Showbiz Sandbox 233: Net Neutrality – Is The Fat Lady Singing?
April 28, 2014
The concept that all data sent via the Internet should be treated equally has allowed services such as YouTube and Netflix to develop and prosper on a level playing field. However a new proposal from the Federal Communications Commission would effectively kill net neutrality by allowing companies to pay for faster access. Will the public revolt in mass protest or will big business ultimately prevail?
A similar question is being asked as the United States Supreme Court heard oral arguments over whether Aereo infringes on broadcaster’s copyright by retransmitting over-the-air television signals via the Internet, or if the company’s services are legal under current law. The future of television may hinge on the answer.
There seems to be no dispute over the state of opera these days as many regional companies are suffering from a number of problems, not the least of which is declining ticket sales. Most recently the San Diego Opera announced it would be shutting down after running out of money.
Of course, we also cover the week’s top entertainment news stories including Amazon’s deal to stream past HBO series, Ryan Seacrest stays with “American Idol” and why record labels are suing Pandora… again.
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Showbiz Sandbox 228: The Dish On That Disney Deal With Dish
March 11, 2014
After months of rancorous public and legal battles with television networks over their ad-skipping Hopper technology, U.S. satellite provider Dish Network reached a landmark retransmission consent agreement with the Walt Disney Company. The deal calls for Dish to disable bypassing commercials for three days after a show originally airs. In return Dish is getting the rights to provide Disney’s networks via the Internet for any future IP-television offering they might develop.
Meanwhile, the city which has become known for producing movies and television shows is under siege. Not from a foreign invader, but rather Los Angeles (and California) is suffering from what is known as “runaway production” thanks to tax incentives being offered in other states and countries.
Austin Texas has also been invaded over the past week by attendees at the annual South by Southwest festival. Neil Young marked the occasion by announcing Pono, his long awaited high-def music player, along with its accompanying store filled with digital tracks for audiophiles.
Of course, we also cover the week’s top entertainment news stories including Sandra Bullock’s giant “Gravity” payday, television networks start premiering their shows in summer and why time-shifting made HBO’s “True Detective” a huge hit.
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Showbiz Sandbox 214: Go Big Or Go Home – Why Big Budget Blockbusters Are The Safest Bet In Entertainment
November 18, 2013
Over the past year filmmakers from Steven Spielberg to Steven Soderbergh have lamented over Hollywood’s love affair with expensive tentpole releases. However, according to Harvard Business School professor Anita Elberse the entertainment industry is obsessed with blockbusters because they work. She explains why in a wide ranging interview about her new book on the subject, “Blockbusters: Hit-Making, Risk-Taking, and the Big Business of Entertainment”.
Not only are the number of big budget films studios churn out on the rise, apparently so is the level gun violence in hit titles. After studying 945 movies released from 1950 to the present day, researchers discovered gun violence portrayed in movies more than doubled during the time frame.
Meanwhile, in the television world most have forgotten about daytime soap operas. That hasn’t kept companies like Prospect Park from trying to keep shows such as “One Life To Live” and “All My Children” alive online. Unfortunately, they don’t seem to be getting any help from the network that originally aired the soaps and are now going to court over the matter.
Of course, we also cover the week’s top entertainment news stories including a movie for Monster High dolls, a new HBO show for John Oliver, pricy reruns for “The Simpsons” and a new manager for the rock band U2.
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Showbiz Sandbox 211: Why Movie Studios Are Playing Musical Chairs With Release Dates
October 28, 2013
There was a time if a Hollywood studio pushed back the release date for one of its eagerly anticipated titles it signaled the movie might be in trouble. If there was ever a sign that such stigmas no longer apply when delaying a release date, one need look no further than this year. An overly crowded and competitive awards season has meant the release dates for a number of high-end hopefuls have been wisely pushed into 2014, including “Monuments Men”, “Foxcatcher” and “Jack Ryan: Shadow Recruit”.
Distributors in China, Japan and South Korea may soon have to start worrying about release dates too. Box office is surging to record levels in Asia, thanks not to Hollywood blockbusters, but rather homegrown productions.
If it were up to consumer electronics manufacturers, we’d all be watching movies at home on our new 4K Ultra HD televisions. Broadcasters, burned by the original conversion to HD and a string of 3D experiments, want to know who is going to foot the bill this time around.
Of course, we also cover the week’s top entertainment news stories including the new, yet familiar, writers taking on the “Star Wars” sequels, YouTube gets into the music streaming business and Netflix wants to make original movies.
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Showbiz Sandbox 193: Getting The Scoop On Great Live Music
June 3, 2013
If you ever wonder whether you should really go see a new hype band perform live or want to warn friends not to bother with a legendary act’s latest reunion tour, then then you’ll be happy to learn about ShowScoop. The new social media website and mobile app bills itself as a “Yelp for concerts”. Company founder Micah Smurthwaite tells us how you’ll never have to see a bad show again and how bands can use the service to help promote their work.
We also have a complete rundown of BookExpo America, the largest North American trade show for book publishers. Held in New York City over the last week, Michael Giltz fills us in on the event, specifically detailing how digital technology has shaken up the industry.
Broadway’s best and brightest will be honored this weekend during the Tony Awards. Unfortunately, attendance at Broadway productions declined six percent over the past season, though revenue remained flat.
Of course we also cover the week’s top entertainment news including Disney’s ambitious long-term release schedule, Dan Harmon’s return to “Community” and a request to shorten the length of movie trailers.
