Showbiz Sandbox 570: The Realistic Future of a Mature Netflix

January 26, 2022

When Netflix was just shy of meeting its estimated new subscriber growth during the last financial quarter it faced immediate repercussions as its stock price plummeted over 20% in a single day. We explain why Netflix is not suddenly a failing company, it’s just one in a mature market of its own making. Even so, Netflix’s sudden deflation has given Hollywood’s media giants cause for concern, since most of them followed the company’s lead by launching their own streaming services.

Meanwhile the Sundance Film Festival, which usually takes place in Utah each January was forced by COVID forced to go virtual for the second year in a row. However, even remotely, the festival remains one of the premiere launching pads for independent film and, at the halfway point, we’ll tell you what titles are generating all the buzz.

Of course we also cover the week’s top entertainment headlines including Microsoft’s big video game acquisition, YouTube stops paying for original content and Adele postpones her Las Vegas residency.

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Showbiz Sandbox 536: Blockbuster Box Office Begins Pandemic Recovery

April 14, 2021

After remaining dormant for most of the past year “Godzilla vs. Kong” revived the box office with the best opening weekend since the COVID-19 pandemic bega. The monster movie has taken in over $350 million globally despite being available on HBO Max. in $38 million despite being available on HBO Max. Does this mean big blockbuster movies can open day-and-date and score big even if they’re available online via a streamer? Uh, no.

Meanwhile, politics is stressing out Hollywood. Whether it’s human rights issues in China or voting rights issues in Georgia, Hollywood is not happy about being forced to take sides.

Of course we also cover some of the week’s top entertainment headlines including producer Scott Rudin being exposed as a bully after decades of bad behavior, “Game of Thrones” may be headed to Broadway and singer Lil Nas X stirs up some controversy with his latest chart topper.

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Showbiz Sandbox 367: Netflix Makes Waves At the Cannes Film Festival

May 24, 2017

If the Cannes Film Festival’s decision to premiere two Netflix films in competition was controversial when it was announced, it was all anyone could talk about once the festival actually began. It didn’t help that this year’s jury president, director Pedro Almodovar of Spain, made headlines on the first day when he was mis-translated as saying he wouldn’t award films that won’t play in cinemas with any prizes.

Just about every filmmaker and movie star attending Cannes has been asked about their opinion on the streaming versus cinema debate, though most have offered ambivalent answers, realizing that their next paycheck might be coming from Netflix or a similar service. To be sure, the discussion is far from over.

Meanwhile, after recent terrorist attacks throughout Europe, including nearby Nice, security has been tighter than ever for the more than 50,000 attendees in Cannes this year. This has caused delays at festival events for the first time in recent memory, though everyone has been very understanding. Especially this week, after bomb was set off at an Ariana Grande concert in Manchester, England killing 22 people.

Of course, we also cover the week’s top entertainment news including how TV networks are learning to take advantage of Ramadan to boost viewership, King Kong will try to tackle Broadway and Jimmy Kimmel will return as the host of next year’s Oscar telecast.

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Showbiz Sandbox 301: The Current Reality of Virtual Reality

November 9, 2015

Until the past few years virtual reality felt more like actual fiction, as proponents offered up underwhelming demonstrations which requiring expensive and cumbersome equipment. The days however, the ongoing work by the pioneers developing VR has transformed the technology into a viable platform for more than just the odd hardcore gamer.

As VR products and content make their way into the consumer market, it seems no industry trade show or film festival is complete without addressing the technology in some way. In fact, just last week, the Sundance Institute announced they would begin a residency program in VR and the New York Times launched their own VR initiative. We dive into the hype behind VR and try to make some sense out of what all the fuss is about.

Meanwhile, as the MPAA confirmed a new agreement for film distribution in China, and with the country on track to surpass North America as the world’s largest movie market in 2017, a number of organizations are claiming China isn’t abiding by international trade rules to which it had originally agreed.

Of course we also cover the week’s top entertainment news including the nominees from this year’s European Film Awards, Showtime’s plans for the revival of “Twin Peaks” and why a number of police departments are calling for their officers to boycott Quentin Tarantino’s upcoming movie.

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Showbiz Sandbox 289: In Hollywood Fame and Fortune Is Often Relative

August 10, 2015

There is no dispute that in the entertainment business, just like in any other industry, money is the fuel that keeps the engine running. Yet raising it, accounting for it, paying it back and doling out profits is becoming more complex for media companies. Indeed, making a fortune in show business is anything but easy or straight forward.

Take Relativity Media for example. The upstart movie studio and its brash CEO Ryan Kavanaugh were going to change the way Hollywood operated and movies were made. However now they’ve filed for bankruptcy. We’ll provide some background and explain the details of what could wind up being the largest studio bankruptcy ever.

Movie moguls aren’t the only one’s struggling to mind their dollars and cents. Legendary musician David Byrne wants record labels to be more transparent about where all the money is going in the music business. Meanwhile the Authors Guild has a few thoughts of its own when it comes to copyright and revenue from book sales.

Of course we also cover the week’s top entertainment news including Jon Stewart’s last “Daily Show”, staff turmoil at Rolling Stone magazine and changes afoot in film distribution strategies.

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Showbiz Sandbox 275: TV Casting Isn’t Just Black and White

March 30, 2015

Thanks to the success of new shows like “How To Get Away With Murder”, “Black-ish”, “Fresh Off The Boat”, “Jane the Virgin” and, of course, “Empire”, Deadline Hollywood reports this year’s pilot season is experiencing an explosion of minority casting. Networks are now writing roles specifically for ethnic actors and demanding series pilots feature a diverse cast. Though long overdue, the suggestion that the “pendulum might have swung a bit too far in the opposite direction” ruffled a few industry feathers.

