Showbiz Sandbox 247: Everything You’ve Heard About This Summer’s Box Office Is Wrong
September 1, 2014
Listening to the chorus of industry naysayers or reading all the media reports might lead you to believe this year’s summer movie season was a complete financial disaster from which Hollywood could not recover. Granted, North American box office declined 15% from the same period last year, marking an 8 year low, and attendance was off by 5%. Even so, there were no huge flops over the summer and certainly none that would send a shiver down the spine of studio execs.
In fact, most of this summer’s releases will make money when international receipts are added to their theatrical grosses. The only problem with that, as Ben Fritz of the Wall Street Journal points out, is that not all box office dollars are counted equally when they are earned overseas.
We’ll also discuss how giant telecom companies are trying to maintain their stranglehold on the Internet in the United States by preventing cities from offering broadband to residents as a public utility. Such legal skirmishes are becoming more important as we move toward streaming services for movies and music.
Of course, we also cover the week’s top entertainment news stories including a new children’s book written by Bruce Springsteen, the first woman ever chosen to head the BBC and a King Arthur movie franchise may finally become a reality.
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Showbiz Sandbox 223: The 2013 Worldwide Box Office – Who Won, Who Lost and Why
February 3, 2014
Thanks to surging theatrical grosses in countries such as Brazil, China, India, Mexico and Russia, the international box office more than doubled North American earnings in 2013, topping out at a record $25 billion. Though Hollywood studio content continues to dominate globally, receipts for local productions are beginning to play a more significant role in many markets. We provide a breakdown of the annual box office for of all the major territories and explain why some fared better than others.
Speaking of breaking records, the telecast of this year’s Super Bowl between the Seattle Seahawks and the Denver Broncos had an audience of 112 million viewers. That makes it the most watched television show in U.S. history. As is often the case, the commercials proved more interesting than the game.
Last week the industry also mourned the tragic death of Oscar winning actor Philip Seymour Hoffman from what appears to be a drug overdose. Unfortunately, obit writers were also kept busy with the passing of folk musician Pete Seeger, studio executive Tom Sherak and legendary animator Arthur Rankin Jr.
Of course, we also cover the week’s top entertainment news stories including an Oscar nomination for Best Song gets rescinded, “Back to the Future” is being turned into a Broadway musical and Disney plans to reboot Chip ‘n Dale.
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Showbiz Sandbox 174: Is “The Hobbit” A Death Knell for 3D Movies?
December 17, 2012
All of the talk surrounding the release of “The Hobbit” was over high frame rate and whether audiences would reject a crisper image. It may have been more appropriate to discuss whether audiences have already shunned 3D. Only 49% of audiences chose to see the film in 3D over opening weekend. If moviegoers aren’t willing to see a film shot and meant to be seen in 3D, is the format ultimately doomed?
“The Hobbit” was noticeably absent on a number of important year-end top film lists. Nor was it among the nominations for the Golden Globes and SAG Awards, which were announced last week.
The fantasy book from “The Hobbit” is adapted has been a perennial best seller, but with the explosion of e-book readers future generations may not even know what a book is. Can e-books and print co-exist?
Of course we also cover the week’s top entertainment headlines including this year’s Rock Hall of Fame inductees, the top grossing concert tours of 2012 and (finally!) an end to loud television commercials.
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Showbiz Sandbox 173: Spoiler Alert! Your Movie Has A Kicker
December 10, 2012
Frustrated at not knowing if the movie he was watching would have any special scenes during or after the credits Chris Ramey did something about it. Ramey is the founder of What’s After The Credits? a website that details kickers, as they are often called, to popular movies, television shows and video games. He tells how what inspired him to create the site and how its grown in popularity.
Speaking of popular, “Skyfall” is not only the most successful James Bond film of all time, it has also become the highest grossing movie of all time for Sony Pictures and the United Kingdom. Yet despite positive reviews, the film hasn’t been appearing in any of the recent year end critic polls.
Grammy nominations were announced last week and with acts like the Black Keys racking up five nominations, including Album of the Year, they had a rock and roll vibe. It is nice to see the Grammys include a lot of fresh faces in some of their top categories and refrain from knee-jerk nominations for veteran performers. We’ll provide a rundown of the nominations.
Of course we also cover the week’s top entertainment headlines including the expansion of iTunes to 56 new countries, Netflix signs an exclusive content deal with Disney and how much Psy is making off of his hit song “Gangnam Style”.
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Showbiz Sandbox 154: Understanding Comic-Con’s Tribe Mentality
July 17, 2012
Last weekend self-professed geeks made their annual pilgrimage to San Diego for Comic-Con. There’s no better person to speak with about the world’s largest pop-culture convention than Los Angeles Times writer Geoff Boucher. His Hero Complex blog has become a must-read for those attending “the Con” and he fills us in on all the big news coming out of this year’s show.
Boucher also had a professional and somewhat personal relationship with producer Richard Zanuck who unexpectedly passed away last week at the age of 77. The executive behind such films as “The Sound of Music” and the producer of movies like “Driving Miss Daisy”, Boucher provides a unique perspective on what Zanuck was really like.
Meanwhile in the world of television, the war over carriage fees has heated up once again. This time Viacom has pulled its 26 networks from DirecTV and AMC has yanked its programming from Dish.
We also cover the week’s top entertainment headlines including Bruce Springsteen’s curfew, the exodus of judges from “American Idol” and why you should see the “The Dark Knight Rises” in Imax.