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Showbiz Sandbox Special Episode: To Each Their Own Cannes Experience
May 22, 2013
With selections from world renown filmmakers like the Coen Brothers, Asghar Farhadi, Jim Jarmusch, Baz Luhrmann, Alexander Payne, Roman Polanski, Steven Soderbergh and Jia Zhangke, this year’s Cannes Film Festival is one of the most anticipated in recent memory.
Stephen Garrett is in Cannes this year as both a journalist covering for media outlets such as the New York Observer, and also as the head of Jump Cut, an advertising firm that specializes in producing trailers for foreign, independent and documentary films. Even at the halfway point in the festival he’s seen upwards of two dozen films and joins us to discuss some of the highlights and news items coming out of this year’s Cannes.
On the other hand, filmmaker Andrew Einspruch of Wild Pure Heart Productions is in Cannes to participate in the annual market. As he meets with sales agents, buyers and distributors in an attempt to sell his next movie, Einspruch hasn’t been able to see a single film.
It just goes to show how every attendee at the Cannes Film Festival has a different and unique experience.
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Showbiz Sandbox 189: Contentious CinemaCon; Corporate Coachella
April 29, 2013
At this year’s CinemaCon movie studios showed up in full force to pitch the world’s largest gathering of cinema operators on a bounty of upcoming blockbusters. Behind the scenes however, some of the larger theater chains were haggling with studios over how to divide ticket sales for tentpole releases such as “Iron Man 3”.
Meanwhile, for the second year in a row, the promoters of the Coachella Music Festival tried to replicate the event over two weekends. They held the same festival, with the same musical acts, on back-to-back weekends. While at times it couldn’t help but seem like a greedy attempt to extract more money from attendees, there were moments of sheer magic that only happen at Coachella.
Then there is Netflix, which after being ridiculed publicly for a series of ill-advised strategic moves in 2011, has managed to turn its ship around. After successfully producing its own hit-content with “House of Cards”, subscribers have returned, profits are increasing and the stock price is on the rise. Netflix CEO is feeling so good he wrote a manifesto on the future of televsion.
Of course we also cover the week’s top entertainment news including Zach Braff’s successful Kickstarter campaign, how Bittorent is helping market a movie and whether “Django Unchained” will ever be released in China.
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Showbiz Sandbox 187: Does The Justice System Finally Understand Copyright?
March 25, 2013
Last week the Supreme Court of the United States dealt another blow to copyright owners in a landmark ruling that confirmed what most consumer advocates had been saying for years; the first sale doctrine does not have geographic boundaries. The court smacked down publisher J. Wiley & Sons’ copyright infringement lawsuit against Supap Kirtsaeng for reselling textbooks he had purchased at a discount in his native Thailand.
While major entertainment companies and trade groups like the MPAA and RIAA may have been on the losing end with the Supreme Court, an appeals court handed them a major victory by ruling in favor of movie studios who claimed that the operator of isoHunt, a large BitTorrent site, was inducing copyright infringement. The court agreed isoHunt was not eligible for safe harbor.
Meanwhile the Library of Congress announced 25 new recordings that will be added to its official preservation registry. We’ll fill you in on the grab bag of popular music, radio shows, news reports, opera and other recordings that made the cut.
Of course, we also cover the week’s top entertainment headlines including NBC’s silly decision to oust Jay Leno from The Tonight Show (again), the booming Chinese box office and “Downtown Abbey’s” record ratings.
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Showbiz Sandbox 180: Binge-Viewing Is Transforming The Way We Watch Television
February 4, 2013
With new streaming media services such as Netflix, Hulu and Amazon Prime popping up all the time, we now have the ability to watch entire seasons of episodic television series all at once. Now Netflix is taking binge-viewing one step further by releasing all 13-episodes of their original drama series “House of Cards” at once. Dawn Chmielewski of the Los Angeles Times explains how the trend is altering narrative structures, existing revenue models and the entire television landscape.
Speaking of television, the Super Bowl proved once again to be a huge ratings bonanza with more than 108 million viewers tuning in to the football championship game. Unfortunately a power outage delayed the airing of a post-game television show which had hoped to get a boost from carryover viewers.
Meanwhile, Quentin Tarantino’s “Django Unchained” continues to top the worldwide box office, leading a pack of Oscar contenders that continues to attract big audiences well into the new year.
Of course we also cover the top entertainment headlines from the past week including news about a film version of the hit series “Entourage”, plans for subscription channels on YouTube and Ticketmaster (sort of) ditches its horrible security system.
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Showbiz Sandbox 179: How To Gamble And Win On Broadway
January 28, 2013
This year alone there are at least 15 new shows being mounted on Broadway including adaptations of movies such as “Diner” and “Big Fish”. At one point or another all were in search of financial backing, however well known productions with big name stars often don’t pay dividends. We review which upcoming stagings smart, experienced Broadway investors should be banking on.
A very successful Sundance Film Festival came to an end last week as distributors left Park City having acquired a dozen or more independent films. We discuss the reason behind the frenzied sales activity and why some films came with steep seven-figure price tags.
Since we’re on the subject of paying out or investing money, it looks as if the cable bill for Los Angelenos will be going up again thanks to the L.A. Dodgers deal with Time Warner Cable for a new sports channel. Does one market really need six sports networks. More importantly, why are the customers in a single market forced to pay for them whether they want them or not.
Of course we also cover the week’s top entertainment news including Warner Bros. new CEO, JJ Abrams signs on to direct the new “Star Wars” and Fox begs viewers to use their DVRs.
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