In less controversial news, the Library of Congress announced the 25 recordings it will be adding to the National Recording Registry this year. Among them are classics by The Doors and Radiohead, Broadway cast albums and hits by The Righteous Brothers and Johnny Mercer. There are even a few historical wax cylinder recordings dating all the way back to the 1890s.

And just when you thought the awards season was long over, the New York Independent Film Critics held their annual meeting to select the IRA Film Awards. Our host Michael Giltz was on hand to argue, discuss and vote for the best in movies from last year with a prestigious group that believes they have better taste than all those other awards shows. We’ll go over the list of winners.

Of course, we also cover the week’s top entertainment news stories including who will replace Jon Stewart as host of “The Daily Show”, the popular television series “Downton Abbey” calls it quits as does Zayn Malik, a now former-member of One Direction.

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Showbiz Sandbox 272: Why The TV Industry Is Fighting Over Your Viewing Habits

March 9, 2015

Time-shifting content consumption has grown astronomically over the past several years thanks to technology like streaming and DVRs. Nearly half of all TV viewers no longer watch shows when they are first aired, upending the traditional ratings system used to measure audiences. Networks now want advertisers to pay for all the viewers of a program up to a week after its original telecast.

Presently, advertisers only pay for viewers of a show during the first three days after its broadcast, a timeframe the don’t wish to extend. Complicating the matter is a dramatic increase in the number of shows airing during primetime, fracturing audiences and forcing ad execs to sift through 1,700 programs in which commercials can be placed.

Buying ad time during the Academy Awards ceremony is usually a no-brainer for marketing moguls, however the Oscars telecast has become so predictably dull that it’s audience has begun to shrink. In an effort to boost ratings, the Academy’s Board of Governors is now hinting they may revert back to having only five Best Picture nominees, rather than the potential of ten. We debate why this is not such a good idea.

Of course, we also cover the week’s top entertainment news stories including the high profile court battle over the authoriship of a hit song, NBC goes over-the-top and Bruce Willis heads to Broadway.

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Showbiz Sandbox 271: A Brief History of Net Neutrality

March 2, 2015

Last week the Federal Communications Commission approved new rules that will regulate broadband Internet service and enforce net neutrality. Just in case you’re still trying to decipher the net neutrality news, Jonathan Strickland, a senior writer for How Stuff Works, explains exactly what it is how the issue has evolved over time, starting in the 19th-century with laws designed to govern railroads.

Another hot topic in Hollywood lately has been the executive shuffle taking place at several studios. Former Fox exec Tom Rothman will take over for the recently departed Amy Pascal as head honcho of Sony Pictures, while Paramount begins its own search for a new leader after the departure of Adam Goodman.

Surely all of these moguls would be quick to assure you that Will Smith is indeed a movie star despite a few recent box office duds, yet as his latest film hits theaters news stories abound asking whether the actor can still open a movie.

Of course, we also cover the week’s top entertainment news stories including the Blade Runner sequel moves forward, Pee Wee Herman brings his playhouse to Netflix and Disney reboots Ducktales.

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Showbiz Sandbox 269: When Journalists Make Headlines Instead of Report Them

February 17, 2015

Last week a number of respected journalists who have won praise after decades of reporting the news actually wound up in the headlines themselves. First Brian Williams, the anchor of NBC Nightly News was suspended for six month by the network when allegations arose that he exaggerated his experiences while reporting on the Iraq War. Then, esteemed New York Times media columnist David Carr suddenly died after collapsing in the newsroom leading to an outpouring of condolences.

Ironically, overshadowing both of these events was an announcement from Jon Stewart, a self-professed “fake journalist” that he would be leaving “The Daily Show” after 17 years as it’s host. Such news must have executives at Comedy Central reeling, since it comes on the heels of Stephen Colbert’s departure from the network.

On the other hand, Spider-Man isn’t going anywhere. He’s going to stay at Sony, however will be loaned to Disney for appearances in Marvel’s multi-character movies. The studio also plans to once again reboot the Spider-Man franchise by recasting the role.

Of course, we also cover the week’s top entertainment news stories including the huge opening weekend for “Fifty Shades of Grey”, Netflix heads to Cuba and the latest awards season winners.

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Showbiz Sandbox 188: Remembering Roger – Personal Recollections of the World’s Most Famous Film Critic

April 8, 2013

The death of film critic Roger Ebert last week after a lengthy and public battle with cancer was followed by an endless stream of heartfelt appreciations. Arguably one of the most recognized and influential movie critics in the world, few were aware of Ebert’s generosity, especially when it came to fellow critics and journalists.

David Poland of Movie City News and Anne Thompson of Indiewire join our hosts in discussing a few of the personal memories each has of Ebert from spending time with him over the years. For instance, did you know filmmaker Michael Moore credits Ebert with helping spread the word about the his first movie? Or that Ebert was an early investor in a little web startup named Google?

Meanwhile, late night television dominated the entertainment news last week as NBC officially announced they would not be renewing Jay Leno’s contract as host of the “Tonight Show” in order to bring in the younger Jimmy Fallon. The move has been widely hailed as a boneheaded attempt to win ratings in key demos as competition increases, but in the end Jon Stewart’s “The Daily Show” might still bring in more viewers.

Of course, we also cover the week’s top entertainment headlines including Pixar’s “Finding Nemo” sequel, “American Idol’s” declining ratings and why take-down notices issued by movie studios are actually helping pirates, not hindering them.

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