hand, chose an alternative path; directly offending the Chinese government and immediately being banned throughout the country. Even when companies do kowtow to the Chinese government, they find themselves getting into trouble at home and abroad. Just ask the producers of the animated film “Abominable,” an animated film which was banned in the country for showing a map that favored China’s disputed territorial claims.
Meanwhile, the new television season started. Not that you’d know it based on the ratings, which are down almost any way you slice them. And the clear message is this: people’s viewing habits have changed, probably forever, and it’s not going to help TV channels trying to sell eyeballs to advertisers.
Of course we also cover the week’s top entertainment headlines including a tie for this year’s Booker Prize, Netflix somehow adds even more subscribers and a big Hollywood talent agency scraps its long awaited IPO.
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