Showbiz Sandbox 615: Warner Bros. Takes Streaming to the Max
April 18, 2023
Warner Bros. Discovery had long promised to merge its two major streaming services HBO Max and Discovery+ into a single, combined offering. This past week the media giant unveiled the name of the new service to the public; Max. Despite having decades of positive brand recognition, HBO will be dropped from the name. The company also announced a ton of new content for the service including a Harry Potter television series.
Meanwhile, the Writers Guild of America has authorized a strike against studios, networks and streamers. Producers believe that a strike is now inevitable after the writers’ current contract ends in May.
Of course we also cover the week’s top entertainment headlines including the latest additions to the Library of Congress National Registry of Recordings, Latin music becomes a $1 billion industry and a proposal for new safety guidelines for film and TV productions.
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Showbiz Sandbox 602: Avatar Sequel Makes A Splash at the Box Office
December 20, 2022
Filmmaker James Cameron delivered his long-awaited sequel to “Avatar,” the highest grossing movie of all-time and it delivered the blue Christmas movie theaters were hoping for. “Avatar: The Way of Water” is getting mostly glowing reviews for its visuals, less so for its story, and opened to huge admissions figures around the world. Whether it will surpass the success of the original film is questionable, but it should reign over the box office through the end of January.
Meanwhile, it turns out Warner Bros. Discovery wasn’t done making post-merger cuts. The media conglomerate increased the write-down of its existing content, pulling shows off of HBO Max and upending the DC Universe in the process.
Of course we also cover the week’s top entertainment headlines including the latest entrants to the National Film Registry, an update on Bad Bunny’s Ticketmaster fiasco and an early prediction for the 2023 global box office total.
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Showbiz Sandbox 581: Streamers Double Down On Original Programming
April 19, 2022
A new industry study claims the five largest producers of original content in the United States also happen to be some of the biggest streamers in the world. Nearly half the content offered by Discovery, Disney, Paramount, the former WarnerMedia and Comcast are original productions which increasingly premiere on their subscription streaming services. Turns out Netflix and Amazon license much of their programming from other companies.
Meanwhile, we are delighted to see the Indian film industry leading the world back to moviegoing. And it’s not just Bollywood! Films of every genre and from all parts of the country are topping the worldwide box office.
Of course we also cover the week’s top entertainment headlines including a talent shuffle at newscaster MSNBC, the Library of Congress adds recordings to its national registry and how Coachella found itself being censored in China.
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Showbiz Sandbox 487: For Performing Arts, the Show Must Go On
April 2, 2020
Impresario Evans Haile has decades of experience as a producer, artistic director and performer of live theater and opera, yet nothing could have prepared him for how the coronavirus pandemic would disrupt the industry.
As the executive director of the York Theatre Company in New York, the executive director of Opera North in New Hampshire and the producing director of the Gainesville Symphony in Florida, Haile gives us his unique perspective on the impact COVID-19 is having on arts institutions from Broadway to Off Broadway and even regional theaters.
In China, the few cinemas that began to open back up are now re-shuttered for fear of another coronavirus outbreak. This means that 94% of commercial movie theaters around the world are now closed.
Of course we also cover some of the week’s top entertainment headlines including the historic audio recordings that the Library of Congress has entered into its registry this year.
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Showbiz Sandbox 442: Apple Finally Unveils Their Content Plans
March 26, 2019
After years of anticipation and endless speculation, the technology giant Apple finally announced its plans for its video streaming service. Not only will Apple TV now be available on all smart televisions and integrate with existing cable providers, it will offer a la carte over the top services. What’s more, Apple revealed a slate of six homegrown series marking its first foray into original content.
Apple is not starting small either, launching their service with shows from some of the biggest names in Hollywood, including Steven Spielberg, J.J. Abrams, Jennifer Aniston and Reese Witherspoon, to name just a few. The only thing they didn’t make public about Apple TV+ is its subscription price.
And while new digital streaming platforms are all the rage, there is still plenty of money to be earned at the theatrical box office. Official numbers for 2018 have now been finalized, with North American box office rising 7%, helping boost worldwide receipts 2% to over $41 billion.
Of course we also cover the week’s top entertainment headlines including the contentious talks between the WGA and talent agencies over packaging fees, Disney officially acquires Fox and the Library of Congress adds 25 new sound recordings to the National Recording Registry.
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Showbiz Sandbox 405: Hollywood Adopts A Queer Gaze as LGBTQ Films Go Mainstream
March 26, 2018
Hollywood studios are no strangers to coming-of-age romantic comedies (see any John Hughes film), but never before has a mainstream film centered around a gay teenager. Even so, Twentieth Century Fox didn’t cover up the subject matter of “Love, Simon” and instead used it in their marketing campaign.
What’s more, such films are now being made by members of the LGBTQ community lending them a sense of credibility through what Los Angeles Times film reporter Tre’vell Anderson calls the “queer gaze”. Anderson joins us to discuss the present state of queer films and the future of a genre that is becoming more prominent.
