Showbiz Sandbox 377: Disney Breaks Up With Netflix To Launch Solo Streaming Service
August 14, 2017
After years of licensing their movies to Netflix, Disney announced last week that it will be launching their own streaming service when their current deal expires. Then in a true reordering of the media landscape, Disney also revealed it will be creating a standalone subscription streaming service for ESPN. Realistically though Disney might be one of the few entertainment companies that could successfully pull off direct-to-consumer strategy on such a grand scale.
Perhaps Disney felt threatened by content distributors like Netflix and felt compelled to make a move. After all, just days after making their announcement Netflix said it had lured producer Shonda Rhimes away from Disney’s ABC Studios to make original programming for its own service. Netflix also stole hitmaker Chuck Lorre away from CBS and cut a deal with the Coen Brothers to make one of their next projects.
Meanwhile, there’s lots of drama on Broadway, literally and figuratively. Everyone is talking about the collapse of the musical “Natasha, Pierre and the Great Comet of 1812,” which has charges of racism, unprofessionalism and bad management swirling around it. Now the show is closing long before its $12 million budget was recouped.
Of course, we also cover the week’s top entertainment news including how Warner Music Group posted big revenue gains thanks to streaming, Bruce Springsteen heads to Broadway and the emergence of a new Chinese media magnate.
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Showbiz Sandbox 374: Streaming Services Rack Up 2017 Emmy Nominations
July 18, 2017
When this year’s primetime Emmy nominees were announced HBO still lead the way with 111 nominations, including 22 for “Westworld”, but streaming services such as Netflix and Amazon are quickly gaining ground with their own popular shows. Even Hulu managed to push their way into the Emmys for the first time with 13 nominations for “The Handmaid’s Tale”.
The only thing that remained the same about the Emmys from previous years is that some shows were nominated that shouldn’t have been, while others weren’t nominated but should have been. Don’t get us started on the TV episode that was somehow nominated for Outstanding Television Movie.
One series that wasn’t nominated for an Emmy was “Hawaii Five-O”, the hit CBS show which had two of its main actors depart after a contract dispute that became a flashpoint over the salaries and casting of minority talent.
Of course, we also cover the week’s top entertainment news including why a major Chinese entertainment company is taking a hit on the stock market after criticism from government officials, Tyler Perry signs a producing deal with Viacom and Quincy Jones sues the Michael Jackson estate over royalty payments.
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Showbiz Sandbox 369: When the Punishment Doesn’t Fit the Comedy
June 5, 2017
Kathy Griffin and HBO’s Bill Maher learned first-hand last week just how easy it is to cross the line wherein one’s jokes and antics go from being humorous to offensive. But after apologies are issued and near-term financial repercussions are suffered, should the careers of boundary pushing comedians really come to an end because of one regrettable mistake?
Meanwhile with Apple introducing a ton of new hardware at its Worldwide Developer Conference, the company is actually reaping more rewards from its content business. In fact, last quarter Apple earned more from selling content than most media conglomerates earned during the same period.
We’ll also tell you why the beloved radio DJ who helped discover acts such as the Sex Pistols and the Ramones is leaving his weekly show after 40 years. (Hint: It wasn’t his decision.)
Of course, we also cover the week’s top entertainment news including journalist Megyn Kelly’s anticipated return to television, a non-English single tops the Billboard charts and big name musical acts hold a benefit pop concert to raise money for victims of a terrorist attack in Manchester.
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Showbiz Sandbox 368: Virtual Reality is a Big Winner at the Cannes Film Festival
May 29, 2017
This year’s Cannes Film Festival came to an end over the weekend with the Palm d’Or being awarded to “The Square”, a comedy with socio-political overtones directed by Sweden’s Ruben Östlund. Sofia Coppola won the award for Best Director for “The Beguiled”, only the second time in the festival’s 70-year-history the prize went to a woman.
Though critics found the films selected by Cannes programmers to be underwhelming this year, there was unanimous praise for a virtual reality project created by director Alejandro González Iñárritu which was installed at the festival. We’ll take you inside the unique VR experience and tell you why the fuss being made over it is legitimate.
Meanwhile, this year’s upfronts were held over the past two weeks giving us a pretty good picture about the state of modern television. Here’s the question, if we are presently in the era of peak TV, how come all the new shows networks are trotting out seem so boring.
Of course, we also cover the week’s top entertainment news including the controversy over a women-only screening of “Wonder Woman,” Katy Perry signs on to judge the “American Idol” reboot and Steven Soderbergh returns to the directing movies… as we predicted.
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Showbiz Sandbox 366: Shifting TV Viewership is Affecting Ratings, Ad Sales and Future Programming Decisions
May 15, 2017
All the major television networks are preparing their dog-and-pony shows for advertisers at this year’s upfront presentations as they look to sell $9 billion worth of commercial time for the upcoming season. However with viewership continuing to become more fractured, the industry has grown concerned that falling ratings over the past year will lead to lower ad sales. Which raises the question about just how accurate audience measurement is these days.
Networks have begun taking measures to shore up potentially weaker ad sales by demanding harder bargains from production companies, owning more of their own series and making untold fortunes internationally with certain shows. They’re also dabbling more and more with live television specials including musicals such as “A Christmas Story”.
The 70th edition of the Cannes Film Festival will also begin this week, though not without some controversy over two Netflix titles screening in competition, but not in French movie theaters. This has led Cannes to create a new rule beginning in 2018 that any film selected for the festival must have a theatrical release in France.
Of course, we also cover the week’s top entertainment news including why Spotify might abandon plans for its IPO in lieu of a direct list o the stock market, Cheryl Boone Isaacs decides not to run for another term as head of the Academy of Motion Picture Arts and Sciences and Kelly Clarkson joins “The Voice” just as ABC announces the return of “American Idol.”