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Showbiz Sandbox 141: Mike Daisey Learns The Difference Between Journalism and Art
March 19, 2012
Monologist Mike Daisey began performing his one-man show, “The Agony and Ecstacy of Steve Jobs”, hoping to highlight the poor working conditions suffered by workers who make Apple products in Chinese factories. When it was learned that Daisey made-up most of his accounts of meetings with factory employees, it stirred up a debate over the changing definition of journalism. Are Daisey’s monologues really human truths in story form, or was he simply bending the truth to tell a better story?
Meanwhile, fans of British television are probably already familiar with Acorn Media. Now current and classic British programming such as “Upstairs Downstairs” can be watched on the company’s new streaming service, Acorn TV. Most recently Acorn acquired the rights to the popular World War II mystery series “Foyle’s War” as well as the estate of Agatha Christie. Miguel Penella, the company’s CEO, joins us to discuss some of Acorn’s bold moves for survival and long-term growth.
In music news, Billboard has finally figured out a way to include online music streaming figures in their weekly Hot 100 chart. Even so, some skeptics are pointing out that music video plays still aren’t being counted.
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Showbiz Sandbox 136: Crafting A Story For The Grammys Through Triumph and Tragedy
February 13, 2012
Los Angeles Times entertainment reporter Geoff Boucher was on assignment at the Grammy Awards when he heard about the the sudden death of pop star Whitney Houston over the weekend. While still covering music’s biggest night, Boucher was given two hours to write Houston’s obituary for the Sunday paper.
At the same time, David Wild was backstage at the Grammys putting the finishing touches on his script for the telecast. A contributing editor at Rolling Stone and best-selling author, Wild had less than 24-hours to work with Grammys producer Ken Ehrlich and revise the awards in the wake of Houston’s passing.
After an exhausting weekend Boucher and Wild join us to discuss how this year’s Grammys focused on two voices; one looking to the future with Adele winning six awards and one honoring the past by mourning the fresh tragedy of Houston’s death.
A whopping 40 million people watched this year’s Grammys telecast, though if we were to believe Nielsen few of them were under the age of 24. Brian Stelter of the New York Times stops by to explain why young people are watching television less often.
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Showbiz Sandbox 134: Video-On-Demand Rides To The Rescue At Sundance
January 30, 2012
This year’s Sundance Film Festival came to a close last weekend awarding top prizes to a wide range of movies. Independent film industry veteran Michael Tuckman sizes up this year’s festival and highlights some of its most noteworthy movies. Tuckman explains how video-on-demand has become a big part of the distribution strategy for such films, providing them with a wider audience than traditional art houses.
IFPI also showed up with some good news last week reporting that global digital music sales were up eight percent in 2011. Subscription services such as Pandora and Spotify are helping increase revenue, though they are also eating into the advertising dollars usually reserved for local radio stations.
Meanwhile, Broadway is gearing up for its spring season with a glut of hot new productions, making it difficult to pick a front-runner for Best Musical (the most valuable – if not the only valuable – Tony Award). Best Play is also up for grabs and none of the newcomers are slam dunks.
We also cover the week’s top entertainment news stories including, Simon Cowell retooling the “X-Factor” with new hosts and judges, an upbeat earnings report from Netflix and how Ticketmaster bungled the sale of tickets to Bruce Springsteen’s latest tour… again.
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Showbiz Sandbox 115: Record Industry Wages A Quiet War Over Song Rights
August 15, 2011
When the United States copyright law was revised in the mid-1970’s a little-known provision was included that lets musicians and songwriters reclaim ownership of their recordings after 35 years. Artists such as Bryan Adams, Bob Dylan, Loretta Lynn, Tom Petty and Tom Waits are set to regain control of their recordings starting in 2013 thanks to these “termination rights”. Rather than lose control of works worth millions of dollars, New York Times culture reporter Larry Rohter discusses how record labels plan to fight the provision in court.
Also picking a fight is Disney, which halted production of “The Lone Ranger” which was to star Johnny Depp and be directed by Gore Verbinski. Does pulling the plug on Jerry Bruckheimer’s latest blockbuster mean that Depp will refuse participate in another “Pirates of the Caribbean” sequel?
AMC has had its fair share of scuffles lately. After numerous disputes with the creators of their hit shows, AMC has become not only one of the most acclaimed cable networks in recent memory, but also one of the most troubled.
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Showbiz Sandbox 108: China Becomes Hollywood’s New Best Frenemy
June 20, 2011
Hollywood movie studios have been raking in the yuan at the Chinese box office over the past year. This despite China missing the most recent World Trade Organization deadline to open its market to more foreign films. Forced to work through government sanctioned monopolies, studios have been aggressive about getting their movies in front of China’s billion plus citizens. Meanwhile, actors such as Christian Bale have headed east to star in China’s big blockbusters, such as Zhang Yimou’s Heroes of Nanking.
Maybe a film from China will be nominated for a Best Picture Oscar in the near future. Of course, contenders will have to figure out the new Best Picture nomination process put forth by the Academy last week. In an effort to create an air of suspense, the number of nominees for the year’s big film prize will fluctuate between 5 and 10 entries, depending on how balloting shakes out. We’ll explain all the new rules.
It looks as if Spotify, the popular European music streaming service, may be launching in the United States as early as July. They’ll go up against well established offerings like Pandora, which went public last week.
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