Meanwhile the music industry has something to celebrate as 2017 marked the second year in a row with double digit revenue growth. Streaming services accounted for more than half the year’s total earnings, which are finally back at 2008 levels.
Of course we also cover the week’s top entertainment news including some of the changes taking place at this year’s Cannes Film Festival, Bruce Springsteen extends his stay on Broadway and online piracy continues to grow.
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Showbiz Sandbox 393: Disney Acquisition of Fox Underscores Hollywood’s Digital Transition
December 18, 2017
In one of the largest deals Hollywood has ever seen, the Walt Disney Company announced it had agreed to buy most of 21st Century Fox in a transaction valued at $66.1 billion. Disney will scoop up Fox assets that include 20th Century Fox film and TV studios, 300 cable channels, 22 regional sports networks, control over the Hulu streaming service and a stake in Sky. Fox will keep its news, sports and broadcast networks, as well as its publishing empire.
The move underscores how movie studios have become an intellectual property business where scale matters. Rupert Murdoch feared Fox never scaled properly to compete in the age of digital on-demand consumption of content and that his company was at the peak of its value. Selling a portion of his empire also avoids a family power struggle over who would take control of the company once he steps down.
Meanwhile, the first award nominations from a guild have arrived courtesy of the Screen Actors Guild. And the Library of Congress added 25 new works to the National Film Registry, including fiction and documentaries, features and shorts. We’ll discuss what significant works they’ve enshrined.
Of course we also cover the week’s top entertainment news including the FCC officially ditches net neutrality regulation, the Rock and Roll Hall of Fame announces this year’s entries and why Norway is switching off FM radio.
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Showbiz Sandbox 361: Forget Release Windows, CinemaCon Proves the Screen is the Future
April 4, 2017
Cinema operators gathered in Las Vegas last week to attend the annual CinemaCon trade show where they were able to preview upcoming film releases and learn about some of the new technology on offer for their theatres. Naturally, box office was a big topic with global ticket sales (barely) hitting a record $38.6 billion. Even with a strong U.S. dollar, international box office still made up 71% of the total.
Another issue on everyone’s mind were theatrical release windows; studios want to introduce a premium video on demand offering that brings new releases to the home sooner, though exhibitors are understandably pushing back.
Meanwhile, there may be no movies to show in cinemas if screenwriters goes on strike. The Writers Guild of America has been meeting with producers and studios, however the sides are far apart in their negotiations and a strike is looking more likely.
Of course, we also cover the week’s top entertainment news stories including Robert Downey Jr. as Dr. Dolittle, why major advertisers are upset with YouTube and Adam Sandler reups with Netflix.
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Showbiz Sandbox 348: Hollywood Studios Get Serious About Shortening Theatrical Windows
December 19, 2016
Studios have been itching to shorten the theatrical release window for their movies since the moment they learned how much money they could make on home video. Of course, cinema owners aren’t too keen on the idea and refuse to book films that can be viewed at home less than three months after they hit theaters. With reports that Apple is talking to Hollywood in hopes of getting early access to movies for iTunes, have the stakes been raised?
Oscar season is heating up as the guilds begin weighing in. First up was the Screen Actors Guild who announced the nominees for their annual awards helping confirm a few front runners. When it comes to foreign language features, the Academy narrowed the list of eligible contenders down to nine, leaving out a few of this year’s favorites.
Meanwhile the Library of Congress announced a selection of 25 titles to enter the National Film Registry including silent films starring Buster Keaton, “The Princess Bride”, “Thelma & Louise” and “Rushmore”.
Of course we also cover the week’s top entertainment news including the executive shakeup at Warner Bros. Pictures, Julia Roberts comes to television and Amazon goes global with its video streaming service.
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Showbiz Sandbox 317: Bundling Cable Networks May Work For Advertisers, But Not For Cable Customers
April 4, 2016
In yet another sign that the difference between broadcast and cable networks is eroding, NBCUniversal announced that it would include all of its cable outlets in their traditional upfront presentation to advertisers for NBC. By combining shows from networks such as Bravo, Telemundo and Oxygen with the big primetime hits on NBC, the Comcast owned media giant is signaling that the best way for advertisers to reach viewers is through aggregating audiences.
Time Warner Cable, on the other hand, is struggling to distribute its own content through different cable providers. Specifically, none of the other pay-TV companies is willing to force their customers to pay for SportsNet LA, the regional sports network owned by the Los Angeles Dodgers. Could this be an indication that cable operators finally understand that technology will force them to unbundle their basic cable offering?
Meanwhile, short, cheap and entertaining books – once called dime store novels or pulp fiction – are making a comeback. As are serialized novels, short stories and lots of things that don’t fit into the 250 pages or more standard of most books today. Technology and the need to hold the attention of readers are the reasons it’s happening.
Of course we also cover the week’s top entertainment news including the controversial film pulled from the Tribeca Film Festival lineup, the death of comedian Gary Shandling and the porn industry gets into virtual reality.
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