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Showbiz Sandbox 362: What’s The Flipping Problem With Record Store Day?
April 17, 2017
This year’s Record Store Day is just days away, but what began as a way to support independent record stores has turned into a covert commercial endeavor for those reselling the event’s exclusive vinyl releases at exorbitant prices. Sal Nunziato, a former record store owner himself, joins us to discuss why he’s never been all that fond of the annual promotion.
These days Nunziato is a music blogger and drummer in the band the John Sally Ride. Their new album, “A New Set of Downs” will be released later this year, but in a unique twist, is already available on platforms such as Spotify and Soundcloud. He’ll tell us all about it.
Meanwhile, even though ESPN has lost 12 million subscribers in the past six years, the cable sports network is still very profitable, generating $11 billion per year for its owner, Disney. But with skinny cable bundles and online streaming eating into its subscriber base, ESPN is girding itself for an unknown future.
Of course, we also cover the week’s top entertainment news stories including the launch of YouTube TV, Spotify finally signs a new deal with a major record label, and Harry Potter wins big it at this year’s Olivier Awards.
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Showbiz Sandbox 357: Oscars Can’t Win For Losing This Year
February 27, 2017
In a moment that will be discussed for years to come, this year’s Academy Awards ended with the wrong film being announced as the Best Picture winner. Ultimately it wasn’t “La La Land” that took home the prize as many predicted, but rather the socially conscious, racially diverse indie film “Moonlight” that won the award. Anne Thompson, Indiewire’s editor at large, tells us that by choosing “Moonlight” for its top award the Academy was making a statement about who they want to be as an industry.
Thompson also brings us backstage at this year’s Oscars, walking us through how such a huge mistake could actually happen, and what it was like in the press room when the error became apparent. Naturally, we touch on the some of this year’s Oscar winners as well.
Meanwhile, the way movies get distributed continues to be a contentious topic in Hollywood, with studios and cinema owners reportedly in negotiations on an agreement that might see new releases available for home viewing in as little as two weeks.
Of course, we also cover the week’s top entertainment news stories including how Netflix continues to book comedians, CBS cancels a brand new series and Beyoncé cancels her Coachella gig.
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Showbiz Sandbox 348: Hollywood Studios Get Serious About Shortening Theatrical Windows
December 19, 2016
Studios have been itching to shorten the theatrical release window for their movies since the moment they learned how much money they could make on home video. Of course, cinema owners aren’t too keen on the idea and refuse to book films that can be viewed at home less than three months after they hit theaters. With reports that Apple is talking to Hollywood in hopes of getting early access to movies for iTunes, have the stakes been raised?
Oscar season is heating up as the guilds begin weighing in. First up was the Screen Actors Guild who announced the nominees for their annual awards helping confirm a few front runners. When it comes to foreign language features, the Academy narrowed the list of eligible contenders down to nine, leaving out a few of this year’s favorites.
Meanwhile the Library of Congress announced a selection of 25 titles to enter the National Film Registry including silent films starring Buster Keaton, “The Princess Bride”, “Thelma & Louise” and “Rushmore”.
Of course we also cover the week’s top entertainment news including the executive shakeup at Warner Bros. Pictures, Julia Roberts comes to television and Amazon goes global with its video streaming service.
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Showbiz Sandbox 347: Who Should Perform What at the 59th Grammy Awards
December 13, 2016
When the nominations for the 59th Grammy Awards were announced last week Beyoncé continued her annus mirabilis by picking up no fewer than nine nods including one for album of the year. She’s in the mix with the likes of Adele, Drake, Justin Bieber and Sturgill Simpson. With musical acts that include Rihanna, Kanye West and Radiohead also up for awards, producers have a wealth of talent to choose from when selecting performers for next year’s ceremony.
The Golden Globe nominations were also announced recently and this year the Hollywood Foreign Press Association actually managed to categorize their film entries properly, unlike last year when the space drama “The Martian” won the prize for best comedy.
Meanwhile, the 2016 Black List survey was published on Monday, highlighting some of the best unproduced screenplays from the past year. Nine of the last 18 Best Screenplay Oscars were featured on the annual list, including “Spotlight”, “Juno” and “Slumdog Millionaire”.
Of course we also cover the week’s top entertainment news including the winners of the European Film Awards, why the CBS-Viacom merger collapsed and actress Emmy Rossum demands to be paid as much as her mail co-stars.
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Showbiz Sandbox 346: Critics Are Mixed Up About This Year’s Best Movies
December 5, 2016
With 2016 coming to an end movie critics have begun announcing their picks for the year’s noteworthy releases. As in recent years, critics groups from New York to Los Angeles differ slightly on what the top movie should be. The New York critics group went with the musical “La La Land”, while The L.A. group chose the drama “Moonlight”. To really confuse things the National Board of Review selected “Manchester by the Sea”. What this breadth of selections means is there were plenty of great films to see this year.
Where you see these movies, on the other hand, continues to be a debate, at least for the heads of movie studios. Kevin Tsujihara, the head of Warner Bros., made it known his company would like to release films into the home market soon after their release in movie theaters. He says the studio is having “constructive conversations” with a few cinema operators to make this a reality, but what that really means is anybody’s guess.
There seems to be no confusion however over whether TV networks want to attend the winter press gathering of the Television Critics Association; they don’t. These annual events allow networks to promote new shows while giving journalists a chance to grill the creatives and executive behind them. It looks as if many networks are skipping out on this January’s press tour as the top executives from ABC, CBS, Fox and NBC declining their invites.
Of course we also cover the week’s top entertainment news including DirecTV’s plans to go over the top, Netflix allows users to download movies for offline viewing and the Bee Gees get a new record deal.
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